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688、Anyway

It’s really annoying to the end of the world: “The Interpretation of the Mahaprajna Paramita Sutra also says, ‘In the Interpretation of the Mahaprajna Paramita Sutra, it is said that ‘The lights turn into thousands of golden treasures, and the thousand-leaf golden treasures come out from the tongue. The light shines brightly, just like the sun’. Therefore, there should be a small Buddha sitting on the lotus platform on the backlight flame pattern of the entire Buddha statue in this cave. It is impossible for those who want to steal the Buddha statue to break away the Buddha statue that is one or two meters high. They can only smash the small Buddha on the backlight flame pattern. This thing should be...

The same thing is said, if you make good clay sculptures, you don’t necessarily study Buddha statues. If you make good clay statues, you don’t necessarily know Buddhist scriptures. If you are so familiar with Buddhist scriptures, you are all abbots. What kind of clay can you make?

Complex talents, Wan Changsheng, are so familiar with these things.

Guanyin Temple does not have such a rich artistic treasure, but it has not been cut off after thousands of years of inheritance. The temple has been destroyed by wars, but has never been abandoned for hundreds of years without any supervision. It has been silently guarded by thousands of families.

So there is still some family background.

Especially when I met Wan Changsheng, a guy who had practiced his skills in the temple market for many years.

I've been itchy with my hands for a long time. I haven't had such a dizzy technique!

The characteristic of that set of Florence sculpture knives is the fineness, six double-headed carving knives and twelve knife effects, which can easily compare the rough branches and leaves of two or three domestic bamboo board knives. In the past two years, Wan Changsheng has been used with it with ease.

The most familiar little leaf knife is superb.

Moreover, he is a clay sculpture, and the site here is a stone carving. Between the two, the clay sculpture must be much more exquisite and delicate, and the most important thing is that he is familiar with it.

Many ordinary people think that the Buddha statue is sitting on the lotus platform, and the lotus petals are holding up one petal. In fact, as long as you squat by the pond in the back mountain forest, you will know the shape of the lotus pond in spring. The lotus petals must be downward to highlight the lotus pod in the middle. The petals also become the base of the entire shape, and even the layers of the petals stacked are unique.

I don’t understand the characteristics of biological life, but I am familiar with the shape.

The flames were full of vitality. Finally, with the group of people stretching their necks and staring with their eyes widened and focused, they completed the small Buddha held in their hands. The expert of the Buddha statue sculpture happily took it over, and couldn't put it down and couldn't believe it: "This, the flames are very smooth and smooth, but they have some characteristics of the Northern Wei Dynasty."

Wan Changsheng admitted: "Yes, my clay sculpture style does not match exactly here, but it can be used as a reference. You are doing cultural relics research, and I am doing artistic sculpture, so let's confirm each other."

The expert complained without distraction: "Why don't you say it sooner!"

Wan Changsheng: "What a high-end place here, there are so many techniques that you have never seen before. You have to think about it every day when you pass here, such as this..."

He pointed to a cave next to it, which was a mural inside, but the characteristics of this mural are different. The Bodhisattva in the center combines the mural with bas-relief, that is, he used a chisel to slightly chisel out the shape of the Bodhisattva. In the surrounding murals, Feitian seemed to be about to fly out of the wall!

The boundaries between reality and illusion are blurred to the greatest extent.

In today's terms, the boundaries between the two-dimensional and the three-dimensional world are combined from plane to three-dimensional.

So there are amazing people in all eras.

Perhaps it was just an inconspicuous craftsman who squatted in this Mogao Grottoes, who could create such an art form without a teacher thousands of years ago.

Wan Changsheng was also really pilgrimage in his heart: "I actually learn sculpture now. I have also painted murals and made clay sculptures Bodhisattvas since I was a child. But I never thought of combining the two in this way. The walls covered with murals can use bas relief to develop a three-dimensional sense, blurring the relationship between the two and admiring them!"

This made the leaders of the institute and scenic spot proud: "So learn until you are old, come back and communicate more!"

The expert was serious: "Is this meaning so much?"

Yes, for Mogao Grottoes, hundreds of murals, statues, paintings of tens of thousands of square meters, and hundreds or thousands of Buddha statues, what do you focus on is such an inconspicuous little relief?

Wan Changsheng also explained seriously: "I am from Shuchuan. The relief bricks in Shuchuan are actually quite famous. But in fact, if you look at them in connection with the history of world art, compared with ancient Greek classicism, ancient China actually had no relief in the true sense, scattered perspective, symbolization, mountains, rocks and trees are all projections of characters and plots, the shape is subjective, and the overall layout is more like a collage. This characteristic can be seen in various ancient tomb carving bricks and bed carvings of wealthy families. This is just like Chinese painting paying attention to vividness as the first goal. We are seeking infinite expansion space in the laws and established language, and the natural laws and rational and objective sense of reality have been abandoned."

