I was already preparing to type the manuscript for Chapter 3. When I saw the comments from two readers in the background, I really felt that there was something I wanted to talk about.

The general idea is that I don't quite understand why I arranged for a minion to show off for a whole chapter, and don't talk about anything to introduce the content. I don't want to see the bullshit talking nonsense, and I am sober when everyone is drunk.

The following is what I want to say, so as to discuss with you whether the plot is good or not:

First, regarding the current actions and plans of the Navy, I can’t just write down that we will fight xx today and fight xx tomorrow, right? Everything has its causes and consequences, as well as a complete logic, right? Since Porusalino proposed to execute it on Fish-Man Island

The navy is also preparing to implement this plan, so there must be preliminary work, mid-term implementation, and follow-up impact. The slave traders themselves are an important entry point.

Point, because one of the main conflicts between Fish-Man Island and humans is slaves. This is a public opinion war, early preparation war, and an important part of the logical plot. With such content, should I directly write about destroying the xx slave market? But pirates

There is no such thing as destroying the xx slave market in the world, because it is legal. Or do you think it is more reasonable to say that there is no need for slaves to enter, the navy can directly move in, and the Fish-Man Island is cheering?

Second, it’s the end of the year 1502 in the Hainan calendar. The last big plot brought Robin back to the headquarters in 1500. In two years, do we need to explain her changes? Do we need to explain her changes?

What about the interpersonal relationships? Does carrying out missions with Rosinandy count?

Are these described sideways? Do you mean that I have to ignore this kind of character and just treat him as a passer-by who disappears after the harem is collected in a harem stud novel? Dr. Vegapunk entered the navy, and he studied pacifism.

He has studied blood factors? He is such a flat person.

What? Personally, I think it is reasonable and necessary to explain that he made the mermaid-type thruster in order to facilitate the navy's operations on Fish-Man Island, as well as the continuous new scientific research results? What's more, Rosinandi also spent a lot of writing in the early stage.

and plays an important role in my outline

Does the character, his actions, words and deeds reflect his current situation, and the changes he has received from Porusalino as a former Draco? Or is there no need for this kind of description, just skip it? Just dozens

Hundreds of chapters later showing that Rocinante was firmly against slaves?

Third, the specific situation of the Whitebeard Pirates, such as the prohibition of slaves and drugs on the territory, how Whitebeard and the pirates under his command formed an alliance, how they formed an alliance, how the Whitebeard usually operates, and the main problems they face

What are the problems and actions? These are official settings, but in reality

In fact, there is very little content in comics and animations, how many fan novels will be written? Or is it that once Roger died, the whole world went looking for treasures, and no one had other ideas or ambitions, right?

The tone I set for this book from the beginning is to try to present a logical and self-consistent

Restoring the setting of the pirate world is also a better point in my opinion. Without these contents, is it possible to fight whenever you want and show the stereotyped characters of that plot timeline forever? But I am only in 1502.

, it’s still 18 years before Luffy goes to sea. And that’s the same sentence,

I have a story line and a timeline. If you do something a, there will inevitably be something b, and the subsequent c. In the anime, there is a description of Whitebeard lending the flag to Fish-Man Island, right? Could it be that one day he suddenly borrowed it?

It's like having a fight suddenly one day? Everyone can borrow it?

Maybe some fandoms are like this? This is how things like this happen? But this has not been the case since the beginning of this book. I have written stories about Teach and Sachi before, interspersed in the middle. In fact, a lot of the content is dialogue, and then

The communication among subordinates may be quite "watery"

?But this plot, according to the official settings, explains a lot of things that are not shown in the anime. Why did Tikki kill Thatch, not only because of the devil fruit, but also because Thatch discovered Tikki’s secret; why

Sachi and Ace have such a good relationship?

He ate the Shao Shao fruit that Thatch wanted most for Ace, which was the most helpful to Thatch's cooking; why did Blackbeard give the transparent fruit to Hiruzen Ame? Not only because the fruit was delivered to his door, but also because of the transparent fruit.

