The museum's performance hall is located on the top floor.

The scene has also been arranged in advance, and the background props are all very beautiful.

You can clearly feel the local cultural elements of Jingcheng, which is full of characteristics.

After Jiang Yuan offered to play first, preparations began immediately.

The staff and musicians brought the instruments to the stage and set them up first. Jiang Yuan also tried the microphones and speakers in advance.

The equipment on site was the same as that used in "City Street Corner" before, and Jiang Yuan quickly adapted to it.

The musicians were all in place, Dai Yin also sat in front of the guzheng, and Jiang Yuan raised the microphone and announced the performance.

"Song performance "Blue and White Porcelain"."

Jay Chou's "Blue and White Porcelain" is Jiang Yuan's favorite song hidden in his new album.

The music was composed by Jay Chou, the lyrics were written by Fang Wenshan, and the arranger was Zhong Xingmin, a typical Wang Zha arrangement.

As we all know, although Jay Chou has many representative songs, there are only a few masterpieces that are written on his personal information.

"Blue and White Porcelain" is one of them. Not only has this song won numerous awards, it has also appeared on the Spring Festival Gala stage, and its lyrics have even appeared in exam papers and college entrance examination questions.

Before participating in "New Rhythm of National Style", I never thought that the theme of this episode would be so consistent.

After Jiang Yuan announced the title of the song, everyone at the scene had different reactions.

Except for Dai Yin, who participated in the performance and had already listened to the song, the other guests seemed to have no idea that the title of the song was so straightforward.

Feng Tie leaned on his seat, feeling a little bit more like a comparison in his heart.

After all, the poem he displayed today is also titled blue and white porcelain.

The lyrics he competed to write for the hit song were also written in poetry, so it can be said that they are comparable to a certain extent.

Jiang Yuanbao went behind the scenes, said hello to Dai Yin and others, and started the performance.

There were not many viewers in the performance hall. Apart from the guests, there were only some staff from the program team.

Fortunately, the song "Blue and White Porcelain" is not the kind of song that requires a live audience to enhance the atmosphere and interact together, so it has little impact.

The performance began and the musicians played the intro to the song.

Before the performance started, everyone at the scene felt the extraordinary lineup from the band's lineup.

The composition of the band is very luxurious, and the composition of a drum group alone is very complicated, including not only drums, but also Chinese drums, castanets, and maracas.

The song begins with drum music, and the sounds of different drum sets mix together in an orderly manner, giving the audience a sense of emptiness.

Taking the drum music as a guide, Dai Yin also started playing the guzheng.

The pleasant sound of the piano sounded, and the atmosphere of the song began to build up little by little.

The integration of electric bass and piano, and one of Dai Yin's best friends also plays the harp and joins the ensemble, making the prelude even richer.

Then, another of Dai Yin's best friends played the bamboo flute, injecting soul into the prelude of the song.

The melodious sound of the flute instantly overwhelmed the other instruments, showing everyone what a prelude is.

At this time, the few spectators present truly felt what an auditory feast was.

After the melodious flute sound, Jiang Yuan raised the microphone.

All kinds of musical instruments were silent, with only the electric guitar and drums remaining, focusing all the audience's attention on Jiang Yuan's singing.

"The plain embryo outlines the blue and white brush strokes with thick and thin edges"

"The peonies depicted by the sound of the bottle are just like your first makeup"

Jiang Yuan dressed in white and started singing on the stage.

The singing voice is clear and elegant with a touch of elegance, and all kinds of buffs are activated, which perfectly interprets the artistic conception of the lyrics.

Feng Tie was also listening intently to the lyrics sung by Jiang Yuan.

Although I was a little bit dissatisfied with losing to Jiang Yuan at the Golden Melody Award, I was still amazed when I heard the first two lines of Jiang Yuan's song.

Feng Tie also listens to songs on weekdays, but there are not many lyrics that really surprise him.

But these two sentences, as the opening words, made him feel the beauty of the lyrics at once.

At the same time, it is more expressive when paired with melodious tunes.

"The scent of sandalwood comes through the window and I understand my thoughts."

"The pen is half written on the rice paper."

