1.1388 Give the character "truth"
"Are you better, my sisters." Second casting assistant Anna Moffett enjoyed the process of giving the plot characters "truth".
"Only my memory has been tampered with?" SOE female contingent captain Louise Desfontein calmed down.
"It's not 'tampering' but 'reset'. You can also call it 'rewrite' like other sisters." Second casting assistant Anna Moffett corrected with a smile: "And it's not just memory that is reset. There's all your life. 'Life in the play'."
"Life in the play." As the new memory chains surged into my heart like a tide, the expression of the SOE female contingent captain became more and more calm. Obviously, she was pieced together the outline of the broken city from the "pillow words" that all night long and lingered in the "pillow words" describing the shelter. At the same time, everything from the old days was accelerating, whether imprinted in the body or in the spirit.
It was as if I had blinked my eyes gently, and I had a quiet dream. Of course, if I could go back to the past before the blink, I would definitely feel this fleeting change. Unfortunately, time never returns: "The plot line of the personal exclusive branch reset by the law of reverse causality is bound to the main line of the 0326 exclusive branch and solidified into an important key node of the personal plot."
The second casting assistant Anna Moffett spoke with a sense of security: "From now on, if anyone wants to tamper with your personal plot, they can only cut the plot divergence line of the 0326 exclusive branch."
"What is the difference between the plot division line of the 0326 exclusive branch and the plot main line of the 0326 exclusive branch?" SOE Women's Task Force Captain Louise Desfontein will definitely ask.
The second casting assistant Anna Moffett answered very clearly: "In fact, it is talking about a line. For different objects, it is the 'main line' for you and my sisters, and for hostile players, it is the divergence line."
SOE women's task force captain Louise Desfontein immediately understood: "I understand. This is actually another kind of 'hugging together for warmth'."
"Yes, that's it." Second casting assistant Anna Moffett couldn't help but sigh: "'The truth of the world is always cruel and beautiful'."
"My contingent is also trustworthy sister." SOE women's contingent captain Louise Desfontein began to consider his partner in the plot.
"Of course, no problem." Second casting assistant Anna Moffett had no reason to refuse.
The same goes for the same sentence, the base has made more and more profitable imports, and the female soldiers are all deeply inspired.
SOE Women's Task Force:
"Jenny Fausier" who killed the pimp,
The female secretary of the bomb expert "Gaili Lemeneke",
"Susie Desprez", a dancer who was engaged to a Nazi officer with a pseudonym "Lilian",
Jewish female nurse radio operator Italian female agent "Maria Luzato".
After completing the "character patch" intake, the SOE women's task force's cognition also jumped from the original plot time and space to the sanctuary plot world. As for everyone's mood, it was like the second casting assistant Anna Moffett sighed sincerely: "'The truth of the world is always cruel and beautiful'."
"Oh my God!" Jenny Faucier, a prostitute who killed the pimp who abused her day and night, suddenly stood up: "Who is that man?"
"'The man with the main plot of the 0326 exclusive branch'. You can simply call it 'master', my new sister." Second casting assistant Anna Moffett smiled and opened his arms to hug Jenny Faucier, who woke up in a trance.
"The problem is..." Suzy Desprez, a dancer who had been engaged to a Nazi officer with a pseudonym "Lilian", was full of shame and shame: "How is it possible?"
"Why is it impossible?" Although from the personal emotional experience that is not rich or even plain, the second casting assistant Anna Moffett did not have a personal experience of empathy. However, this did not prevent her from understanding the emotional experience of dancer Susie Desprez "when it is red and swollen, it is as beautiful as peach blossoms; when it is ulcerated, it is as beautiful as cheese" to the beginning.
So he told her about the past of the five Liz sisters who were part-time call girls with an intercontinental highway killer.
Speaking of which, during some special celebration days, such as "Beach Festival", "Cherry Festival", "Hot Air Balloon Day", "Lobster Festival", "Oyster Festival" and "BBQ Festival", there will be a long queue in front of the motel where the five sisters temporarily stay. Whenever the door is pushed open by a man wearing a cowboy hat, the next man with a lower hat brim will be impatient to enter. The people behind each other move forward, from sunrise to sunset. Although the men in the team are dressed in different clothes and dressed differently, they have the same face. Yes, they are all the "man with the main line of the plot of the 0326 exclusive branch" - Wu Chen.
This is the true meaning of the "time side" of the shelter. Each crisscrossing plot node has a Wu Chen, the same 0326 split or gathered by the plot nodes. It is completely different from the different time and space homotopies in parallel plot worlds. Just as all shelter players have a unique shelter number, there is no time, every moment, every moment, and only one.
"I can understand it when I queue up to enter the field." Susie Desprez, a dancer who had been engaged to a Nazi officer with a pseudonym "Lilian", had a more shy expression: "You can enter the field at the same time..."
"The same is true. Because "plot nodes" have time and space, the meaning of two dimensions." Second casting assistant Anna Moffett patiently explained: "'Come in line to enter' is a continuation of space, and 'Entering at the same time' is an extension of time. You will soon understand the high-dimensional attributes of "plot nodes".
"Okay, Anna." Dancer Susie Desprez certainly understood the simple truth that "existence is truth."
This chapter is not finished yet, please click on the next page to continue reading the exciting content below! Instead of racking your brains to want the target character to let go of your mind and reveal the secrets in your heart, or torture the target character to give up resisting and asking for the hidden secrets. In the plot, time and space are common methods that have been proven to be feasible but have their own advantages and disadvantages, which will not affect the plot counterattack. Like the "SA3 Sisters Group", simple photos of all plot conflicts can be resolved. It is obviously a more advanced method that transcends the plot time and space.
So Madame Irena Yorio Curie was immediately secretly transferred from her hideout by the SOE Women's Task Force to set. When submitting the application for "Recruiting Madame Irena Yorio Curie" to Gestapo leader Adolf Eichmann, Mrs. Katy also submitted an accompanying application to release her husband Frederick Yorio Curie. Because it was the same "application", Gestapo leader Adolf Eichmann waved his pen and agreed.
Madame Irena Yorio Curie's husband was also released as soon as possible. He was delivered by a Gestapo special vehicle and completed the signing of the handover documents. He officially became a special engineer couple on the set. He assisted the "Mother of the Atomic Bomb" Liz Metner to transform the "Diesel-electric hybrid vehicle head" of the "Outstanding Lady" into the "B-VIII uranium machine nuclear vehicle head".
As for the "FGT rail change technology" specially developed for crossing double tracks, the final technical research was also completed under the leadership of Dr. Gunther Vince, chief expert of the wide rail test field of the GGL Greater German Locomotive Manufacturers Federation.
Chapter completed!