Being underground, Yang Jing couldn't figure out the east, west, south, and north, so he could only distinguish his position from the front, back, left and right.

In a corner of this huge cave hall, there was an open stone door. Yang Jing walked in with a lamp and immediately attracted the attention of the things inside.

This stone chamber should be a stone chamber that has not been used in Wu Zetian's tomb. As for whether Wu Zetian wants to use this stone chamber to hold burial objects or something else, it is unknown.

The area of ​​the stone chamber is quite good, with a length of five meters and a height of about two and a half meters.

In this stone room, there are no less than twenty stone tablets of uneven heights and sizes.

Yang Jing approached one of the stone tablets about one meter and two meters high and fifty centimeters wide. With the help of the light, he felt his scalp start to get numb.

It’s not that there is something scary on this stone tablet, but that Yang Jing thought about it for a long time, but he really didn’t expect that he could see the carving in this underground stone chamber.

"The inscription of Master Meng: Watching the sun begins to rise, pointing to the gate and the trunk as if it is sprinting; the huge rivers diverge, and the Bohai will continue to rise. Therefore, there is no one to do anything to the people..."

Yang Jing’s scalp was not numb. The lines of words engraved on this stone tablet are so famous. This is the opening content of Chu Suiliang, one of the four great masters of the early Tang Dynasty, the famous work "The Monument of Master Meng" by Chu Suiliang, one of the four great masters of the early Tang Dynasty!

As one of the four great masters of the early Tang Dynasty, Yang Jing knew Chu Suiliang quite well. Yang Jing once saw this famous work from some materials given by his second master, Mr. Xiao, about famous calligraphy masters.

"The full name of "Meng Master Meng's Stele" is "Meng Master Meng's Stele" by the Master Zhideguan of the Capital", a regular stele in the Tang Dynasty, written by Cen Wen's version of Tang Dynasty, written by Chu Suiliang, engraved in the 16th year of Zhenguan, and the stele and stone have been lost. Only the Tang Dynasty rubbings collected by Li Zonghan of the Qing Dynasty were passed down from generation to generation."

This is what the information is introduced, which means that Li Shimin, who likes calligraphy, ordered Cen Wenben to write an article "The Monument of Master Meng", and then asked Chu Suiliang to write it, and finally carved it on the stone tablet. However, the stone tablet had long been lost, and now only exists the Tang Dynasty rubbings of Li Zonghan of the Qing Dynasty.

Just the rubbings of the Tang Dynasty preserved by Li Zonghan are already a treasure of the country, not to mention the original stele of the "My Fairy Monument". If that thing can be found, it is definitely one of the most precious cultural relics.

And what the hell is the inscription in front of you? Could this inscription be really the original inscription of "Mage Master Meng"?

Yang Jing had never seen Li Zonghan's Tang Dynasty rubbings, but from this inscription, Yang Jing could clearly feel a sense of grandeur coming to his face. The stele on both sides was engraved with dense handwriting, but even those who do not understand calligraphy looked extremely comfortable. This was definitely a stele made by famous artists.

If this inscription is real, it would be too important.

Without saying a word, his left hand brushed by, and the Holy Ring immediately gave the answer Yang Jing wanted.

"The Stele of Master Meng, the Master of Deguan in the Capital, Chu Suiliang, Cen Wenben, Zhao Dashi, 642."

It is indeed the authentic product of "Master Meng's Monument"!

Yang Jing couldn't help but smile. The answer given by the Holy Ring is impossible to make a mistake. This article "My Fairy Monument" is written by Cen Wenbeng and written by Chu Suiliang. As for Zhao Dashi, it is probably a stone carving work. The year 642 is exactly the same as the year of the stele.

"A national treasure-level treasure!" Yang Jingle stretched out his hand again, and the stone tablet was immediately taken into the storage space.

The first stele was such a good treasure, and Yang Jing couldn't help but look forward to the remaining 20 stone tablets.

