When he returned to the apartment at night, Wan Changsheng counted 2,000 yuan in person to Du Wen: "I know you helped me for other reasons, but I hope you don't waste your time on this. Of course, you did a good job this week, and you didn't delay your studies, and your emotional self-control was even more calm. These 2,000 yuan is what you deserve as a teaching assistant. Do you have no objection? I said so many things, and it's normal to get 5,000 yuan."

Du Wen, who had just changed her pajamas, was pulling her hair: "Over there... you took the box of your new phone and put the money in it, and put the little you put in it."

Wan Changsheng was a little stunned, but he still did it, and the size was just right.

Du Wen also directed the details: "Split it apart! This hair ring is tied to you, and I'll get it again. The red ones are less tied, and the black ones are more tied. Yes, cover it, where is your German tape, seal the mouth..."

After getting my hair done, I touched my phone and transferred 5,000 yuan to Wan Changsheng: "This is the first time I have made money with my knowledge, ability and skills in my life. It is also the first time that we have made money together. It is worth remembering. It must be interesting to see it when I am old."

Wan Changsheng doesn’t like to talk about big principles, and he doesn’t like to preach repeatedly. Du Wen has not mentioned the relationship between the two these days, and now he only raises his eyebrows.

Sure enough, Du Wen was not entangled in this and signaled to start the sketching course.

It was just a few days before it was darker, so at night, both of them used to practice sketching.

It's really because this is probably the most dangerous thing about Du Wen.

Sketching can be compensated by spirituality, and color is gifted, but sketching must be drawn in a solid way.

Wan Changsheng was trying his best to find shortcuts in various pre-skill samples.

I can only say that Du Wen’s advantage is that she is smart, she can understand it at a glance, and then she has the hard work that is very rare among beautiful girls.

As long as they enter the teaching state of the two, they will do their best without saying a word.

It's much better than the motivation to draw based on interest at the beginning.

So you still have to have a goal.

When Lu Tao saw Wan Changsheng again, he praised him: "I said you have the ability to teach sketching. It is obvious that the sketching skills of many people in the two classes have improved a little. You can do this!"

Wan Changsheng, you are kind: "That is, some local methods in our countryside."

Lu Tao ignored the differences between teachers and students and said: "Additional training classes are taught from the basics, and the level of students is very related to the level of the teachers who run the class. In fact, this business has now expanded to many places. Relying on cultural centers, youth palaces and so on, it can be done a lot in a year, but the levels of these teachers are uneven. Art teachers from ordinary normal schools, art majors from ordinary universities, and students and graduates from art schools. At least the levels of these different levels are very different."

Wan Changsheng remembered the training class in his prefecture-level city and nodded and wanted to hear the details.

Lu Tao explained it: "We are naturally the highest-level authentic art school, so the significance of this intensive class is not to teach many advanced things, but to make the different cram students from all over the world as uniform as possible in the level of each school and school, and to make it suitable for the exam. You are because of the strong foundation of Chinese painting, but it is best not to mix too many personalized things in sketching teaching. The exam is always a standard line for exam-oriented education. You have inspired more ideas for students. If you backfire in the exam, it is not worth it."

For the kind reminder, Wan Changsheng said thank you thoughtfully. Lu Tao also asked him to go to the atrium room to move the plaster avatar and introduced a few lingo words: "Your sketching of the avatar is at most a problem of adaptation, but that Xiao Du must be more difficult, so try to let her start with the avatar of the elderly. At this stage, you start with the plaster skull. If these numbers are numbered, you will sign and borrow it back to draw it by yourself in the name of the class. There is also a real skull locked in the cabinet. You can ask Lao Cao if he can borrow it back first."

It turned out that he promised to help Lao Cao teach, and there was this benefit. Wan Changsheng happily took the plaster skull, slightly curious about the real person.

