The little loli and the handsome guys from the Xuan family ate fruits and ate two packs of chicken claws. The convoy set off for the park.

The helicopter was parked in a place where the convoy was invisible. Le Xiao walked alone and threw down more than twenty boxes in another hidden place not far from the helicopter, and then drove the helicopter to the place where the goods were loaded.

When she drove a helicopter and pulled a bunch of boxes back to the park, she landed in the yard in front of the upper room in the east courtyard. The east courtyard was more than 100 meters wide from east to west. Even if she planted trees and arranged scenic rockery rocks in the future, it would be more than enough to park a helicopter on the central road.

The box that the little loli pulled home was filled with plaques and palace lanterns. After she finished the work, she immediately started to work. She first opened a rectangular box that installed the plaque and took out a large plaque with red sandalwood cloud dragon pattern, flew over the eaves of the upper room, and hung the plaque on the central axis of the upper room.

The old red sandalwood is purple in color, and the purple is thick as close to black. The three golden characters "Langhuan Palace" are written from top to bottom. The characters are majestic, with strokes and strokes, and are full of thunder and magnificence.

After hanging the plaque, Le Xiao flew to the ground, and then took out a rectangular red sandalwood dragon pattern with gold-painted calligraphy and hanging it directly above the wall-mounted calligraphy and painting area of ​​Taishi Zhongtang.

The upper room in the east courtyard is called "Langhuan Palace". The central hall is the main hall of Langhuan Palace. It is said that the Langhuan Palace refers to the upper room or the central hall. Just like the Supreme Hall of the Supreme Hall, the Yangxin Hall or the main hall of each palace in the Forbidden City, there are only various inscriptions and plaques hanging, and they will not be named separately.

The two plaques that represent the face of the entire upper room were hung, and only then did Le give her the private living room, study room, landlord, west ear room, east, west wing room, south and north ear room.

The private living room is called "Jiudetang", and the study room is still called "Zhiweizhai". The landlord's Erfang is used to refine alchemy and make medicine. The plaque is still the plaque that used to only write "Danlu". The Xierfang is the large study room in the east courtyard, named "Dianmozhai".

The main hall of the east wing is "Sansi Hall", and the kitchen is made of the ear room on the south side. The plaque is called "Baochen Cabinet". The north wing room plans to store tables, chairs, benches, screens and other supplies. The plaque is called "Zangzhu".

The plaque in the middle hall of the west wing is called "Qinmiantang". There are two bathrooms in the three ear rooms on the south side, so there is no need to hang a plaque. The northernmost room is used to smoke clothes in the house with fire in winter. To distinguish it, a small plaque with "smoking room" was hung for it.

The ear room on the north side of the west wing is a tea room. The kitchen is far away from Langhuan Hall. When there are guests, it is convenient to boil water in the north side of the west wing to bring tea to the upper room. The three ear rooms are used as cupboards and dishes, and the middle is a place to enjoy tea in your spare time. The north side is a workshop where you cook tea and tea sets are placed. There is a plaque with "Liuhuaxuan" hanging in the middle of the ear room.

There are plaques in the front yard and the back hood. The front yard is called "Zhaixingju" and the back hood is called "Lanyue Tower". There are no plaques in the living room of the front yard and the back hood.

After hanging the plaque, the palace lanterns were installed immediately.

Because the building materials are extremely precious, the structure is complex, and the carvings are exquisite. The installation of wires, pipes and switches is too influential. It is planned to use charging-like standing lamps and peach pole lamps as lighting lamps. The lamp holders are ready, and the battery production work will be contracted by Yan Shao. It will be available at the latest during the summer vacation.

Therefore, the palace lanterns in Langhuan Palace are actually decorations.

The main lamp is a combination lamp, with five large and four small red sandalwood carved palace lanterns under a square lampshade.

The four corners of the lampshade of the combination lamp are four pure gold dragons, and the large and small palace lanterns are all square in shape. The lamp wall is decorated with glass and jade. The small golden dragons at each corner are hung with pearls and tassels of crystal beads.

The palace lanterns are mainly white glazed and jade pieces, and are inlaid with colorful enamel pieces and mother-of-pearl patterns. A group of five palace lanterns are noble and gorgeous, with a flowing brilliance.

The main halls of Langhuan Palace, Jiude Hall, Sansi Hall, and Qinmian Hall are mainly combined with combined palace lanterns. Other rooms are also mixed with several other palace lanterns to prevent them from looking monotonous and tasteless.

The east and west wing rooms, wing rooms, Zhaixingju and the rear hood are equipped with wire and electric lamps. Hexagonal palace lanterns and quadrangular palace lanterns are mainly used. The palace lanterns with light bulbs should be installed with white yarn to improve light transmission.

Octagonal palace lanterns are hung in the colonnade, and round gauze lanterns are hung in the corridor.

There are also palace lanterns hanging in front of the hanging flower door and the main door, and the door opening is basically dominated by round gauze lanterns.

It took an hour and a half to just install the lighting. The little loli silently put away the empty box and complained silently. Decorating the house is also a technical job, which is really tiring!

She decided that if there was no need to do it, it would be too troublesome to stop carrying out large-scale construction in the future!

