Hu Buwei followed, Chen Ming followed closely.

◤The innocent scene

Appears cruelly gentle

Fragile time is here

Let's pray together◢

Still a false voice!

In this song, Chen Ming's voice is his original soundtrack only when he recites Italian.

In addition, all lyrics are made of falsetto.

The chorus of the second part is here!

Hu Buwei sighed softly, placed his pistol on the ground, folded his hands together, and prayed in front of his chest.

◤My kind father, I have fallen into it

The kingdom of invisible sin

Please forgive my pride

ah   ya    ya    check       check       check        ah    ya

No one can say no one can say

Very unbearable

Behind the glory is a loneliness

ah   ya    ya    check    it    check        ah   ya◢

This time, even Hu Buwei started to use falsetto. As Chen Ming turned the Bible one by one, he seemed extremely pious and lonely.

Hu Buwei's falsetto is a bit similar to Chen Ming's falsetto, but after listening carefully, it is still a little different.

Chen Ming's falsetto tends to be bel canto, while Hu Buwei's falsetto is more like a sigh after crying.

Listening to Chen Ming's falsetto is like listening to an opera;

But listening to Hu Buwei's falsetto, there will be a kind of sadness that is as sad as it is.

Chen Ming really took a lot of effort to teach Hu Buwei how to express this kind of feelings.

Immediately afterwards, Chen Ming's bel canto chant sounded again.

This is an Italian opera lyric!

However, Chen Ming did not remember what the meaning of this paragraph was, so when writing this party, Chen Ming asked Hu Buwei to choose a few words from Italian that match the lyrics and the artistic conception of the lyrics, and did not follow the original song.

Last second, the audience was still immersed in Hu Buwei's sadness.

The next second, Chen Ming's opera brought them into the upper class again, which was so wonderful.

A few seconds later, the chorus of the third part came!

That's right!

There are many choruses in this song. If you have a careful audience, you will find that the prelude of "In the Name of Father" is one minute and five seconds long.

A prelude to one minute, which is a very rare thing in creation.

certainly,

Although rare, there are certainly other artists who have tried this creative technique.

The prelude is too long and good and bad!

The advantage is that the ear-grabbing of the prelude can add a lot of points to the main song part, but the premise is that the prelude must be nice to the ear-grabbing.

By saying this, the disadvantages are also obvious.

That is, if the prelude melody is just like that, it will destroy the audience's interest. Maybe before I finished listening to the prelude, I will just click the next song.

As a representative figure of the prelude killing, Jay Chou has absolute confidence in his composition.

It can be said that Jay Chou and Huang Junlang were the same type of people in the early days.

Both of them are crazy!

But it makes sense that both of them are crazy. It is precisely this reason that Huang Junlang has worked with Jay Chou for so long.

After all, when you are arrogant, you definitely want to find someone who is similar to your temper to work with.

Just imagine, you think it's amazing, and then say to someone, "I'm amazing."

Most people will smile politely and then scold you for being a popular man behind your back.

But Jay Chou won’t!

In the early years, Jay Chou heard someone brag about his greatness and would probably reply excitedly: "Oh, so is me, so will I be lucky!"

Only when two "arrogant" people gather together can they write songs like "In the Name of Father".

Chen Ming never worried about the long prelude issue.

When he first listened to "In the Name of Father", he didn't realize that the prelude was long. Later, after listening to it a lot, he gradually realized that there was a prelude for more than a minute before the song began.

Chen Ming's reaction represents the reaction of the vast majority of people.

now,

When the audience heard the chorus of the third part, a subtle influence had already formed in their minds, and even remembered a lot of lyrics, rapped softly in their mouths.

They were completely unaware that the prelude was more than a minute.

Even professional artists like Xiao Xuan and Xiao Fan did not react immediately.

This time, Chen Ming and Hu Buwei spoke together and raved the chorus.

Both of them used falsettos!

The falsetto of two different voices is superimposed, making the audience feel that the song is sometimes far and sometimes near, as if there are singing voices from all directions.

For a moment, the audience couldn't sit still.

Listening to this dark style of rap song, you always feel like you are feeling uncomfortable.

You will feel uncomfortable when you sit and listen to this song!

But this feeling is completely different from the dynamic and exciting feeling of modern rap.

He stood up alone with a pious look.

The two stood up...

Slowly, the audience stood up and stood up. They did not shout loudly, but listened quietly, with a pious look in their eyes.

Chen Ming is the only priest on the stage.

At this moment, they expressed their respect and respect to Chen Ming.

The song has come to an end.

Soon, Chen Ming's voice became less and less until it disappeared.

Only Hu Buwei's voice that seemed to be somewhat relieved was left echoing in the audience's ears.

◤The corridor leading to the hall

The same unspeakable vicissitudes

No noise and hustle and tranquility

I'm sleeping slowly

Day just broke out◢

The whole song ends!

And at the end of the second, all the lights on the stage were concentrated on Hu Buwei, and Chen Ming's figure was hidden in the dim background without lights.

All the light represents dawn.

At the moment when the dawn light shone, the supreme Lord forgave him, the noble priest forgave him, and he himself forgave himself.

The dark wind runs through the whole song, but at the end of the song, it gives everyone the light of hope.

For some reason,

The audience wanted to see the expression on Chen Ming's face now.

But in the dark background,

Chen Ming's expression was very blurry and he couldn't see the specific expression clearly.

This was also carefully arranged by Chen Ming!

After today,

Chen Ming rarely touches rap songs, so the light of the stage should be left as much as possible to these young rappers.
To be continued...