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506、Wait for the wind to come, it is better to follow the wind

Lin Chuni also came back with the crew, but she couldn't wait to follow the pre-stage staff to visit everywhere after getting off the bus. She felt the changes were a bit different. She walked outside the door to read the publicity information and came back.

I happened to see the entrance of the square where the gate wall had not been removed. The sculpture, which was as tall as a floor, was tied tightly with plastic film and messy straw ropes.

At first glance, it looks like a huge box transported here.

After a closer look, there is a base below, which should be placed on the bottom, and the edge is suspended at a height of 20 to 30 centimeters.

The aunt had the leisure to squat down and touched the edge below, confirming that it was something fixed on the scene.

Then I thought a little bit.

Just now, I saw a sculpture in the entrance square of the Cultural and Creative Park on the diagram, but it was vaguely unseen on the spray painting.

Now after walking around for two rounds, I took out my cell phone and called Wan Changsheng: "Is this square your new sculpture?"

Wan Changsheng said.

Lin Chuni asked why she didn't take it apart.

Wan Changsheng wondered: "No, the wall has not been removed yet, the gates are still there, and the movie has not been completed. Why did I demolish it so early?"

Lin Chuanniest goes independently: "I'll help you take a look."

Wan Changsheng despised: "You are so idle!"

Lin Chuni hehe: "I'm really idle in the countryside this month, I've demolished it."

Wan Changsheng doesn't matter: "Whatever."

Lin Chuni hung up the phone and found a knife from her backpack, a very exquisite ornamental knife, but she used it to carefully cut the straw rope as thick as two fingers.

Then in the surrounding empty square, slowly circled the building, and took apart the straw ropes bit by bit, as patient as if they were dismantling birthday gifts.

He even piled up the stripped straw ropes together.

The girl who was circling in the empty square quickly attracted the curiosity of the rest of the crew: "What, what is this? Ni'er, what are you doing?"

Lin Chuni explained: "Awesome, being a director and being a principal is his true identity. Being a sculptor, isn't he also made the sculptures at the entrance of our new campus?"

So everyone's interest became even stronger.

However, when she wanted to dismantle it with all her might, Lin Chuni said that she should maintain respect for the artwork, and that this was a consecration ceremony.

The weird and eccentric look of everyone is just watching.

In fact, as long as she doesn't look at the camera, Lin Chuni is still very beautiful.

Wan Changsheng came over at noon to welcome the crew.

Of course, in the most important shooting scenes, we will introduce the changes before and after to the back creators.

The reconstruction of the teaching building and dormitory building is still early, and now you can only see the densely packed scaffolding support and steel flowers splashing inside.

The camera crew that came back early took a lot of photos of such construction scenes, maybe it could be used.

The main thing is that the picture is better.

However, Wan Changsheng probably still thought about his hard work, and Lin Chuni took the lead and walked out while introducing the renovation of the commercial area.

The chaotic and broken road surfaces in the past have been repaved. Except for a few stone roads with southwest characteristics, they are all repaved into black asphalt pavement, and then neatly painted with eye-catching fluorescent yellow pavement signs on both sides.

Although vehicles are prohibited from entering the entire park, such a brand new and clear road surface gives a strong psychological hint.

I feel that the entire park is brand new and deliberately made old.

Then, on the black road, various popular social media emojis such as WeChat, Weibo, QQ, etc. were sprayed with them.

The expressions that people are most familiar with are particularly eye-catching on the road.

Lao Lei praised this kind of dramatic scene with a very time-chaotic sense of drama, and will definitely become a gathering point for tourists in the future.

Talk.

Everyone saw the straw rope falling from afar. Lin Chuni, who was already tall, jumped and pulled off the last layer of sponge film outside.

The four-meter-eight-high sculpture, plus the base, is exactly five meters.

The square width of one meter and two is seen from the factory area. On the back is a huge, slender, tall and thin seal!

Stone carving with yellow amber cloud pattern.

The two sides are straight and the top has round auspicious beast-shaped buttons, which deepens the feeling of the seal. Then, on this side wall, the two vertical words cut by a knife and axe are cut: "There is a picture of breaking the wall for ten years, and it is hard to repay the sea and a hero."

The carved out has no coloring, but the stone is currently carved with grayish white, which is based on the ancient style of the seal.

This is a poem that few people know.

But someone in the old actor recognized it at a glance: "Oh? This was written by the founding prime minister? I remember not the inscriptions here."

Wan Changsheng nodded: "Yes, when he was nineteen years old, he traveled to Japan and gave up the poem he wrote when he returned to China. His generous husband's strength penetrated the paper back. I think it is appropriate to put it here, because it has been nearly ten years since it was closed and now, and it has finally been able to break through the wall. The once glorious place is hoped to usher in a new life."

