Chapter 47: Shocking Baili

On the other hand, the bronze man wrapped in black wood has no appearance at all, but is just a big copper lump that looks like a human figure. The bronze tempered with yin fire can be coppery for thousands of years under the water. Moreover, its green color reflects the muscles and bones. The countless bronze slaves we saw under the divine tree under the sea are all cast in a realistic shape. However, this bronze man is extremely simple, and even the texture outline is not very clear. But the most strange thing is that the bronze man is covered with honeycomb holes, and black sea sand with copper gathering is filled with black sea sand. I really can't imagine what the hell it is.

Gu Cai stretched out his hand to lift the bronze human figure up, and saw that the bronze statue had four arms stretched out, holding a jade plate at an incredible angle. There were several jade pillars under the plate, and there were rotating grooves inside the column body. The jade plate and jade pillar seemed extremely exquisite, and it was engraved with ancient seal scripts of insects and fish, all of which were the numbers of Yi Gua, which seemed to be infinitely mysterious. However, I was surprised, and I couldn't see any of the names in it for a while. It seemed to be an ancient secret tool for asking for divination and divination.

Looking through the wooden coffin again, there was nothing else. However, under the fossil of the coral iron tree, there was a raised copper pile hidden, which seemed to allow the bronze man to be fixed on it. Fatty man and Guchai poked the bronze man under the water. Seeing that the bronze man was holding a jade plate full of hexagrams in the dim water waves, the shape was indescribable and bizarre. No one could tell what it was doing. He said he was asking for divination, but it was not like it.

I thought I had been going deep into ancient tombs in the past and saw many strange things, but now the old revolutionary has encountered new problems. There are too many secrets under the coral tree. Staying here is not a solution. I can only go back and let Shirley Yang help me think about it. She has always had a clear idea and may be able to unravel the secrets.

But I guess I could not accurately describe the complex divination plate to Shirley Yang, so I had to take it up and then dismantle it to see what happened. So I made a gesture and floated out with Fatty Man and Guchai. Shirley Yang, Uncle Ming, Duoling and others were waiting on the coral reef above and were anxious. Seeing that we dragged a strange-shaped copper man out of the water, they all came over to help.

Everyone dragged the bronze elephant and the divination plate ashore, gasped for a while, and talked about what they saw and encountered under the water. When it came to the critical point, they heard that Uncle Ming and others had changed their color. Why did there be so many "shark fish" under the water? Fortunately, the ancestor blessed him. If he didn't bring those stillbirths into the water, he would probably be a human, ghost, and disciple at this moment.

Finally, I talked about the fossil of coral iron tree at the bottom of the water, which is not much smaller than the largest one in the coral spiral. It poked in a huge rock that looked like an ancient tripod, surrounded by several copper tripods, and deeper there are caves that absorb water. The water spirals are strange, and only fish and dragons can enter. People are not fish, so there is no way to check what is inside.

Uncle Ming heard that we had not found a way out at the bottom of the water, and couldn't help but feel dismayed. It seems that it is destined to eat as much as we wear in this life. It is really impossible for people not to believe in life. They have to risk their lives to pick eggs from the sea. As a result, they have never returned. Although they have obtained so many "green heads", they are all dreams after all. If they had known this, they would rather go back to Hong Kong. Although they were bankrupt and had no money, they would have at least a stable meal on the street.

The fat man suddenly found that the gold watch that was taken out of the Mary Fairy Slave Crew was missing. The fat man valued real gold and silver the most and kept wearing it on his wrist. I wonder if it had just fallen into the Shenmu Tunnel in the dark. When he saw that he lost the gold watch, he couldn't help but feel very bad. After hearing Uncle Ming's frustration, he became even more angry and immediately cursed: "Don't let your mother's stinky fart. After we go back, you don't have any blue head. Anyway, Uncle Ming, you can also see it. In the future, you can sell your mudton noodles..."

I advised them, "Forget it, it's not too late to regret it now and sigh that fate is so good. The things we do are not just about making a living by craftsmanship, but in fact, they are nonsense. I think it's just a life-threatening thing. We've known before we come. Since we dare to come, we should be aware of the idea of ​​keeping our heads off the belt. However, when the sacrifice is not critical, we must not sacrifice lightly."

At this time, Shirley Yang carefully looked around the bronze man divination plate and asked, "Old Hu, do you know what this is for?"

