On the stage, Jiang Yuan and others started dancing to the music.

This time, the choreography for "Huo Yuanjia" is mainly based on pop dance, and also incorporates some martial arts movements into it, with a large framework.

At this time, Jiang Yuan stood in position C, leading He Jing and others, and the frame movements were very beautiful.

He Jing has filmed martial arts scenes before, so this dance was also very vigorous and powerful.

Zhang Xian's physical ability is also very good. With the same choreography, Zhang Xian danced in a soft and beautiful style.

As for Lin Xiao and Wei Heng, although they are weak in the dance part, after two weeks of practice, they have achieved basic order and are not obtrusive on either side of the stage.

As soon as the dance started, Xu Chengxuan was stunned.

After the rapper in the same group was shocked by Jiang Yuan's rap, it was his turn again.

Xu Chengxuan was actually very unfavorable about Jiang Yuan's team's singing and dancing.

In addition to feeling that Jiang Yuan and others are not good at dancing and cannot sing and dance at the same time. On the other hand, although I think "Huo Yuanjia" will be a very popular song, there is still a stereotype that Chinese-style songs are not suitable for singing and dancing.

.

But now, Xu Chengxuan feels that he has been severely slapped in the face, in all aspects.

He had been staring at Jiang Yuan's dance moves for a long time. While the movements were stretched, they also maintained strength. They were very textured and every beat clicked just right.

In Xu Chengxuan's opinion, this is not a simple choreography. With such a large frame of movement, he can still sing stably without much padding. This is not a weak performance.

Judging from the compatibility of the song and dance, many brothers backstage were so excited that they stood up from their seats.

Chinese style songs are not suitable for choreography? Xu Chengxuan felt his face hurt.

The rap verse ended, the tune changed, and it was Zhang Xian's turn.

"In a small town, time passes by

Clear courage..."

Zhang Heng sang in a standard Huadan style, and the audience was amazed.

The dance movements of Jiang Yuan and others also changed accordingly, switching very smoothly, incorporating Tai Chi movements, combining hardness and softness.

The hosts stood together under the stage and suddenly got goosebumps all over their bodies.

Although this is not the first time Jiang Yuan has incorporated elements of drama into a song, it is so unreasonable!

What's more, the texture of Zhang Xian's authentic Hua Dan opera is obviously not comparable to ordinary opera, and the listening experience is completely different.

The drama section ends and the song transitions smoothly to the chorus.

Jiang Yuan and others took out the folding fans from their waists with their hands behind their backs.

The melodious sound of the flute is played, and traditional musical instruments such as guzheng, pipa, and erhu are blended with electric guitars, drums and other musical instruments.

Jiang Yuan and others started singing together.

“Ho ho ho ho, ho ho ho ho,

Huojiaquan’s routines are flexible!”

"Alive, alive, alive, alive,

Live life and live it to its fullest!”

The chorus is sung by five people, three of whom are professional singers, with extremely strong vocal pressure and full of momentum.

The chorus section is choreographed using a fan dance, which was also Jiang Yuan’s suggestion, incorporating elements from the original music video.

The strong chorus, combined with the neat dance moves, made the audience's scalp numb.

No one expected that the third performance and the first performance would be such a hit.

Backstage, Xu Chengxuan was also numb!

He was relieved when he heard that Jiang Yuan's team was challenging singing and dancing this time.

As a result, when the performance started, it was Diao Wei Ya again. He rapped well, danced well, and even added drama and fan dancing.

Xu Chengxuan really couldn't think of what to win.

After the chorus ended and the dance movements ended, Jiang Yuan and others performed a fist-cup salute.

As the electric guitar continued to roar, the camera moved in front of Jiang Yuan little by little.

After getting the rhythm right, Jiang Yuan held the camera and flicked it to the side.

He threw it in front of Lin Xiao on the far right and started singing the second verse.

"Drink, how many times in your life are you waiting for in the arena..."

The rap part of the second verse still has the same lyrics.

But Lin Xiao sang it with a different momentum than Jiang Yuan.

Jiang Yuan's rap this time showed the level of a professional rapper, while Lin Xiao sang this rap in a rock style, which was very grainy.

While Lin Xiao was singing, Jiang Yuan, He Jing and others were performing some martial arts moves on the side.

In addition to the dance choreography, the stage of "Fearless Fearless" also included some martial arts moves at He Jing's suggestion.

After finishing a set of moves, the rap verse just ended.

After several position changes, Jiang Yuan returned to stage C, and He Jing and others once again danced a dance that incorporated Tai Chi movements.

Jiang Yuan stood in the center holding the headset, and he sang the second part of the drama.

"Small town...

Washed memories, I remember you,

Live proudly!”

It's the same passage, but Jiang Yuan's tone is different from Zhang Xian's, and has a different charm.

Although the audience had already realized through the stage of "Chi Ling" that Jiang Yuan's level was not inferior to Zhang Xian's.

But when you actually hear it live, the shocking feeling is something you can't experience in front of the screen.

When the play ends, it turns to the chorus again, and the fan dance appears again.

"Ho ho ho ho ho...

Passed by, passed by, passed by,

Fault and weakness never belong to me..."

Another chorus, the atmosphere of the audience was completely aroused, and some audience members were already singing along.

Qi Yi couldn't help but raise his hand and wave it a few times under the stage.

Backstage, all the brothers had stood up to watch the performance.

Zheng Qingyang frowned and swayed to the rhythm. He had this expression every time he heard music he liked very much.

He really liked the arrangement of this song, especially the flute sound in the chorus.

After another chorus ended, Jiang Yuan and others closed their folding fans and swung them to the side.

During the interlude, instruments such as guzheng continued to play.

Jiang Yuan stood there, while He Jing and others took a few steps back, and then He Jing threw a long sword towards Jiang Yuan.

Jiang Yuan took the sword, then unsheathed it, and the sword body was immediately covered in flames.

This chapter is not over yet, please click on the next page to continue reading the exciting content! Amid the exclamations of the audience, Jiang Yuan held the hilt of the sword with both hands and danced to the rhythm.

At this time, Xu Chengxuan had given up on competing with Jiang Yuan's team in the background. He couldn't compete with each other after these laborious tasks.

The interlude ended, the flame on the long sword went out, Jiang Yuan threw the sword to the side, and He Jing and others quickly moved back to Jiang Yuan's side.

The chorus was sung again. This time, there was no fan in the dance part of the chorus, and some adjustments were made to the movements.

Jiang Yuan faced the camera and danced out the dance moves he had practiced many times. The angle of each move in front of the camera was just right and full of rhythm.

In dance, strength and rhythm are very important.

If the choreography on this stage lacks rhythm, it will look like radio gymnastics.

But Jiang Yuan and others avoided this very well.

Another chorus ended, Jiang Yuan and others finished their dance moves, changed their positions again, and sang the last verse.

The last section is performed in the form of a duet.

Jiang Yuan and Zhang Xian sang the opera part together, while He Jing and the other three were responsible for singing the chorus, each performing their own duties.

"I me me me, me me me me,

No one can hide from our Jingwu attacks!"

After the last line was sung, Jiang Yuan and others reunited under the red arch in the center of the stage and made an ending pose.

The choreography for this performance was the simplest since Jiang Yuan participated in "Breaking Through the Troubles". The stage was simply arranged to give a scene with Chinese style elements.

The choreography did not dominate the show, and everyone's attention was focused on the performances of Jiang Yuan and the five others.
To be continued...