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Sichuan style

Zhang Hexiu once learned the piano from Feng Tongyun. During the Xianfeng period, he was a Taoist priest at the Zhonghuangguan of Qingcheng Mountain. There were many people who came to Qingcheng Mountain to seek piano. In the early years of Guangxu, he followed Cao Zhiyun and served as a Qingke at the Tang Yiming family. He assisted him in detail the hundreds of piano scores he had searched for over the years. He selected 145 pieces and compiled them into "Tianwenge Piano Score", which is the most collected score since the Ming and Qing Dynasties. In the 30th year of Guangxu, he taught the piano in Wuchang and had many disciples.

The mastermind was Gu Yucheng, Huayang. His two sons Gu Jun passed on his studies and compiled his composition into "Baipingzhai Qin Tu". Gu family organized a piano club in Changsha and Peng Qingshou and others from 1912 to 1916. The piano music passed down by Zhang Kongshan is the most distinctive of songs such as "Flowing Water", "Drunk Fishing Singing Evening", "Pu'an Mantra", and "Confucius Reading Yi". The song "Flowing Water" is Zhang Kongshan's representative work, and is particularly valued by the piano industry.

Important piano scores of Sichuan school include: "Tianwenge piano score" (Tang Songxian), "Baipingzhai piano score" (Gu Jun), etc.; representative piano scores include "Flowing Water", "Drunk Fisherman Singing Evening", "Confucius Reading the Yi", "Pu'an Mantra", etc.; artistic style: rushing and unrestrained, magnificent.

Zhucheng School

Several zithers surnamed Wang emerged in Zhucheng, Shandong. At that time, they called "Two Kings of Zhucheng" or "Three Kings of Langya". Later, Wang Lubin developed zither music with local characteristics in Shandong. The fifteen zithers passed down by Wang Puchang were compiled into "Tongyinshanguan Qintuan" by later generations. His son Wang Zuozhen passed on his studies. He and Wang Yumen, who were in Jinling, called "Two Kings of Zhucheng". Although the two zither schools were different, after exchange and discussion, most of the songs played were the same. Wang Yumen compiled "The Rules of the Qintuan", which was published for the first time in the Zhuchengtuan School.

Wang Lu learned the piano for three years from his father Wang Zuozhen since he was young, and later learned the music he passed down by Wang Yumen, and combined the characteristics of the two schools of Yushan and Jinling, and the former was the main one. Eight years later, he went to Japan to study Western music for six years. He followed Sun Yat-sen's Xingzhonghui to engage in revolutionary propaganda. After returning to China, he refused Yuan Shikai's request for "entering the capital to the master" and supervised the qin in his hometown. In 1915 AD, he "traveled to Yanzhao in the north and lived in Wu and Chu in the south". Inspired by Zhang Taiyan, he returned to Jinan Daming Lake to form the "Deyin Qin Club", a scholar at the time.

Many of them. In 1918 AD, Cai Jiemin hired him as a teacher at Peking University and organized the National Music Research Society in Beijing. Zhang Youhe and Zhan Chengqiu were both his disciples. The twenty-eight songs he passed were compiled into: "Abstract of Yuhe Xuan Qinxue", which was once called "Three Kings of Langya" together with the "Two Kings of Zhucheng". Wang Lubin was learned from Wang Yumen and introduced by Kang Youwei, and went to Nanjing Higher Normal School to teach the piano. He was good at absorbing the zithers of the time and compiled the zithers of the fourteen songs, and compiled and printed it into the "Mei'an Qinqutu".

The artistic style of Zhucheng Qin School is roughly characterized by: strong and twilight in the dense and sparse, and empty in the real. One qi flows, heavy but not stagnant. It is characterized by beautiful, dense and deep curves, and has the beauty of ethereal echo. It is tight and strong, and the circulation is extremely sudden. The qi swirls in the wind and clouds, and the rhyme is adorned with stars.
Chapter completed!