Xiao Luzi is not good at training actors.

At least he is not professional. He only analyzes the script with the actors and then asks the actors to come over and over again...

The advantage of doing this is of course that the actors have more opportunities to experiment a little bit, and to explain everything thoroughly to the actors, to some extent, they deprive some of the creative space and freedom of the actors.

The disadvantage is that it tortures the actors a bit. The actors who work with him must have acting skills and understand what he wants.

I heard that the most awesome person in the circle and who is good at training actors is Chen Kaige. He said that when he talks to actors, he reveals everything from the background of the story to the performance method to the character analysis...

I just don’t understand why I didn’t promote a decent newcomer?

"White Porridge Popularity", didn't even bring his own son out?

Fan Bingbing has acted in Chen Kaige's plays and also filmed pants works. "Mobile Cellphone" has won a lot of nominations, and even won the Hundred Flowers Award. "Pan Jinlian" has also won a lot of awards, and she won nothing for Mao's "Orphan of Zhao"?

In fact, when you reach the level of a great director, you have enough resources and are generally more willing to use the best photography, the best actors, and the best technology to serve the expression of your own ideas.

In terms of exploring the connotation of characters, Lao Touzi, Stephen Chow and King of Sunglasses are professionals. They have had Gong Li, Zhang Ziyi, Mo Wenwei, Zhang Baizhi, Liang Chaowei, and Zhang Guorong...

Lao Chen just picked up ready-made ones.

Moreover, in "Feng Yue" and "Jing Ke Assassination of Qin King", Gong Li was obviously at a loss and was superficially exaggerated and dramatic performance!

Lao Chen is the only director who can torture Gong Li to this level.

He even praised him as "the great director who is best at provoking actors from both sides of the Taiwan Strait and the Three Places"...

It’s not like this to eat money just because it’s bad!

Directors, according to the terms, need to "guid the performance", so directors also need to have a complete understanding of "the context and theme cognition" and "character character and reaction", and then guide the actors, so that they have a positive and positive impact.

This shows that training actors’ acting skills is also part of the director’s work!

The director’s work on the crew is actually to guide the actors to perform and coordinate the film.

Coordinating movies means thinking what the audience thinks, and you have to make the audience like your movie.

This Lu Xiaoran has an auxiliary device, so she is not too worried. She guides the performance, and it is very simple. He is not professional enough, so let the professional come!

Zhang Guoli is a good teacher, so please ask him to help...

As for Sun Honglei, look, are the crew, director, screenwriter and filming conditions perfect?

How can everything in the world be perfect?

Sometimes some difficulties are not bad things, such as the actors in the opposite scene fail to meet their psychological expectations...

...

Lao Cao and Tuanfeng feel that the crew of "Border Storm" is quite good.

What they call good is, in addition to the crew's daily living standards, the most important thing is that the relationship between the actors is also quite harmonious.

After the show, we gather together if we have something to do...

It's really getting together and talking nonsense.

In addition to talking about movies and performances, sometimes Lu Xiaoran would join in, but he would be called away by the producers if he didn't say a few words...

"It seems like "Stone" was nominated for the Best Asian Film of the Academy Awards?"

"I didn't win the prize!"

"The one who won the award was "Riding Single in a Thousand Miles""

"That play of Lao Mouzi?"

"right!"

"Has Lao Toozi gone to the scene?"

"It probably didn't go, he was still busy with the Olympics!"

"Hey, you guys say why are Hong Kong actors so happy?"

"…you…what did you say?"

"Good acting?"

"Bad! Only those actors come and go..."

Just now, Lu Xiaoran came over and joined the discussion: "The main reason is that Hong Kong movies are more fun than us. Now most of the market is full of Hong Kong commercial films, and the audience has accepted their stuff."

"For a long time, mainland films are good at prose and even poetic dialogue. They have aesthetic sense, but they have seen too much but are aesthetically exhausted. Hong Kong movies are more entertaining..."

"Although the filming policy is unlimitedly relaxed, the domestic rules and gameplay of the commercial market have gradually been clarified, but within at least ten years, the domestic market will still have to provide those Hong Kong stars with the support."

"However, I look down on the actors in Hong Kong from the bottom of my heart, and I don't have more arms and legs than us. Why is there a zero more salary?"

"Ahem..." Zhang Guoli said: "You can't say that, they are famous!"

"What's the fame? "The Golden Armor" doesn't require Zhou Runfa, and Jiang Wen can't get a box office of 200 million yuan?"

"There is not a movie that Zhou Runfa watched, otherwise why would the box office in mainland China be "Crouching Tiger, Hidden Dragon" and "Bulletproof Monk" not work?"

"The box office appeal is nothing. If the publicity is done well, there will be surprises in the plot. With the current market conditions, it is normal to have 20 million to 50 million!"

"So, do you think the box office of "Border Storm" can be 50 million?"

Huang Bo interrupted Xiao Luzi's bragging statement...

"Hey, I didn't say that "Border Storm" is not a normal commercial movie. To some extent, this is an experimental movie!"

Little Luzi has just talked...

But he said very strongly: "You wait for my next work and guarantee a box office of more than 50 million!"

"Damn, your next script comes out?"

"Well, I have written five scripts in total. "Border Storm" is the most mature, and the next one is more entertainment-oriented and has more commercial attributes..."

"Where is the script?"

How could I know where the script is?

Lu Xiaoran's face remained unchanged: "...In my house, how could such a precious thing be carried at will?"

"By the way, your "Double Donkeys" is about to be on?"

"Well," Lu Xiaoran suddenly looked at Ning Hao affectionately, and the latter's face changed: "You won't want to ask for leave, do you really want to ask for leave? How many days do you want to ask for leave?"

"A week... I have to cooperate with some publicity work..."

"You are the director...you are gone..."

"What directors are not directors? This movie is made together by everyone. I'll be responsible for calling me. Besides, you know all the shots. You are the producer. If you don't help you, who will help?"

"...I've really been cheated by you!"

"Anyway, your "Racing" will be started only month after month, just practice it!"

After talking about this, Sun Honglei suddenly spoke: "Do you need our help?"

"No, that movie is a ridiculous comedy. Hua Yi was angry with me. The cost can be recovered by 5 million box office. Their distribution strength is enough, and 5 million should not be a problem!"

Lu Xiaoran is still a little confident in "The Legend of the Two Donkeys". Although it is a bit divided, there are still jokes. With the current market capacity, it is still easy to lose 5 million...

Don’t ask for a big blowout, but ask for a return!

Zhang Guoli was about to say something, but suddenly smiled: "...Our sisters are here!"

"Sisters?"
Chapter completed!