The little loli felt that she was hollowed out was sitting in the main hall, and silently ate a big apple, rewarded her hard work, and sat down to practice.

Young Master Xuan Shaohua was an escort and was with the convoy to cross the rank road with the perseverance of passing five levels and six generals. It was already four o'clock in the morning when he climbed back to the paradise.

The young men drove some of their vehicles into the park and went to rest. They only had two benches to rest and were resurrected in full blood. They found that there were big lanterns hanging at the gate of the East Courtyard, and immediately ran to the little girl's East Courtyard to visit.

As soon as a group of young people entered the East Courtyard, their bodies were shocked. When did the little girl complete the spirit gathering array?!

With a shock, the handsome guys were admitted to the hospital for a visit. When they saw the plaque, they were both admiring and envious. Until they saw the plaque in the north ear room in the west wing, the young people were confused.

Xuan Yi asked if he didn't understand, "Young Master, what is Liu Huaxuan used for?"

"It should be a tea room." Xuan Shao had a serious face. He remembered that the little loli once said that the north ear room in the west wing was a tea room.

"Why is it called Liuhua? Tea is called Xiangming. If I take the word "Ming", I can still tell at a glance that I can't guess the name at all." Xuan Yi said that he might have read too little.

Mr. Xuan looked at the sky silently, and asked me whom I asked? Anyway, I am not embarrassed, but the embarrassing one is someone else.

When Mr. Hua saw the little loli coming out of the middle hall, he smiled and asked, "Little Beauty, what are the rules for you, Liu Huaxuan?"

"Liuhua is also an elegant name for tea, which comes from the ancient Li Tang poem "Liuhua purifies the muscles and bones, and relieves the heart and cleanses the original." Yan Zhenqing, a famous official of the Li Tang Dynasty and calligrapher, said in the "Five-character Moonlight Night Warm Tea Couplet", "Liuhua purifies the muscles and bones, and relieves the original heart and cleanses the original heart". Later, "Liuhua" also became a famous tea name.

This chapter is not finished yet, please click on the next page to continue reading the exciting contents behind! "Sure enough, I read a little." Mr. Xuan strode his hands: "I decided to wait for the day when you, the East Courtyard, receive visitors, I will find a collection of poems about tea in Liuhuaxuan and study hard all night, and add some ink to my stomach."

"Little beauty, I have a small pavilion and a tea room, and I have never had a suitable name. I want to ask for a famous plaque for the tea room." Hua Shao smiled and took the opportunity to ask for a plaque.

"Is it a pavilion or a building?" Le Yun didn't mind carving a plaque for others.

"It's a small pavilion on the second floor, facing a ditches." The little loli didn't refuse, and Mr. Hua was in a happy mood.

"There is water in front of the pavilion. The flowing water in spring is as green as blue. It is called Luhua Pavilion. Can it be done?" Le Yun thought for a moment: "Luhua is also tea. The poet Lu Guimeng, the Li Tang Dynasty poet, has the sentence "Yesterday's pipe tobacco, and today's storage of greenhua". Or you think of your name yourself, think about it and tell me, and I will engrave the plaque again."

Hua Shao was happy: "Most of our family read less and their names were abolished, so they didn't have a name yet. I think 'Luhua Pavilion' is very good and suitable. Later, I will find the poet's poems to memorize several times, and I can still pretend to be 13 in the future."

Mr. Xuan screamed: "My house does not have a tea room specializing in drinking tea. It should be too late for me to go back and build one."

"Why is it too late? It's too late? Let's talk about when you can build a house?" Le Yun smiled pursed.

"My home is too far away, so I am considering building a small pavilion in the courtyard of Sihai Teahouse for tea." Shao Xuan touched his chin and considered it very seriously.

"It is best to plant a few more plum blossoms and drink tea when the plum blossoms bloom and snow, so the artistic conception is better."

Mr. Hua made a suggestion, and Mr. Xuan muttered: "In winter, you can't freeze to death if you go to a ventilated place on all sides."

The young people from the Xuan family and the Hua family kept holding on and tried not to laugh out loud.

The handsome young men were very happy and shouted that they would visit the backyard. Le Yun was not accompanied by her and went to the restaurant in the outer courtyard to have morning tea with the monks who were getting up early.

The Master Ayufang and others were patient and knew that the little girl had decorated the East Courtyard and did not rush to visit. After breakfast, she went to help move the furniture into the East Courtyard and enjoy it.

The atmosphere of the East Courtyard is as refreshing as that of the West Courtyard.

The monks also knew that the little girl had set up the spirit gathering array, and they tacitly asked her, and moved furniture from the car and entered the courtyard quickly, decorating the Langhuan Palace first, starting from the middle hall.

As the furniture of the middle hall continued to increase, the whole picture soon appeared. In front of the wall of the Zhongtang Taishi, there was a large table of Kui-patterned and curled red-headed red sandalwood. In the middle, there was a bronze square entourage more than two feet tall. In the east, the bronze tent and bronze stews and gold-engraved bronze chariots were scattered. On the west, there were bronze scattered and gold-engraved bronze Yi. At the very edge of the table was a pair of blue and white jade pot spring bottles.

