Of course, Beheye is holding back his ultimate move.

I sat quietly at the table and worked hard all day long. Relying on my identity as a secretary, I went to the design center to adjust a complete set of 219 Art Resort design plans and business planning books.

Secretly translated it into Arabic with Hayat. Of course, the main thing is the maid, so she is responsible for opening her mouth to command.

This is a bit of a leak of trade secrets, but in Beheye, there is definitely no string.

Wan Changsheng has begun to launch a new round of collective creation craze in the sculpture department.

Work No. 219 is the name he gave to this series of unsung hero sculptures in nuclear engineering.

The sculptures created completely at the same time are indeed group sculptures imitating the famous work "Rent Collection House".

How popular was the "Rent Collection House" in the 1950s and 1960s?

When the national tour revealed how landlords bullies oppressed the people, they once set up the venue in the current Palace Museum to drive out all the things of the emperor out of the hall and let the image of the people come in and exhibit it.

That is a life education that is more concrete than painting and performance.

After all, sculptures are solidified worlds.

As a result, the revolutionary masses were so indignant that they almost destroyed the territory of the palace, a symbol of feudal centralization, and burned it!

Although this has the background of that era, it did make the efforts that should have been made at that time.

Contributed to the thorough purge of feudal rule.

Now, fifty or sixty years have passed, and it is the meaning of being a group sculpture like this to commemorate and remember those who have made silent efforts.

Because of the special nature of the special front, many things they did are still unknown.

But they are all the best passionate children among their peers. They also have youth and feelings, as well as parents and lovers. Wan Changsheng wants to use such a vivid image to show the scenes of their work in that nuclear engineering base.

This is part of the shareholding investment of Damei Arts and Culture Company.

Wan Changsheng paid for these about one hundred statues by himself!

Real sculptures of professional-level sculptures.

Instead of using a few clothing models to wear the perfunctory look of the clothes of that era in the scenic area now.

Wan Changsheng drew two scenes by himself. One of them was a shocking scene where he first walked into the underground base, which required an electric vehicle to pass through. It was a shocking scene of several hundred meters deep into the abdomen of the mountain.

In that era when only steel brazing explosives were manually excavated, according to the on-site tour guide's explanation, Wan Changsheng drew a dynamic scene where several construction workers were striving to explore.

You can drive into the mountain passage of the truck. The characters seem so small, but so great. The violent dynamics of using a steel drill hammer to smash the stone wall bit by bit, truly reflecting the spirit of Yugong moving mountains.

Another scene was in a rescue control room. Compared with the current high-tech radiation-proof equipment, there was nothing in that era. At best, it was the kind of rubber clothes and gas masks that were similar to military raincoats.

But when the nuclear leakage alarm sounded, these young people who did not hesitate rushed into the rescue site with their continued postures.

But Wan Changsheng showed that after the rescue was completed, he unbuttoned the airtight protective clothing, took off his mask, and looked sweaty and full of joy.

It seems that living one more day is a profit.

Wan Changsheng put the on-site photos and the manuscript he drew on the large screen of the sculpture department: "At first, I wanted to be one hundred and eight generals, so I used the nicknames of those people in "Water Margin" to correspond to these front-line military and civilians. On the one hand, this is a commercial exhibit of the 219 Nuclear Engineering Base Museum, which completely restores the appearance of the scenes inside the base back then. On the other hand, this is a group portrait to commemorate those unknown backbones. Because it is aimed at ordinary tourists and audiences, I want to make super realistic sculptures. The kind of clothes that are lifelike even in the folds should be fiberglass or something else. The point is to make colored sculptures, the most imitative colored sculptures."

Someone said, "Isn't this the way you do it in a wax museum?"

Wan Changsheng had never visited any wax museum, but he knew it after listening to the introduction. In fact, it was similar to making fiberglass. He also had to make clay sculptures first, then turn over plaster molds, and finally cast wax figures to form.

It’s just that there were no fiber reinforced plastics such as epoxy resins before, so the wax museum has inherited this lifelike shaping method hundreds of years ago.

In fact, it can be basically replaced by fiberglass. After all, the strength can be touched by tourists and folded, which is very strong.

Guo Huaisheng was satisfied with seeing his apprentice introducing such a large order, and after Wan Changsheng finished speaking, he helped him: "The cost is definitely borne by Wan Changsheng, but the cost of sculpture design may not be settled according to the outside market conditions and the class fee. After all, to put it bluntly, I hope that this work can be made into a classic like "Rent Collection House". The concreteness is not the biggest difficulty for us. The most difficult thing is how to transcend time and space to infect current tourists, especially young people, to understand.