I shook my head and said, "It is hard to say that elephant is a secret tool for divination and deducing hexagrams. However, when I see the situation underwater, it is indeed a bit elephant. If the records on the Nine-Lead Cauldron are correct, the ancients would definitely regard the matter behind me as the most important way, and exhaust their efforts to arrange the secret path for running to the moon to seek immortality after death. But for a long time, we can't find some important clues. Besides, I can't imagine what the hexagram plate plays. There are no marks of the Zhen hexagram on it. They are all empty hexagram eyes, densely packed with hundreds, and there is no most important hexagram at all..."

Shirley Yang heard this and suddenly looked up at me and said, "What did you just say?" I was stunned and replied, "There is no most important hexagram on the hexagram plate...why?"

Shirley Yang turned the axis under the jade plate, and the symbol representing the number of hexagrams on the plate changed: "You mentioned the key point, there is no hexagram, but I found that this hexagram is a password lock. You need to adjust the password accurately so that the hexagram will be displayed. Perhaps only by fully presenting the hexagram, the bronze man can start the hidden mechanism at the bottom of the water."

I slapped my head and became more and more confused. Why didn't I think of something obvious? But I turned the divination plate in my hand for a few turns, but it was difficult. If it were a password lock, what would the password be? Although I could see that the column axis that could be rotated at the bottom of the divination plate were all marked with the "three forms", these "three forms" are the general terms of "Taiyi", "Qimen", and "Liu Ren", which are the highest-level predictor numbers in the Book of Changes.

The composition principle is taken from the heavenly stems, earthly branches, river maps, Luoshu, Bagua, and symbols. After all, they all come from the "Yi". This set of machine numbers was called "Yin Fu" in the Zhou and Qin dynasties, and was called "Liujia" during the Han and Wei dynasties. There were endless changes. If Zhang Yingchuan was here, maybe he could crack the mystery, but I couldn't figure it out at all. Shirley Yang didn't know how difficult these machine numbers were, and he thought I could unlock this so-called "cryptographic lock".

Shirley Yang saw that I was staring at me and couldn't help, so he advised: "Don't worry, think about it carefully. There are many signs of Zhen hexagram in the burial vessel of Hentian. The underwater cauldron also corresponds to the Zhen hexagram. Perhaps the hexagram of this jade plate needs to be related to this phenomenon, so you first think about how to make the hexagram of Zhen hexagram appear in the hexagram."

I was originally in a mess of my mind, and after a few words of calmness, she actually became much more awake. Shirley Yang inherited the blood of the prophets and saints in her family and had some indescribable intuition about what she was facing. Although she could not say that she could predict like a prophet, she could often find the key points in the messy clues.

When I heard her say this, I seemed to think of something. I quickly asked everyone not to speak out. I silently recited the general formula in "The Secret Technique of the Sixteen-character Yin and Yang Feng Shui": "The number of machines is divided into Jiazi, and is hidden among gods and ghosts..." I lowered my head to fiddle with the ancient jade hexagram. The symbols on the axis were densely filled with symbols, crisscrossed, respectively. The holographic symbols deduced by various symbolic things in "time" and "space" are the so-called "number".

Various symbols representing the disorder of "time" and "space", through organic arrangement and composition, can be deduced and synthesized into different "time and space", that is, the "hexagram" produced by "mechanical numbers". A established "hexagram" must at least include "heaven, earth, man, ghost, god..." These machine numbers are the most difficult to understand. The most difficult thing among these machine numbers is the "god" in machine numbers. It represents a mysterious force that can control success or failure. Most of these hexagram numbers have been lost now. The sixteen characters in the "Sixteen-character Yin and Yang Feng Shui Secret Technique" left to me by my grandfather is the symbol of each machine number in the innate sixteen hexagrams. The "Yi" Taoist that has been left in the world is not as detailed and exquisite as the ancient methods. From this point of view, this jade plate full of hexagram numbers is a priceless treasure.

The unpredictable "Yi" master like Zhang Yingchuan, also due to his energy and intelligence, the number of machines is often exhausted. However, holding the jade plate in my hand, I found that the "numbers" produced in this plate seemed endless. The hexagrams deduced by King Wen of Zhou shine on candles and turtles can be born into the world. Even modern electronic computers may not be able to calculate.

