It doesn’t matter if Wan Changsheng teaches, the environment is fine, everything is fine.

He can give lectures in the wards of Fisheryan and Xu Chaohui, Amyra's A380 first class, the warehouse for the thousands of people's art exams, and even the open space in the square of the Cultural and Creative Park.

But obviously Su Munan cares very much about the environment.

The felt covered with ink marks, porcelain plates, inkstones, and ink can be seen everywhere, and paperweights, pen holders, seal carving knives and practice stones are also scattered.

Just looking at it, Wan Changsheng was a little eager to try and wanted to write something and engrave something.

But it is not as good as the bookshelf and letters on the surrounding walls.

There are both neat, smooth and solemn regular scripts, vigorous and unrestrained cursive scripts, and ancient works with a grand structure.

The characters of different sizes can be hung there as an exhibition gallery, which makes people walking in uncontrollably appreciate.

Even if you don’t understand calligraphy or seal carving, you can still see the books on the bookshelf.

From foreign classics to Chinese literature, from "Chen Yinke and Fu Sinian" to "Yuanyuantang Essays", there are even a large number of comic strips, which even children can understand. Of course, it is not Ultraman, Plants vs. Zombies, but they are all traditional white-describing masterpieces such as "Romance of the Three Kingdoms" and "Biographies of Yue Fei".

Even Wan Changsheng couldn't help but touch a book and flip it around, but suddenly felt that this aunt had been dealt with as a child!

But other friends who have come to take classes have whispered that these books were read by Shenshen from his own freight shipped from Jiangsu and Zhejiang, rather than buying them temporarily to make up the numbers.

This reminded Wan Changsheng of the various professional books that were piled up in his office that were a little overwhelming.

Suddenly I felt a little ashamed.

He took part of it to the bar in Warehouse No. 1 to share with the students, but he was still used to the stele forest in the back mountain and the study room was his own world.

This is not stingy, he doesn't have this habit.

I have been a lonely temple since I was a child, and there are almost no companions to share and communicate with except my grandfather.

Su Munan's teaching style is indeed a bit like a kindergarten aunt: "Everyone find a seat to sit down, sit well. Today we learn basic knife skills and the application of fixtures. The seals must be reversed. This may be a bit unaccustomed to everyone. Come on, follow me to put the practice stone on the fixture first, be careful not to hold it..."

Wan Changsheng was a little ridiculous. He was at the top of his rank and went to the museum to be the successor. He had to sit here and behave like an enlightenment student?

Of course he won't show it.

The so-called upbringing is reflected in his lack of irritability and disgust. He smiled and opened a comic strip next to him. According to the way Su Munan said, he used a fixture to fix the practice stone and secretly carved the pattern with a primary carving knife that costs ten yuan per piece.

I don’t show off or even oppose basic teaching because of my outstanding level, and even start to think about my own sculpture concept through this scene.

It must also be admitted that the fixture arranged by others is indeed very comfortable. Fixing a practice stone on an adult's fingers is very demanding on the stability of the fingers. Over time, the first knuckle will be somewhat turned outward and deformed, forming the so-called dragon claws.

Therefore, most seal carvers use fixtures.

Now we have even developed a rotating fixture with a base, which can fix the base suction cup to the tabletop, and then you only need to slightly stabilize the fixture disc with your hands, easily and stably operate, and do whatever you want at any angle.

Wan Changsheng just likes to carve casually, and has been used to it since childhood, and loves the feeling of communicating with the tip of a stone and a knife.

Moreover, the strange ones are engraved with missing corners in all four pictures, and one-third of the oblique lower corners or the oblique upper corners are not engraved.

Anyone who has painted the painting probably knows that drawing a half-thin is much more difficult than drawing the whole, because only after drawing it completely can it be easy to see if the proportional relationship is right. If you dare to draw only the part, you will be confident about the overall relationship.

Wan Changsheng refers to this: "What I imagine is a sculpture, with the lower half obliquely being a seal stone, and the upper half being stainless steel. At first glance, it is a sculpture, and at closer glance it is an enlarged seal, expressing the fusion between classical tradition and modern new meanings."

Su Munan frowned after imagining it: "It's a bit strange."

Wan Changsheng didn't explain much. Maybe his growth environment was relatively weak and he was not so stubborn about tradition. If he should change, he would change.

Su Munan said nothing more. She had no idea that other girls would admire Wan Changsheng like that: "I'll take an hour's class first, and then you can tell you in your way in the next hour?"

For pure academic communication, Wan Changsheng said it was OK.

But just as Su Munan turned around and continued to act as a kindergarten aunt, the classroom door was pushed open. Professor Yan walked in with his hands behind his back and saw Wan Changsheng at a glance, but he directly turned his eyes to the kindergarten aunt: "Xiao Su, is the class going smoothly?"

Sincerely, Wan Changsheng and the students present were trembling with the words he called Xiao Su!

A little crispy!

Su Munan smiled and showed the row of white teeth above: "Hello Professor Yan, we are in class, thank you for your concern... Don't put your knife too heavily. You use your strength in the direction, not holding the knife hard. Think about how you write. The feeling of using the knife with ease is how you hold the pen."

The boy who was bent down and held his hand to teach was probably blank now.

Wan Changsheng wants to laugh.

As for Teacher Su, he has enthusiasm for class. As for experience... let alone Dudu's words are right. Painters and artists are different from educators. If you draw well and carve yourself well, it does not mean you can teach well.

Look at Professor Yan's expression, maybe I want to sit down and be a student by myself.

But in the end, there is still a purpose. I don’t care that Teacher Su did not continue to flatter him. He spoke with his hands behind his back to his inspection statement: “Our Shumei’s seal carving course has always been weak. It is entirely up to the new force of famous professionals like you to join to avoid us from taking the wild path. Therefore, our Shumei painting major will fully support you to make seal carving courses into high-quality products. Then in the future, the new calligraphy and seal carving major will be the academic leader.”

Even if you are like a student, you can hear the irony, flattery and promises contained therein.

Everyone looked at Wan Changsheng with strange expressions.

There are only three or four friends from the big beauty clubs here, and the others are all boys. If you want to say that you hate Wan Changsheng, you will definitely have no idea, but you can't support this student union president.

Most other people still have some different thoughts about geniuses and celebrities who are beyond ordinary people.

By the way, everyone is on this road of art, why are you so unique?

Speaking of which, female classmates are more likely to have a good impression of Wan Changsheng, and there is a reason.

Even the star-chasing admiration of male gods is mainly based on gender differences.
Chapter completed!