Why did young people at that time be so selfless and dedicated? I was born in that era. I know that feeling. From the old society, I wish I could devote everything to such a beautiful new society and create a bright future for my descendants. But they certainly did not expect that the material abundance will be abundant. Instead, they lost culture, home culture, and self-centered new era culture have become the mainstream. The starting point of Wan Changsheng is very good. I will claim three to five images myself, first come, first served."

Naturally, the teachers and students of the Sculpture Department could not boast about their leaders like the Damei Society. A few teachers had a clever understanding of the meaning, and they also signed up to claim two or three images.

After all, just like the scene described by Wan Changsheng just now, it is almost impossible to be an independent statue of a character, at least it will show a certain scene in two or three groups.

But the key point is that "Rent Collection Institute" was created by teachers and students in the form of co-creation, and more than a dozen people participated in it, and finally won great honors and achievements.

Money is really not the most important thing.

Because following Wan Changsheng, the koi, is like he has won awards and written papers in authoritative journals many times. Now he is leading the way to write promising papers. Everyone can follow the data and make the final signature.

Do you care about how much money this paper itself costs?

Not important, right?

He took on this job in a few words. Even the graduate students who were doing their best to make West Asian sculptures, together with Xu Bao, asked to participate in this.

Isn’t it just to squeeze out some time to do more realistic things?

As long as the shape is well grasped, concrete and realistic is just a meticulous job of building time, very simple.

The key point is the early style. It will definitely not be the dull body dynamics of clothing models. It must definitely highlight the style of that era from its spirit.

It cannot be a tall and monumental facial style with deep grudges.

Therefore, there is no need for clay sculptures, just manuscript sketching is an insurmountable natural barrier.

Wan Changsheng printed out all the photos of the underground nuclear engineering base, and then made the underground maze-style channel structure made by the design team into a large picture and hung it on the wall. Each branch tunnel, workroom, control room, and reactor pit are clearly distributed. What kind of working state should be in each place and what the most touching moment should be. We have to check the information and think about the concept.

Then Wan Changsheng and Guo Huaisheng checked the manuscripts separately. If they couldn't even pass the dynamic manuscripts and were dull and had no new ideas, don't waste time making clay sculptures.

I don’t know how to conceive it, so I went to the college museum to carefully study the classic works of "Rent Collection Institute".

The artists of that time were never beaten in the water prison, nor had they paid rent. At that time, there were no online pictures to search to see what kind of works were presented in the end.

The class difference between the tenant farmers and Huang Shiren is the irreconcilable relationship between Beheye and Selime!

The farmers cherish the food that was scattered on the ground, but the landlords kicked the food basket without caring about it, because the workers cherish their own achievements, while the rulers only care about their own power and interests.

To express these details, you need to experience them deeply.

Instead of taking it for granted, self-righteous.

This is the positive atmosphere that promotes academic innovation in the entire sculpture department.

Guo Huaisheng is so satisfied!

The key is that it hasn't cost much!

But he was even more thoughtful and asked Wan Changsheng to discuss outside the sculpture factory: "The characters are only part of this museum. Let the sculpture system carry out a series of creative ideas on nuclear themes and use sculptures to present the proposition of nuclear industry. Only in this way can everyone's thinking about art be deeper, from the surface of fancy and fancy to thinking about life, dignity, industry and human relations, I will bear this part of the cost."

Wan Changsheng squinted his eyes: "Everyone has a sculpture, and this enlarges a lot of money. Then what about? Are you stealing the limelight from 108 generals in my life? Are you busy?"

Guo Huaisheng kicked his disciple: "It's not that it's necessary to do it at the same time. I want to continue this atmosphere. Maybe our sculpture department will usher in a peak of the explosion of excellent works, and we will gradually complete the layout of small works. From clay sculptures to displaying works of the same size, it's not necessary to enlarge it. How about setting up such a permanent sculpture group outside your museum?"

It means he spent money to help Wan Changsheng build a sculpture garden attraction.

This is to try every means to help my disciples, and not to lose the benefits, and to hide myself quietly behind them, so as not to steal the signature rights of the young sculptor.

Wan Changsheng hehe: "What are you doing? I will pay for the money to enlarge it, and definitely place the protagonist's C position."

Guo Huaisheng hahaha, using Bruce Lee gesture to hook Wan Changsheng: "I want to fight with me alone? I'm very brave, let's see who is better!"

Wan Changsheng suddenly had a whim: "In this way, we will do it quietly by ourselves, and then turn the model and place it publicly outside to vote! Whoever wins will pay the other party to enlarge it."

Guo Huaisheng suddenly felt proud: "Come on! Boy, you almost!"
Chapter completed!