Art is really connected, and the old actors' feelings are fascinated by the feeling of "breaking out of the wall, this is a good description. After the finishing touch, the originally lifeless dragon shook its head and wagging its tail and broke out of the wall. At least when we finished the first part of the filming, we didn't expect that there would be such a drastic change here. There should be changes in this place... Huh?"

Because everyone walked towards the sculpture.

You can find that it is not a whole stone seal-like existence by clicking a little on the side.

The cast and crew around the sculpture were also curiously turning around and looking around.

Sure enough, when I approached the side, I found the entire seal stone that looked complete at the back. From the side, I could see that there was a whole front half of the facade was stainless steel!

Or stainless steel accounts for the majority.

The combination of stone and stainless steel is mottled, as if a neat piece of stainless steel was excavated from the facade of seal stone.

This is a kind of contrast that breaks through the wall.

The mirrored stainless steel is full of modern symbolic meaning. The mirror is so shiny that it can reflect accurate human figures. But if you look closely, you will find that it is covered with patterns.

Of course, the front is the "Special Steel Fu" written by Su Munan, which sprinkles hundreds of words, explaining that from the most difficult construction era, as the first large steel city established in China, special steel plants have made great contributions to national defense construction. However, as time flies, everything around people is changing. For environmental protection, quality, and a better life, the overall relocation of Shili Steel City has disappeared, and a new mission is needed to face it.

Now this place has become a cultural and creative park, promoting the construction of spiritual civilization around it...

It not only remembers the profound history here, but also looks forward to a new future.

It implicitly reminds those who are still alive in the past, let’s change.

Times are always changing, and it is possible to be positive or bad. Perhaps in an era of overall decline or even falling and collapse, the power and influence of individuals are so powerless, but in a beautiful era, at least they can change and improve themselves.

On both sides, a large number of binary codes symbolizing the Internet era are etched on the stainless steel mirrors.

It expresses the integration or transformation of ancient seal carving and modern society in a very simple and easy-to-understand way.

It also symbolizes the transformation of the special steel mill, the old factory area here.

This is what Wan Changsheng has been thinking about in recent months, and the blending of new and old.

In terms of artistic nature, it is a little lighter than the stage sculpture, and the commercial atmosphere or the connotation that ordinary people can understand is more simple.

Wan Changsheng is trying his best to make his works down-to-earth.

He doesn't care about the views of art critics, but only cares about whether it can achieve the right purpose of literary works.

As a mentor who discovered Wan Changsheng's stage sculpture, Lao Lei smiled and touched his mobile phone to take a photo: "What do you say about your sculpture department director?"

Wan Changsheng rolled his eyes: "Sarcastic, ridiculed, disgusted, but these words were written by him. I said that this calligraphy is not like a cultural person at all. It is not as good as the hundreds of lyrics and essays in front of him. It is the work of a graduate student in calligraphy majoring in calligraphy."

The professors and teachers of the Academy of Drama all burst into laughter and knew the deep feelings between Wan Changsheng and his sculpture teacher.

In fact, Guo Huaisheng described Wan Changsheng's ups and downs in his artistic career, constantly looking for his artistic positioning.

Originally, Wan Changsheng established the use of stainless steel as an important symbol for his future artistic career. The safest way at this stage is to make a series of abstract sculptures similar to that stainless steel cat.

The more mysterious he is, the more he can calm people. Anyway, he is known as the Gold Award of Sculpture in the National Youth Exhibition. No one dares to say that his sculptures are shallow. Anyway, no matter how you pretend to be profound, you can quickly establish your artistic status.

It seems that the trend is the more you can’t understand the more art is.

But Wan Changsheng becomes more and more simple.

The stainless steel monk was already very realistic and simple. Although it has its own characteristics in dynamic and styling, it has no artistic content at all.

Now this has even added a bunch of words, and the taste has dropped a little.

If you want to collect all of Wan Changsheng's works in the future, you will find that these two works and the stage sculpture that won the gold medal are like two people doing it.

So Guo Huaisheng used Wan Changsheng as an example and used a sarcastic tone to warn other students in the sculpture department, including graduate students, that without the economic strength of Wan Changsheng, he could spend 200,000 to 300,000 to make a sculpture to practice. He should just go on the ordinary path honestly.

Wan Changsheng’s style of spending money and trying out the style little by little, and a standard local tyranny style!

Anyway, I can afford this money, do whatever I want!

Zhong Mingxia followed the back and looked at the sculpture from afar, but she still habitually walked away all the shops.
Chapter completed!
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