Of course, as a movie filmed in Sicily, it is completely understandable to use an Italian director recommended by the Italian film minister. Everyone also understands that the failure on the battlefield in North Africa can no longer be concealed, and there is no way to hide it. Crossing the Mediterranean and landing in Europe is the next plan that the Allies must take.

So at this critical moment, using a large production to boost morale is also a common method used by the Third Reich. What's more, there is a precedent for the female director Lenny Rivenstale to be extremely successful.

Rumor has it that "The Victory of Will" was released in Berlin in 1935. The German people recognized themselves as godly people in tears. American director Frank Capra completely lost confidence in the Allies after watching this documentary and bought drunk with friends in the street.

Whether the talented female director wanted to do so or not, since 1934, she has been recognized as the Nazi Party’s most powerful propaganda machine. None of them.

In September 1939, Lenny Rivenstale was invited to Poland to film the victory of the Blitz. The hideous war and the cruelty of German soldiers to treat Polish prisoners made her heart shatter. Many years later, she said: "(I) would rather die before September 1, 1939." It was also from that time that Rivenstale refused to use artistic inspiration to wrap political propaganda. During the entire Second World War, she did not participate in any Nazi propaganda films, but "The Victory of Will" and "Olympia" have become her never-ending criminal record in the Nazi art file.

It's the most intimate stroke.

No wonder, looking at the Nazi history of the Third Reich, starting from the head of state, the leadership from all over the world was powerless to resist all kinds of female stars from all over the world.

From here, the character of General Jurgens, who used both soft and hard skills before, and tried to make German female star Anelise Ackerman surrender to the tyranny of the ss, was also convincing and reasonable.

So after the script passed the review, the "Battle of the Great Battle", known as the "Third Empire version of "Gone with the Wind"" officially started filming.

The Italian Coast Division, which received the order to assist in the shooting of the Supreme Command, immediately inspired great enthusiasm and devoted itself to the intense war scene shooting.

There is a very good old saying in the ancient Oriental: "Asiders watch the fun, while those who are in charge look at the tricks."

He also said: "There is no silver here, and Wang Er next door has never stole it."

Large-scale military mobilization and live-fire exercises suddenly stopped the Allies ready to land on the battlefield.

So, all forces came out in full swing. All the gods and immortals gathered on Sicily, the size of a palm, and they all wanted to figure out "what is sold in this gourd?"

Because of the "unlimited funding", Mrs. Katy's casting has not stopped. So more and more handsome men and beautiful women have come from the entire European continent.

Danielle, a battle girl who did her homework and became a casting assistant, also recognized many faces in her memory.

For example: Charlotte Gray, a member of the French Southern Underground Resistance Organization with the pseudonym "Dominique" in "Charlotte Gray".

For example: Agnes, a German beauty spy codenamed "Mrs. Cromwell" in "The Sea Wolves".

The characters in the drama who know and do not know "World War II plot fragments and time and space" seem to be attracted by "magnets", and the large-scale similar and similar "cross-plot fusion" is in the same space and time. It is like before the next sweeping day comes, I try my best to catch a life-saving straw. Yes, that's it.

However, no one can laugh at the adventure team members, including Battlefield Girl Danielle, because the difficulty of plot harvesting has been soaring.

No wonder when the female butler Ai Yi came, she said that your "time and space patches" are not only "killer moves" but also "life-saving bullets". Before using the "killer moves" to harvest the plot, you must first release the "life-saving bullets" to hold on to the plot.

Pursuing realistic (Sir, what tone is here? Is it true to be ‘pity’? Or do you have to read it backwards?) and realistic are the distinctive personal style of the long-awaited Italian director. The panoramic presents interspersed close-up shots, which is also a common shooting technique.

According to his requirements, all scenes should be taken locally as much as possible. Even scenes such as war and torture should be shot in real scenes.

I thought this requirement was too much. The result came from the approval of the Supreme Command on the same day: Agree.

So those death row prisoners who were detained in concentration camps in various places were also taken to the set of Sicily. It was a completely 100% real-life shot.

As expected, the battlefield girl Danielle, who became the chief casting assistant from the first death train, immediately recognized several important characters in the play. Lenka Fafková and Marie Kovárniková, from "Anthropoid", were members of the Czechoslovak resistance movement and participated in "Operation Anthropoid" during World War II. She successfully assassinated the German Gestapo leader Heidrich with biological and chemical weapons. After the operation was over, she was arrested by the Gestapo for betrayal by a traitor. Later, the two and several other resistance members were executed by firing squads in the Mauthausen-Gusen concentration camp.

Now a transfer order has been sent to Sicily to participate in the live shooting of the movie.

The SS officer Ilsa, who escorted them, came from "Ilsa: She Wolf of the SS", and ran the infamous concentration camp No. 9 with her partner Dr. Binz, using female prisoners to conduct terrible medical experiments. This is one of the masterpieces of Nazi exploitation films.

This chapter is not finished yet, please click on the next page to continue reading the exciting content later! Exploitation film is a type of film with the theme of "exploitation". It is often characterized by sexual provocation, or explicit sex, sensational violence, drug abuse, nudity, fanaticism, blood, absurdity, destruction, betrayal, and murder. Such films first appeared in the 1920s, but later than the inspection standards and taboos of relaxing films in Europe and the United States in the 1960s and 1970s, and began to become popular. Since the 1990s, this type of film has also attracted the attention of the academic community and is sometimes called Paracinema.

Exploitation films rely heavily on erotic advertising and explicit and exaggerated topics, but ignore the inherent qualities of the film itself. Exploitation films are often widely regarded as products of inferior quality. Even so, exploitation films can sometimes attract world attention and worship (Cult Following).

The death train is also a real historical tragedy.

As World War II was about to end, the Nazis frantically carried out a "death transfer" of concentration camp prisoners. They were forced to travel long distances in the severe cold, giving little or no food or water, or even not resting, and those who could not keep up with the team would be shot. The largest "death transfer" occurred in the winter of late 1944 to early 1945. Nine days before the Soviet troops arrived at the Auschwitz concentration camp, the Germans took tens of thousands of prisoners from the camp to the town of Vozislaw, 35 miles away, where they were taken on freight trains to other concentration camps. About a quarter of them died on the journey.

Before that, there was the even more notorious Holocaust train. In order to forcibly expel Jews, Nazi Germany used the Holocaust train to transport victims to Nazi concentration camps, labor camps and extermination camps through the national railway system operated by the German railway.
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