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291 One year in the world, one day in the palace

Wan Changsheng found that Qingmei was really on the campus of Tsingjing University, and suddenly felt that if there were a few top-notch classes in this year's Qingmei class, they could organize a parent-student tour.

It is a good show of Qingmei in Qingjing University, which is a real second-level college with equal treatment.

Du Wen reminded him: "It's so late, I won't entertain you to visit the campus. I'll take you to see it during the day... I won't accompany you to the show the day after tomorrow, so as not to be abused, and I'll beg you."

I still walked away neatly, taking advantage of my pride.

Leave Wan Changsheng to see the door sign of Qingjingyuan and go back.

In fact, when I returned to the fast hotel with extremely ordinary conditions, the old lady went to bed early. Wan Changsheng stood by the roadside, looked at the faint shadow of the imperial city in the dark, and once again felt the ancient literati's desire for respect and longing for this place, and went back to sleep.

Early in the morning, Mrs. Guan got up earlier than him, but slowly watched TV news at the small door of the hotel. Seeing Wan Changsheng set out to work at the museum, she took a walk with her hands behind her back: "Some of the palace is the Palace of Workers' Culture. I walked slowly to see it and enjoyed this peaceful life."

Wan Changsheng is making a face. Only those who have experienced the storm are probably qualified to say this.

So in the end, he was threatened by Old Mrs. Guan to drink soy sauce and eat a large piece of fried chicken legs before he suppressed all kinds of nausea and rushed into the palace to check in to work.

By the way, eating so complicatedly in the early morning is also the first time Wan Changsheng has been eating.

The seal group is probably the easiest among all the participating treasure exhibition guarantee and repair groups.

The seals on various rare treasures are not easy to break. Even if there are seals that are taken out for exhibition, they are probably the hardest exhibit.

So what Wan Changsheng has to do is wear a work permit. Before all tourists have officially entered the huge palace and come here to visit the treasure exhibition that begins at 10 o'clock, carry a large bag of seal stones designated by Old Man Jing, and go to the exhibition hall to patrol the venue.

That is, inspect the objects involved in their respective departments.

Wan Changsheng understood that those who are disciples are to be coolies, but such a large bag of stones is really heavy: "Can't you use some wooden seals? Anyway, most of them are just copying and printing archives, as long as the seals can be preserved, the wood is much lighter."

Old Man Jing was proud: "Take all sizes with you. Besides, if there are two wooden seals of the same size, it is safer to polish on site. Anything involved in wood in the palace must be fire-proof."

Looking around the huge palace buildings, especially the restricted street signs that tourists stop everywhere. In fact, only a small part of the entire palace is open to the outside. There are so many exquisite palaces, halls, treks, doors, halls, courtyards, pavilions, halls, pavilions, museums, gardens, wandering in it. Even if so many major events in history have happened here, the appreciation of art alone has made countless freshmen in the sculpture department.

Fire prevention in this place is of course the top priority.

Bear with it.

The master endured even the troubles.

Fortunately, when I approached the hall where the exhibition was held today, the shock that came to my face made Wan Changsheng forget that he was carrying dozens of kilograms of stones.

In fact, in a sense, the magnificent and huge buildings are similar to the National Grand Theater I saw last night. They use this scale that exceeds the imagination of ordinary people, impact the knowledge of ordinary people and develop a sense of worship and compliance.

Art has this effect from the very beginning.

When Wan Changsheng studied the history of world art with Du Wen, he heard that the famous painters of the Renaissance were basically serving the church, which wanted to make believers worship the church from the perspective of the architectural momentum of the church murals, sculptures and even the entire church appearance.

Thinking of this, Wan Changsheng decided to take the time to renovate the old temple of Guanyin Temple, and make new ideas and make something magnificent, and maybe he can still get some money.

This shameless person, standing in the palace, was actually thinking about this.

Old Jingtou is known as the home: "I-shaped hall, the front hall has three rooms wide in width, 36 meters wide in width, three rooms deep in depth, 12 meters deep, yellow glazed tiles and shanshan-style roof, Ming room, western indirect rolling shed to embrace the hut..."

Wan Changsheng actually said: "If you use all your good memory in seal carving, you will probably be able to produce more good things."

Old Jingtou glared at him, and suddenly there was a laugh from Miss Mei next to him: "You two men are starting again?"

Wan Changsheng smiled: "It makes Master happy, he is too serious."

Old Man Jing retorted: "I am not serious, so approachable!"

Wan Changsheng describes: "We must maintain a relaxed attitude and mood in our serious work. You have always been fully focused and consumed too much energy."

Old Man Jing finally laughed: "I have worked for the rest of my life, and now I want you to teach me?"

Wan Changsheng praised: "Yes! It's this emotion, this attitude is right..."

Miss Mei and several of her colleagues all laughed.

Old man Jing scratched his white hair hard and complained: "So half of the apprentice can't take it. You know, my master had been sharpening it for a whole year just by asking me to sharpen the knife! If I had to deal with you from scratch, hum!"

Wan Changsheng is not afraid: "Times are different. You dare to ask young people to sharpen their swords for a year now. Their original intention is to polish their sharpness. Can he quit immediately? Do you believe it?"