Fortunately, I already know that the "hexagram" I need is "shaking up and down", so I just need to find a way to deduce it in reverse. Otherwise, in the "three formulas" that are as complex as "Cosmic Algebra of Tai Chi Biochemical", even if we think about it, we cannot deduce any "hexagram".

Uncle Ming was so arrogant that he didn't dare to show up, but after a long time, he saw that I still had no results, so he couldn't help asking: "I said Hu Zai, it would be fine if you can't fiddle with it, but don't use it too hard to destroy the jade plate. I think if this thing was auctioned in Hong Kong, it might be so expensive that hundreds of millions of dollars..."

I had a clue, but was interrupted by Uncle Ming. Wuming couldn't help but get angry, and asked the fat man to press Uncle Ming's mouth. At the critical moment, his mother made trouble with me. I scratched my head and cheeks, and I couldn't remember what I thought just now, so I had to discuss with Shirley Yang a few more words. If the words containing numbers in the "Yi" did not come out of thin air, they were biochemical from the machine number. The "shaking up and down, shocking a hundred miles" shows that the "Zhen Gua" implies "hundred" numbers, but what exactly is this

What can be born from deduction? If we can really deduce the number of machine from the word "hundred", it will be a perfect match for us. Otherwise, if we have a hexagram like "profits from the rivers" or "fans and wild people", although we know that all these are derived from the deduction of machine numbers, we don't know where machine numbers are. Moreover, each hexagram, like a different time and space, is a relatively closed and independent system. We only know how to deduce one hexagram, but we cannot learn from one example and deduce another hexagram.

I told Shirley Yang that this idea is indeed feasible, such as "three heavens and two earths and rely on numbers", three is three, the heavens are five, and the earth is five, "three" and "two" are just combined into "five". The number of heavens and earths is just a combination of "four", and the three is odd, representing yang, and two is even, representing yin, the number of "three" is one and two, and there is even in odd, and the number of two is one and one, and there is odd in even, which corresponds to the principle of yin and yang relying on the sky, so it is similar to the saying "three heavens and two earths and relying on numbers". The meaning is too deep, and almost every word contains mystery, which may be all derived from deductions from turtles and divinations.

shirley Yang Xi said: "Didn't you say this very well? Since you understand this principle, you shouldn't deduce the hexagram in the jade plate. We can only come up with a solution after reading it." I said helplessly: "The idea is probably right, but it is still difficult to reach the sky. I just happened to hear Zhang Yingchuan say that letting me deduce the image of the Zhen hexagram myself is simply my life. You must know that these numbers that have been repeated and reborn after not being guided by the masters, and have been in the Book of Changes for decades.

How can I understand Zen skills? I am sorry to the people and the party. I am afraid I will be sorry to you this time. Although this hexagram is magical, it also needs a master who can respond to changes and be very magical. In my hands... it is useless. I had known that I would have studied hard at the beginning, and now I regret it too late." As soon as I finished speaking, Gu Cai, who had been watching next to me, took a step forward and said to everyone with disconfidence: "The earthquake is above and below is probably the fourth hexagram of one yang and two yin in the innate hexagram number... "

Although the "Sixteen Characters Yin and Yang Feng Shui Secret Art" is called the Sixteen Characters, it should be more precisely the Sixteen Characters. Each chapter is represented by one character, with a total of 16 characters, so it is called the Sixteen Characters. These sixteen characters are "Heaven, Earth, Human, Ghost, God, Buddha, Demon, Animal, Intimidation, Continuing, Escape, Things, Transformation, Yin, Yang, and Empty". Each "character" is a special symbol, symbolizing "time, space, matter, and life" in the ancient hexagrams. After they are combined, a specific "hexagram symbol" will be generated, which can interpret good, bad, good, and the past and future.

This ancient book that mainly records Yin and Yang Feng Shui, can be said to be all-encompassing. It not only contains Feng Shui and Yin and Yang techniques, but also because it was written by a master of the Jinshiwei, it also covers a large number of descriptions of the shape, structure and layout of ancient tombs of various dynasties and dynasties. Its principles are all based on the sixteen innate hexagrams performed by King Wen of Zhou and the jade hexagram under the coral iron tree under the water. It is a "paying plate" that uses various machine numbers such as "time, space, matter" to test the "hexagrams".
Chapter completed!