Some projects with the Chinese character "英语" invited Bu Fan, asking him to make guest appearances or participate in some public activities.

Some people who cannot offend will send out some private invitations, which include a private cocktail party and a private event. They come and show their faces to give them a drink. The best thing to deal with is some charitable invitations, and Bu Fan is also willing to do some charitable acts.

Orange Entertainment will help make some donations, and he personally also took out some money to make some donations, so there is no need to be much, because these charitable invitations are available every year.

Lan Xinling actively coordinated the handling, and Bu Fan was still running on both sides of the crew and the program.

Thanks to his play, Director Gao Shu did not vent his anger.

Gao Shu kept holding back his breath and knew that Bu Fan was so popular recently that he could take four or five days off, which was a bit annoying.

But Gao Shu turned around and saw that the efficiency of the past four or five days was higher than that of other normal planning for one week, and you really couldn't say anything.

"Okay, brother, no problem. I will definitely arrive before noon tomorrow. Well, um, I've seen it and know. I'll call your Mushroom House in a while."

Bu Fan hung up the phone and looked apologetically at Lan Xinling who had just refused. An event was half for making money and half for expanding connections to repay favors.

He scratched his head again, walked to director Gao Shu with a wry smile and a flattering smile. He didn't have to speak, and the other party knew what he was going to do: "I'm going to ask for leave again, tell me, how many days will I take leave this time?"

"I promise to come back the night after tomorrow. We can shoot all night. In the early morning, the director directly filmed the scenes of Liu Huaqiang's failure. The director is like a day's delay. Teacher He called me, and the program there is waiting to be recorded..."

Seeing Bu Fan asking for advice again, Gao Shu was reluctant to do so, but he could only agree.

After Bu Fan finished filming at night, the driver Lao Liu drove to pick up Bu Fan and the other two, returned to his residence, and couldn't sleep all night.

The next day was Bu Fan's first visit to the set. After all, he agreed to Lan Xinling to participate in the recording of the program. By the way, let's see if the three newcomers adapted?

I met the director first and communicated briefly about the shooting process. In fact, it was nothing. I just came to care and comfort me as a mentor and expressed my importance to the newcomers.

"This time should be Teacher Zhao in class." The director explained: "The first stage is physical assessment, and the class is reassigned according to the grade level."

Bu Fan nodded. If the four subjects of crosstalk are about learning to sing, then the actors are just a sound-stage form, and four years of college are just to lay a solid foundation.

When I came to the rehearsal room of Class A, I looked at the situation inside through the glass. A middle-aged woman in her early forties was teaching the students.

"Imagine that I am a puppet hanging by thin lines, all standing on tiptoe, right, there seems to be a thread lift on the top of my head, from the head, neck, shoulders, arms..."

"Let's go down, relax one by one. Thus, we can achieve a complete state of relaxation, and then enter the role and scene based on the tutor's words."

"Okay, close your eyes, I won't even say I'm not allowed to peek at me if I open my eyes!"

"Walking blindly with your hands, yes, don't be afraid, bravely believe in the people around you, and feel around you with your heart!"

"Okay, stop, don't open your eyes. Now start listening to music. No matter what you play, do your movements according to your instincts, and you can do anything."

"Yes, just move me!"

"Don't stop...it doesn't matter what you jump..."

Bu Fan looked at the eight students dancing, and Su Zelin performed the best. After all, he was professional in dancing, and his every move was elegant and his movements were free and easy.

Zhao Chi, a senior teacher in the Central Academy of Drama, debuted at his peak. He played the eldest daughter of Mr. Ge and Sister Gong while Lao Touzi's life. Later, he studied in the island country to study stage plays and brought many celebrity students.

I am popular because I participated in an acting program and also as a performance instructor, I have attracted attention. I heard that I have set up a studio myself and have been doing well.

What we are doing now is liberating our nature, which is the first lesson in all professional colleges. Through performing performances, we can drill each other's crotch, play clowns, play orangutans, and play games.

Open the imprisoned child, relax and coordinate the body.

Finally, complete what you could not have done before and gain an unprecedented experience.