Lao Jingtou was in pain: "Ten years ago... there was a pretty good child, and that's how he ran away!"

Wan Changsheng gloated: "Hahaha, that's why I'm cheap, I have to blame you for this..."

Old Man Jing felt that his fists were clenched and wanted to deal with this itchy apprentice, but when he saw Wan Changsheng's gentle gaze, he realized that he was not angry at all. He had to sigh: "Yes, I know you are reminding me to be stubborn and not to keep the same tricks, but I was taught by my master, and no one taught me how to be a master. I have been in this yard for decades."

Wan Changsheng hugged his master's shoulders: "In the past, eating and clothing were a problem. When you find a good job and work in the Palace Museum, you will cherish it. People are simple enough and believe in whatever you say. Now it is different. Young people all talk about free personality. They don't bow their heads even if they know they suffer losses. They would rather eat savory food than be cowardly. Really, it is not difficult for most ordinary people to have food at home. So why bother to suffer from it?"

The other masters passing by were all oh-so: "Lao Jing! You are so intimate with your apprentice... don't you set up a table?"

"Lao Jing, she looks very good. She has even changed her clothes. With her apprentice, her spirit is different!"

Lao Jingtou didn't shake his apprentice's hand away: "It's done! Have a few drinks tonight!"

He shouted and started shouting.

The master and apprentice walked into the palace exhibition hall where glass cabinets were everywhere. In fact, they were basically not allowed to touch the original products casually, but at this time, they could watch and take photos at will without restrictions. It took several floors to open the cabinet.

There are indeed few things in the copying and printing group. When the master and apprentice came over, they browsed the list of treasures. Various bronzes, woods, and jades are unlikely to have seals. So now we quickly browse the objects in a comprehensive manner, and only more than ten calligraphy and painting works require statistical copying and printing.

Because the original authentic products have extremely strict regulations on entry and exit, most of the restoration units take advantage of such exhibition opportunities to inspect these national treasures.

From Xu Wei to Dong Qichang, to Zhu Da, everyone was worshipped by Wan Changsheng involuntarily.

Du Wen had told him that the museum and painting exhibition are the best way to expand their horizons as soon as possible. The reason why the Guanyin Temple can make Wan Changsheng devote his life to the rest of his life is because of the inscriptions and inscriptions that span thousands of years and still show their artistic charm.

However, compared with the Palace Museum, which has millions of collections, the gap between the small and small witches is not enough to describe.

The more than ten calligraphy and painting works that can be seen today are all top masterpieces in history. If you talk about the price, it is really an insult to the artistic value of these works.

As time goes by, these works have left many different marks by the prestigious praise madmen of all generations.

From three or four to fifty or sixty, the most dense seals on the "Wenyuan Picture" are covered with seals whenever there is free space, even the gaps on the faces of the characters on the picture are stamped!

Fortunately, Lao Jingtou said that he had copied this painting seven or eight years ago, and began to explain Wan Changsheng with this picture.

Finally, after counting, there were only more than ten chapters that needed to be copied this time. Before the treasure exhibition began, Wan Changsheng rushed to use his mobile phone to take all these seals. As long as the flash was not turned on, the maintenance team's behavior was not restricted.

After tourists began to enter in teams, the maintenance team evacuated one after another, went to the nearby palace workroom to check their workload, discussed whether there were any problems with their exhibits, how effective the sealing and maintenance were during this period, etc.

Some groups also have to take turns to send people to the exhibition palace on duty, which is like a fire brigade.

Of course, the master and apprentice who copied the seal began to calculate the size based on the seal on the mobile phone photos and prepare for the copy and prepare for the file.

More importantly, we must begin to carefully identify the seals that have been vague for thousands of years.

In some works with darker backgrounds, the red seal has become turbid and unclear, and it has become extremely difficult to judge the content of the seal itself.

Lao Jingtou said that the kind of person who really can't recognize is put aside. It is said that there is a particularly professional and advanced equipment group to analyze it, and the place where the printing oil has been left will be developed. Finally, the printing group will determine what the word is and who likes it.

The biggest function of the printing group is to figure out what the content of these chapters are. As for what kind of stories in the circle of friends will be involved in the future, it is all the business of other departments.

So after all, Wan Changsheng only needs to copy seven or eight pieces, and the most specific size cannot be determined at this moment. He has to wait until the room is closed for two or three hours before he can measure the seal size closely under the joint supervision of security, calligraphy and painting custody experts, etc., and then copy and print it as exactly as possible.

So Wan Changsheng, who had no great work pressure, began to return to the exhibition palace with a desire for knowledge and took the initiative to take the duty.

Not only did he look at calligraphy and paintings, jade, porcelain, clothing, and even a small Buddha statue that was said to have been used by a certain empress dowager, which benefited him a lot.

Master Jing and other masters have long had no inner fluctuations in this kind of scene of working with national treasures, and they gathered together to complain that their apprentice was just a monkey who couldn't sit still.

If it weren't for the palace, these masters would look like the same as those of the old men who were grinding workers in the factory.
Chapter completed!
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