A large group of people around him were stunned for a moment!

Most of them are a bit like listening to the heavenly books, and they are not aware of the harshness.

I understand every word, but why do I feel a little dizzy when combined?

If Jia Huanhuan is there, he will definitely shout: "Brother Changsheng! You are fooling others again."

At least Du Wen, the only one who is still here, tried to hold back her laughter.

She also knew this trick.

That's right, this is exactly the same as the words "Surpris and Green Dragon" that Wan Changsheng carved seals in front of Guanyin Temple to fool tourists. It was just that in the past, classical Chinese and dangerous omens were used, but now it has been replaced by high-end design and research professional terms.

Just like he joked about Chen Dawei, this is a necessary foundation for design. Five-point works can be fooled like nine-point ten!

The expert nodded seriously: "We have never thought about this idea. The embossed brick you mentioned should be a bit different than this."

Wan Changsheng smiled: "You are studying cultural relics. We are looking at the artistic differences. Come on, look at the shoulder lines of this Bodhisattva, and gently cut them down with a chisel and polish them. This is the characteristic of ancient Greek classical relief. You can see the air feeling. People and animals, regardless of the side, are gradually highlighted on the stone surface according to the natural state. Look at the bun, the palms in front of him, and does it compare? Here, there is a feeling of solidity in front and virtuality in the back, from the fineness of the palm joints, even if it is just a little relief, to the neck, the hair bit gradually fades away in turn, and finally melts slowly in the stone... Do you understand this feeling? The stone behind is regarded as transparent air from the beginning. This Buddha statue slowly reveals its air. This is called the sense of air!"

There are so many experts present, and they deal with these sculptures every day, and they may have turned a blind eye to them. They never expected that they could view this inconspicuous relief from this angle.

Just like some specially designed patterns, as long as they are guided to observe from a special angle, you will see a completely different three-dimensional world.

The screams came out of these people's mouths involuntarily.

Even Du Wen looked at the Buddha statue intently.

Yes, when the same thing, from another perspective, plainness becomes beauty, and even mysterious and distant.

The expert was already busy giving the little Buddha to the assistant next to him, took out the gloves from his pocket and put them on, gently touched the relief edge, and nodded with certainty: "Yes! It's very smooth and detailed, what you mean..."

His eyes were already a little fanatical and excited.

Wan Changsheng disliked his hands: "I don't know, I didn't say it, I don't understand. I just evaluate this form of relief from an artistic perspective. It is now called thin meat sculpture. It is a typical ancient Greek classical relief. Why does it appear here? Maybe it is the personal behavior of a painter and a carver who suddenly had a whim?"

The expert just wanted to kick this guy down the layers of mountains with one kick: "The topic! This is a very important topic! There is a cave near our province, where the flying sculptures from the Northern Zhou Dynasty have this style, which is definitely not accidental!"

Wan Changsheng immediately: "Where? I'll go and see..."

The administrative leaders wanted to kick the expert!

I immediately surrounded him, almost covering the nerd expert's mouth: "Project! Needless to say, I need to mention Qin Gong, apply for the project immediately. On the possibility of ancient Greek relief techniques transmitting entry from the Western Regions, have Xiao Wan just recorded everything Xiao Wan said, and the one who was cameraed with his mobile phone just now, is the recording clear..."

Another clearer key point is here: "The strong alliance is indeed a new topic. It is necessary for us to seek in-depth cooperation in this regard between the Academy of Arts and the Institute of Cultural Relics. Shuchuan Academy of Fine Arts seems to have a considerable accumulation in this regard, and we should carry out this work."

Wan Changsheng quickly tightened his pockets with satisfaction: "I returned to the Academy of Fine Arts and sent a formal letter to establish a research topic..."

After glanced at Du Wen, the agent understood and replied: "The association, Dunhuang Mogao Grottoes Art Research Association, can be a private research organization registered and established in the civil affairs department, but can provide comprehensive research topic content, and the art academies and art institutions can provide funding."

Compared with the wealthy Palace Museum, although there are many tourists and many fees in this distant scenic spot and research institute, it must not be compared with the palace, and it cannot be misappropriated at will. The funds for repair and protection are consumed more. Therefore, for such private institutions that are just a little bit of money, they can't help but applaud!

Wan Changsheng finally helped Shu Mei to form a good relationship here with satisfaction.

It can truly give Shumei a high-standard partner status.

This is the perfect report card he can hand over to Zhao Leilei during this winter vacation.

In contrast, Wan Changsheng is more willing to regard the big list of the art community in West Asia as a report card for the members of the Damei Society.

Du Wen also flew back to Pingjing first with such a satisfactory mood, preparing to compose the cooperative relationship between Pingjing Drama Academy, Palace Museum and Shumei as usual.

Even if she is a student of Qingmei, helping Wan Changsheng push up the status of Shumei in the world at this time will make Damei Society the greatest beneficiary.
Chapter completed!
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