There is a round flower bouquet of rosewood on both ends of the Kui-patterned rosewood case, and a round flower table with cloud-patterned lotus branches next to the flower table. There is a three-legged round belly and double-eared copper tripod in the middle of the east side, with copper sulcus and copper basins on the left and right, and a pair of Doucai hanging gallbladders on the outside.

The small table on the west side is in the center of a round bottom, drumstick, narrow belly, open neck and open mouth, a bronze goblet, and a pair of green lotus patterned dragon ears and pipa vases are placed opposite the outside.

There is a nine-surround screened Arhat bed with golden nanmu gloomy wood embedded in glabrous wood, with mother-of-pearl embedded in them. There is a kang on the couch, and in front of the couch is a golden nanmu wood bearing foot.

The two arhat beds are placed on each of them with a sun and moon fan with gold-shaped nanmu inlaid gems, and a square flower table on each side of the handrail, which is a potted Lanzhi jade tree plant with jade carvings.

On both sides of the Arhat bed are two rows of sixteen golden nanmu Taishi chairs with coffee tables.

Next to the wall of the outer hall is a curved bronze chime frame with a sword-shaped sword-shaped man-made pillar-mounted brace with red sandalwood horizontal frames. A row of 65 bronze chimes are arranged in an orderly manner according to their size. The chimes are exquisite in appearance and have a simple and heavy color.

That set of bronze chimes is a reduced version of Zeng Houyi's bronze chimes that shocked the country and abroad after being unearthed in the Huaxia Museum, which has made the history of genius music have been improved for more than 2,000 years.

The longer side of the Zenghou Yi bronze chime bell is 7 meters long and 48 meters long and the shorter side is 3 meters 35 meters long. The bronze chime frame placed in the middle hall is 4 meters long and 9 meters long and 2 meters short.

The inside and outside of the Langhuan Hall are wide and have a depth of nine meters. The long side of the bronze chime bell is against the western wall, and the short side is not far from the door frame leading to the west side. A incense table is placed next to the door frame against the wall.

There is still a lot of space between the north and the central pillar of the bronze chime, and a Duobao Pavilion and a long case are placed.

There is also a group of chimes on the east side of the outer room, but it is a jade chime with a red sandalwood pillar carried by the divine beast marsh. There are sixteen chimes and a phoenix bird stands at each end of the top crossbar.

Jade chimes are imitations of the jade chimes in Liangzhu culture.

The furnishings on the east side start from the north side of the door leading to the east side are incense tables, jade chime racks, incense tables, two side-by-side Duobao Pavilions, a painting tank, a long red sandalwood table with a ring chair, two embroidered studs, and a small flower table with a shape of a few next to the middle column.

There are long tables and Duobao Pavilion on the east and west walls. If the guests come, they will be so happy that they can not only chant and write, but also give full play to their own things and leave some ink treasures.

In order to highlight the majestic and majestic nature of the carved dragon's central pillar, only a few-shaped short flower tables are placed in the outer area near the middle pillar, with copper tiles placed opposite to the copper tiles, and the same is true for the inner room. A few-shaped small flower tables are placed close to the middle pillar, with copper deer, copper dragon, copper phoenix.

The east and west walls of the middle hall, and the flowers next to the middle pillar are placed in the north, facing the Duobao Pavilion, the round flower table with a bundle of waist, and the thunder pattern of red sandalwood, with the Eight Immortals table and two Grand Master chairs. Then the bundle of waist flower table is next, and the furnishings are different when going north.

Next to the flower table to the west is a golden chime with a dragon-shaped column Toto red sandalwood rack. Nineteen gold-cast chimes are hung on three-layer wooden racks, which are brilliant and atmospheric.

On the east side opposite the gold shelf are furnished with two large rosewood flat-headed tables, with red sandalwood shelves or bases placed on them, or are hung or furnished with jade huang, jade zhang, jade gui, jade bi, jade cong, and jade amber.

Huang, Gui, Bi, Cong, Zhang, and Hu are the six auspicious items in jade and the highest level of ritual vessels. In ancient times, kings and princes used ritual vessels to sacrifice to the four directions of heaven and earth.

The central hall has both tripods and chimes representing the symbol of inheritance and identity, as well as elegant ornaments such as Duobao Pavilion. Against the backdrop of various furnishings, it is more grand, elegant and luxurious, magnificent but elegant.

When decorating, first arrange large items, and then decorate them with other ornaments. The four treasures of the study and gold, silver, jade, copper and other ornaments are placed in the Duobao Pavilion. A jade tripod and a pair of vases are placed on the long table of the Eight Immortals table in the inner room. A citron plate holder holder of the citron plate, stacked with more than a dozen yellow jade Buddha hands, and a few yellow and red-skinned jade pomegranates and a large grapefruit are placed in the citron plate on the Eight Immortals table on the West.

When moving furniture, the monks secretly breathed a lot. When the little girl left the big cauldron that was only placed on the table, the monks standing in the middle hall suddenly looked like birds strangled, and could not make any sound.

The momentum of the middle hall gives people...
Chapter completed!