It didn't mean much to Blackbeard at first; the pirates killed Hai

Will thieves be paid? Yes, the specific method is to deliver it to the navy through an intermediary; apart from the captains, do the white regiment have other outstanding characters? Yes, there are intelligence personnel like think tanks...a lot of information

, all in these contents that some people may think are watery.

Fourth, what is the significance of this so-called minion? He can betray Whitebeard, contact Kaido, and also contact Big Mom. With such a plot arrangement, is he a minion? The last one to betray Whitebeard.

Who is the man with the beard? What caused the war on the top? Who was the last person who had a problem with Kaido's deal? What's next? With Whitebeard's character, his subordinates betrayed, and with Kaido's character, the deal failed.

,so

Isn’t the arrangement obvious enough? You should be able to see it if you watch anime and comics that are relatively complete, right? To take a step back, don’t look back, even forward - I specifically stated that this person loves money extremely, and focus on it before him.

It describes the Golden Emperor Tezoro, the big boss in the theater version. This relationship is obvious enough. I can't really just release the outline directly, right? I am writing a novel, not serving food, not to mention serving food.

Come one by one.

And the so-called pretentious content - some readers may not be familiar with the plot of One Piece. Many of the settings of this character are basically taken from the original plot. It is a pieced together character, including his speeches, many of which are

It is similar to the original lines, so many people will smile knowingly after reading it. Moreover, any character who appears on the stage,

Even if he only appears for one second and only serves the plot for one second, his speech and actions must be in line with his character. If for the so-called "impotence", the character becomes a purpose-oriented line reading

The machine only talks about dry stuff. He has no personality, only actions and words. Do you think it would be interesting to read?

In other words, as a slave trader who wants to be described, for the so-called "not watery", why don't you write that he has subordinates and secretaries, and let him pick up the goods by himself? Don't write about his appearance, just write about this person.

Who is it? If you don’t write about him receiving and inspecting the goods, he

In terms of performance, just write him paying the money and taking the goods and leaving? Instead of writing about his motivations for his position and his thoughts on how to act, just write him betraying Whitebeard, the strongest man in the world, and engaging in slave trading? Such a character would not only be flat, but also

Is there something wrong with your brain?

Fifth, a commonplace point is that my timeline is very advanced. Even if I want to write about the big shot in your eyes, he would have to be born in 1502. I can’t jump directly to 1520, right? Then I can’t write 100,000 words.

Did it go down? And the 18 years before that, I used it to promote the plot and use

The characters I am here to describe cannot always be the big ones that have already appeared, right? And to put it bluntly, even in the previous Golden Lion chapter, some readers felt that I wrote too much about this person as the Golden Lion.

This kind of character only existed in the theatrical version. Since he had never seen it, he felt it was unnecessary.

I also want to write about plot characters, big names, and big events - but in 1503 of the Ocean Calendar, which is the next year of the current plot, the four Sanji brothers and Zoro were born. Including Kroc, who I wrote in advance

Dar challenged Whitebeard, that was also in 1503. There is no way I could write that Luffy traveled through time and came to this point in time, or that Porusalino simply took a nap and Luffy got the Onepiece in 1523?

Sixth, the author can clearly see the subscription and data in the background. How many people are willing to continue to read in 24 hours. To put it bluntly, the data represents the majority of readers. I cannot take care of everyone. I am responsible for most people.

Attitude. Judging from the current situation, this fan novel has not yet written about Luffy going to sea. There are still many people who support it, and the number is gradually increasing. Thank you!

By the way, many chapters ago, I introduced a character called baby5. How many people still remember it? Such a character is relatively well-known, right? I have many plot arrangements for her in the future, and I should use it from time to time.

Explain her situation in a few words, describe her side by side? Or do you suddenly bring her out and let her do things? Or do you write her growth experience bit by bit? Or do you stop writing and treat this character as if she has never appeared before?
Chapter completed!