The nature of liberating originated from Stanislav's performance teaching system, comprehensively referring to Freud's psychoanalysis and the psychological dance teaching theory of German early performance teaching master Kederbinder, and the courses accumulated through his own experience.

Bu Fan has also trained in school during this period of time with Wang Lei, but now he has a deeper understanding.

The so-called liberating nature is actually how to discover the blocked subconscious mind in the heart and open up the coordinated relationship with body behavior.

After all, it is a process of constantly entering the inner world to discover oneself, not a simple process that can be achieved by playing tricks, being ecstasy, and imitating animals. Otherwise, it is more appropriate to directly find shrews, drunkards and gorillas to be actors.

I once read a report. When the famous director Li talked about Sura, the actor of "Bloody Pi", said that after a long time of selection, they found him among the three thousand teenagers, which was basically a piece of blank paper.

Then he conducted a three-month performance class training, with his body endurance and strength, etc., and in terms of performance, he invited a yoga teacher to him, and used meditation training to allow Sula to find the part hidden in her heart after a period of self-doubt.

Nowadays, many actors like to meditate, such as Li Jie, who meditate when he has time to film and achieve the goal of exploring his inner potential.

Because since the birth of human beings, various shackles have been superimposed on our body and mind. At first, we don’t know that fire will burn, water will choke people to death, we don’t know that evil dogs will bite people, we don’t know that climbing to the border on the table will fall...

They are all correcting the boundaries between their lives and themselves in various crises. When they grow to a certain age, their bodies are already well aware of various dangers and become subconscious, and learn to seek countless benefits and avoid harm.

The mind and behavior are constantly restrained and accompany us throughout our lives. For example, we gradually realize that we cannot speak casually in class, we cannot become geniuses, we cannot fly, we cannot confess our love when we see the person we like, we cannot easily express our dreams, otherwise we will be ridiculed, etc.

In these processes, we find a shell of self-protection and also imprison the mind. For actors, this is the biggest obstacle to performance.

Actors need to believe that because they want to play different lives and roles, they need to constantly let go of themselves and break through their own blockades. This requires going deep into the heart, discovering the imprisoned subconscious, and making themselves believe.

Any training method is actually a kind of ritual. If someone wants to learn to ride a bicycle, he finds that he can learn to drink a cup of tea and wear blue clothes every time he drinks a cup of tea and wear blue clothes every time he rides a bicycle.

Even all descendants of his disciples and grandchildren will gradually perform a ritual of drinking a cup of tea and wearing blue clothes before riding a bicycle without asking for the reason. This is the power of belief.

Many second-hand knife performance teachers only teach some basic methods of liberating nature, and incorrectly teach students this is an introductory course for performance and how to let go.

Actually, it's useless!

In Bu Fan's view, actors who have truly undergone repeated inward training have a kind of calm power.

True master comedians, whether Chaplin, Delman, Zhou Xingxing, Ge, etc., are actually taciturn people in private.

Teacher Guo once said:

Going on stage is a lunatic,

Still a lunatic off the stage,

That's a lunatic!

In the Infernal Affairs, the undercover agent played by Liang Wei regularly goes to the psychologist for hypnosis treatment. Hypnosis does not actually make you fall asleep, but uses a series of methods to relax, enter the subconscious mind, and present the subconscious mind without any concealment, thereby adjusting the distorted part of reality.

Because he has to act every day as an undercover agent in the play, and he has to act with his life, and there are restricted areas everywhere, so he needs to enter the inner world to find his true self to balance, otherwise in his words: it will explode at any time!

When a woman falls in love with a man, she finds that he particularly likes a certain type, so she tries her best to play the kind of girl she admires in front of him. She will get satisfaction at the beginning, and may feel happy.

But if the character contrasts greatly in such a person and you are not a person with strong self-psychological construction ability, over time, you will feel tired and feel that you don’t know yourself.

Good actors will listen, watch, feel, and have extremely strong self-hypnosis ability. The way to become a good actor is to constantly explore the inner world, be able to completely immerse yourself, and be able to detach from the outside world, and look at yourself from another person's vision.

Of course, these are long-term accumulation of qualitative changes caused by quantitative change. At the beginning, you must start from the basics. If you can’t leave, you want to run away?

......
Chapter completed!