Lu Tao shrugged: "Twenty or thirty years ago, there were many teaching aids for real skulls, many of which were transferred from medical anatomy. In fact, we also have artistic anatomy courses, but now the situation in various aspects has changed, and there are fewer and fewer real skulls. The policy does not allow a casual skull to be easily available, right? But to accurately figure out the bone points, you have to look at the real thing. The plaster has been turned many times, and the details are very distorted."

Ordinary girls may make a fuss when they see the skull. Du Wen couldn't put it down and whispered: "I really want to put some makeup on it!"

Wan Changsheng rolled his eyes quietly.

However, he helped Du Wen lay the foundation for contacting the avatars in the past few days, and I really don’t know that he could add a skull in the middle.

Now it's a bit new to him.

This is probably the question Lu Tao reminded. Don’t promote the Chinese painting set too much in sketching, which is a bit risky.

Chinese paintings don’t care about bones. The bones mentioned in Chinese paintings often refer to style, charm, etc., while the bones in Western paintings are really bones.

In the old saying, it is difficult to draw bones when painting tigers. Using Chinese painting, it is to understand that no matter how craftsmanship is, it is useless to draw without charm. In other words, Wan Changsheng mentioned to everyone in his sketch homework that he knows the rightness and pursues the dangers and extremes. Once he masters the basic ability to draw like, he must pursue charm.

Western paintings honestly require the skin to be taken apart, learn the bone structure, and find bone points.

This is why Lu Tao talks about the novice painting of the old man.

Because the elderly have loose skin and flesh, it is easy to reveal the shape of bones such as cheekbones, eyebrow arches, etc., which is not like the collagen on the face of young people. If the bone dots cannot be found, it will naturally be difficult to draw.

Therefore, when painting portraits, the younger and more beautiful a girl and child are, the more difficult it is.

Those old people with pleated faces are much easier.

When Wan Changsheng saw Lu Tao, he skillfully divided the instructors into several groups. Those with poor abilities used Molière, Michelangelo and even Lu Xun's avatars. These middle-aged and elderly people had rich and colorful faces and more detailed portrayals to do advanced exercises. Those who are already more skilled are already skilled, so they are painted with smooth faces such as Apollo, Goddess of Victory, Venus and other faces with smooth faces and more skillful ones.

There are only a dozen people like Huang Min and Lin Jianwei who are not many, and they directly put photos of the characters and draw real-life avatars. This part is trying to achieve high scores.

Others must have drawn real-life avatars. Lu Tao only used this advanced method and asked to go through this week's sketching course from basic to advanced. This is also a way to deepen his skills and find a targeted solution to his own problems.

Anyway, in the final exam, whether to take the plaster avatar, a real person photo, or a pair of other objects, there will be some new tricks every year, but it will not be wrong in this area.

Something to guess the question.

Only Wan Changsheng and Du Wen sat pitifully in the corner, facing a plaster skull and two Beethoven's plaster faces.

It was also when Wan Changsheng arrived at the aid room that he realized that there was also such a gypsum cut-faced avatar, which simplified the Beethoven's face into sections, such as the nose turned into angular cones, which was to allow beginners to understand the three-dimensional structure of the face.

I heard that just painting this requires a few months in ordinary training classes. Wan Changsheng and Du Wen may only have one or two days to learn about it. If you have a rough understanding, you have to skip it.

After all, Wan Changsheng is actually like Du Wen, and he has no three-dimensional structure of the skull. His painting heads are like the artistic exaggeration of paintings in sketches. He pursues Shen Yun and does not care about the anatomical bone points?

But for these two, the difficulty is huge.

Wan Changsheng looked at the skull, observed for a while, and started printing.

Du Wen was in trouble. After a long time of writing, she barely drew out the shape of the skull. Wan Changsheng took a look. Could this skull be from the primitive man in Zhoukoudian? Who has such a big head?

It’s really a joke that Du Wen is really a real person, it may be like a child’s terrifying appearance of hydrocephalus.

Wan Changsheng, who had stopped halfway through printing, had to ask himself to change the paper and draw in a synchronous manner with Du Wen in the normal painting method.
Chapter completed!