The performance of the electric guitar and the singing of Chinese-style tunes have no sense of dissonance at all, and the fusion is very clever.

After listening to this short paragraph, Feng Tie looked at Jiang Yuan with a hint of admiration in his eyes.

Feng Tie is not a bad person at all. He didn't like Jiang Yuan before, but he just had some arrogance as a scholar.

But now I listened to Jiang Yuan's singing up close, and I was a little convinced by the singing.

Thinking that I was a cross-border nominee for the Golden Melody Award, and what I wrote was poetry, not lyrics, I was a little relieved that I didn't win the award.

What's more, now that I've heard Jiang Yuan sing this short section at the beginning, the lyrics combined with the melody create an atmosphere and beauty.

It has made Feng Tie think that his level of writing is not lower than mine.

"The glaze color renders the charm of the lady's picture and is hidden privately"

"And your beautiful smile is as if it's ready to be released."

"A ray of your beauty drifts away and goes to a place I can't go."

Jiang Yuan was completely in the performance state and was very stable, with a full mid-bass and a touch of lightness at the same time.

In the audience, Su Xiujin and others listened to Jiang Yuan's singing with admiration in their eyes.

Although there are many forms of artistic expression, the beauty is the same.

In addition, the core themes of Su Xiujin and others' works in this issue also have something in common with the songs, and you can even more appreciate the beauty.

After the first verse is sung, the first chorus of the song comes.

Dai Yin also started playing again at this time. Although she was not the protagonist of this performance, she enjoyed the atmosphere of this performance and was immersed in it.

The guzheng played twice, and the other instruments returned together, and the string section also started.

With full-layered accompaniment, Jiang Yuan began to sing the chorus.

"The sky is blue waiting for misty rain, and I'm waiting for you"

"The smoke from the kitchen and the birds rising across the river are thousands of miles away..."

When the chorus came, Jiang Yuan's singing style was very delicate, and the transition part was handled quite naturally.

Once these two lines are sung, the famous lines of the whole song will be in them.

Feng Tie heard the two sentences "The sky is blue waiting for misty rain", and then his thoughts were completely absorbed in these two sentences.

This chapter is not over yet, please click on the next page to continue reading! These days, Feng Tie also writes poems about blue and white porcelain.

Naturally, I also spent a lot of time studying, and I also have a certain understanding of the "blue sky and rain" in porcelain.

That is the best quality porcelain, and it can only be fired in misty and rainy days.

In reality, the azure color only appears after the rain has passed and the sky clears up, and this sentence describes it directly in reverse.

After describing the image in a few words, he then sang "And I'm Waiting for You", transitioning from scene to narrative.

In conjunction with the rb singing melody, the blend of Chinese-style musical instruments and Western musical instruments is a very clever combination.

In his previous life, Jiang Yuan had read public comments on "Blue and White Porcelain" on the Internet, and most of them praised it as a work that perfectly matched the lyrics and music.

"The Han Dynasty writings on the bottom of the bottle imitate the elegance of the previous dynasties"

"Just think of me as foreshadowing my meeting with you."

Liu Zhiyun was listening to Jiang Yuan's singing in the audience and was a little intoxicated.

Although I heard Jiang Yuan's "Big Fish" before, I knew that Jiang Yuan's singing skills were very good.

But listening to Jiang Yuan's singing at a close distance at the scene, coupled with the performance of an extremely excellent orchestra, the performance was too outstanding.

Even as she listened to Jiang Yuan's singing, pictures began to form in her mind, and she felt the urge to paint.

It also corresponds to that sentence, good music can give people a sense of picture.

Not to mention the lyrics of "Blue and White Porcelain" are inherently narrative.

Everyone at the scene listened to the first chorus intoxicatedly and was completely brought into the atmosphere created by the song.

In the interlude, it’s time for the band to perform.

Dai Yin concentrated on playing the guzheng, harp, flute, and string instruments, all of which were outstanding.

Just listening to the accompaniment is a very beautiful piece of music.

After the interlude, the guzheng and other instruments stopped playing again, and Jiang Yuan began to sing the second verse.

“The white and blue koi fish leapt at the bottom of the bowl.”
To be continued...