He himself has come into contact with many screenwriters. Although each screenwriter's creative habits are different, they are essentially the same.

Screenwriting is generally divided into original and adapted, and whether it is original or adapted, it usually requires a period of preparation and thinking.

How could anyone be like Yu Dong, who said the company had a plan before he even started writing the script, and even invited Louis Koo to participate.

It's not like I'm having a bowel movement when I'm creating. I feel something in my stomach and it comes out as soon as I take off my pants in the toilet.

"Don't think about it. If you were just like ordinary people, would Teacher Yu still be so productive? Let's go. I'm getting hungry after walking around with you for so long. Today I will show you the quality of the deep space cafeteria."

Hearing Wang Hailin's words, Zhuang Weijian couldn't help but nodded. Yes, if he were like ordinary people, Mr. Yu would not have such a creative frequency.

There are many creators with high frequency. Let’s talk about Zhuang Weijian’s fellow countryman Ni Kuang. That guy is famously prolific. It is said that it only takes three or four days to write a script during the peak period. The number of scripts he has written so far is estimated to be

There are hundreds of them.

In terms of quantity, there is definitely a big gap between Yu Dong and Ni Kuang.

But in Zhuang Weijian's view, Ni Kuang and Yu Dong are not from the same world, and their works are completely incomparable.
Chapter completed!