Lu Wei hesitated and said, "We don't know each other. But we have heard a lot about their family. Several of our Xi'an writers often stay at their house when they come to Yanjing."

After chatting for a while, Su Weizhen gave up when she saw that she couldn't learn anything interesting from Luwei.

After leaving the back room, he asked Yu Hua: "Writer Yu, how did you and Mr. Lin meet?"

"When I first met Teacher Chaoyang, the first person I met was Teacher Tao, who was his lover.

At that time, Mr. Tao was working as an editor at "People's Literature" and I was still an amateur author——"

Yu Hua talked about his experience of getting acquainted with Lin Chaoyang and his wife. Su Weizhen said: "So Mr. Lin and his wife are your bosses?"

"Yes, it is indeed Bole." Yu Hua said with emotion on his face, "Teacher Tao discovered a lot of talents when she was working in the magazine. Mo Yan and Su Tong all came to the fore under her attention."

Su Weizhen asked: "Is Mo Yan the same Mo Yan who wrote "Red Sorghum"?"

The reason why he reacted so strongly to Mo Yan's name was mainly because the movie "Red Sorghum" won the Golden Bear Award at the Berlin Film Festival.

This is the impact that a good work adaptation has on the author. When Yu Hua saw Su Weizhen's reaction, he couldn't help but feel a little envious.

While the two were talking, Cao Yiwen came to the West Courtyard and said that the meal was ready. Su Weizhen suddenly realized that the two of them had been in the West Courtyard for an hour without knowing it.

Back to the east courtyard for lunch, there were four dishes on the table, lion head, roasted pork with musty dried vegetables, and dried tofu with hot pepper.

Cold cabbage heart.

"It's winter now, so there are few dishes. Let's just eat whatever you want."

Lin Chaoyang said this with an apology on his face.

There are a total of six people in the family, and the four dishes are actually just right.

Among the four dishes, Su Weizhen was most impressed by the braised pork with mustard greens. His father is from Shaoxing and this dish was often cooked at home when he was a child.

He felt that Xian's evaluation of Lin Chaoyang's cooking skills was very accurate.

"Every dish has the taste it deserves."

This evaluation may seem mediocre, but in fact it is the highest compliment.

What is the taste that every dish should have?

This kind of thing is a matter of opinion, but the key point is that everyone tastes it delicious. As the saying goes, it is difficult to agree with everyone.

This is no easy task.

After lunch, I rested for a while and then it was time to get down to business.

Su Weizhen proposed that Xian and Yu Bixiao conduct an interview with Lin Chaoyang. He planned to continue to the West Campus because he wanted to do a profile.

Through interviews with people around him, he created a Lin Chaoyang from a different perspective. His idea was highly recognized by Zhong Xian.

Lin Chaoyang placed the interview location in the study room. The afternoon sunlight was just right, shining into the room through the glass, making it bright, warm, and pleasant.

After a morning of contact, Lin Chaoyang and Zhongxian were not close friends, but their communication was very smooth.

When Xian asked Lin Chaoyang a question, Su Weizhen sent a soul torture to Ma Yuan in the west courtyard: "Why do you say Mr. Lin is a second-rate writer?"

At this time, Ma Yuan stopped arguing with Zhu Wei, his voice became lowered, and he hurriedly defended: "I mean, looking at the world, he is considered a second-rate writer. In China, he is still a first-rate writer."

"Then which novel do you think he wrote the best?"

""Crossing the Guandong" must be "Crossing the Guandong"!" Li Tuo answered quickly.

Ma Yuan scolded impatiently: "Did I ask you? Did I ask you?"

Then he turned to Su Weizhen and said: "It's "The Story of the Crossing Boat", there is no doubt that it is "The Story of the Crossing Boat"."

"Why "Crossing the Boat"?"

"Because the philosophical speculation in this novel is the pinnacle of his career, whether it is literary, artistic or ideological, it has reached a very high level.

There is no second such work in contemporary Chinese literature."

Ma Yuan answered this question with confidence, and then Su Weizhen turned to ask Li Tuo, "Why do you think it is "Crossing Guandong"?"

This immediately made Ma Yuan feel not very beautiful.

"If you were to count all the contemporary Chinese literary works, it would be difficult to find another majestic epic like "Enter Guandong".

Its artistic tone is so solemn and tragic, which makes people deeply lament the unpredictable changes of life and the ruthless vicissitudes of history. Such a touching and heavy aesthetic feeling is rare among contemporary Chinese novels."

Li Tuo confidently explained his reasons,

Su Weizhen was going to talk in detail about Lin Chaoyang's best works in their opinion, but unexpectedly saw a bunch of heads plastered on the window glass.

Yu Hua explained: "I heard that you are here to interview everyone about their impressions of Teacher Chaoyang, and everyone wants to talk about it.

The willingness of Mr. Yuan to be interviewed was so high that it really exceeded Su Weizhen's expectations. This was the first time in his life that he had seen a writer be so loved by his colleagues.

With the enthusiastic support of everyone, his interview lasted from afternoon to evening.

It was getting dark, but before the interview was over, Su Weizhen's voice became hoarse.

He interviews a group of people by himself, and he is a group of writers who are eager to talk.

Su Weizhen felt a sense of despair when she looked at the few writers who had not spoken much and were looking closely at them.

At this time, Zhengxian came to see him after interviewing Lin Chaoyang.

Seeing the smoke billowing all over the room and everyone talking loudly, they couldn't help but nodded with relief.

This is how interviews should be.
Chapter completed!