The second stone tablet continued to make Yang Jing's heart beat wildly, because this stele was actually an inscription by Ouyang Xun, the leader of the four great masters of the early Tang Dynasty. Moreover, this stele has no historical records. If it was taken out, it would definitely cause a sensation.

Ouyang Xun is Chu Suiliang's calligraphy teacher! That reputation is not ordinary.

Although the third stele is not big, with only more than a hundred characters on it, it is also extremely awesome. It is actually the authentic stele of "Changfeng Tie" copied by Liu Gongquan.

The identification results of the fourth inscription almost made Yang Jing's heart crash because the handwriting on this inscription was actually written by Zhong Yao, and it was Zhong Yao's small calligraphy!

Who is Zhong Yao? I guess no one in China who learns calligraphy does not know the name of this great master.

Zhong Yao was a famous calligrapher and politician in Cao Wei during the Three Kingdoms period. He was good at seal, clerical, regular, running and cursive calligraphy. He had great achievements in calligraphy and promoted the development of regular script (small regular script). He was later revered as the "ancestor of regular script" by later generations.

The calligraphy enlightenment teacher of the calligraphy saint Wang Xizhi was the famous calligrapher Wei Shuo, who was the famous calligrapher in the Jin Dynasty, and Wei Shuozheng's teacher was Zhong Yao. Therefore, from the perspective of generations, Wang Xizhi was Zhong Yao's disciple.

Zhong Yao has a very high status in the calligraphy world. He is known as "Zhongwang" together with Wang Xizhi, and his ranking is even before the calligraphy saint Wang Xizhi.

This stone tablet is a bit incomplete, with a missing corner, but the content of the stele is not missing. This inscription is a stele in "Hedong Lun" and has never been recorded in history, but the answer given by the Holy Ring is indeed the work of Zhong Yao.

The value of these four inscriptions alone is difficult to estimate, especially the inscriptions are things with words. Looking around the world, as long as they are cultural relics with words, their value is much higher than that of cultural relics of the same era.

These inscriptions definitely played a huge role in studying the culture of the Tang Dynasty and before the Tang Dynasty, so the value of these inscriptions is no less than that of calligraphy and paintings of the same period.

In addition to these great steles, there are other steles from the Wei, Jin, Sui and Tang dynasties. For example, the "Erzhu Chang Stele" by Xue Daoheng, a famous calligrapher of the Sui Dynasty, and the "Fu of Good Deeds" by Wang Kuang of the Eastern Jin Dynasty. It is worth mentioning that Wang Kuang is Wang Xizhi's biological father.

In addition, there are the inscriptions of the "New Moon Tie" by Wang Xizhi's fifth son Wang Huizhi, the inscriptions of "The Condolences of Wei Zhizhou's Mourning and Worship" by Xie An, a famous scholar in the Eastern Jin Dynasty, the inscriptions of "The Exhortations of Hu Wen" by Huan Wen, a powerful minister of the Eastern Jin Dynasty, and the inscriptions of "Three Tomb Records" by Li Yangbing, a famous seal script master in the Tang Dynasty, and the inscriptions of "Three Tomb Records" by Li Yangbing, a famous seal script master in the Tang Dynasty. It is worth mentioning that the residual stele of "Three Tomb Records" that exists in the Xi'an stele forest is a re-engraved version of the Song Dynasty.

Although more than 20 large and small steles are absolutely important national treasures, Yang Jing has become a little insensitive after appreciating so many inscriptions in succession.

And in the middle of these inscriptions, which was the last inscription that Yang Jing admired, actually gave Yang Jing a huge surprise again.

"Xizhi paused his head: the most chaotic and chaotic, the tomb was finally separated from the poison, the pursuit was very cool, the call was destroyed, the pain was penetrated, and the pain was so painful that it would be done! Although it was repaired, it was not found, and the sorrow and poison became deeper, what would it do! I felt choked on the paper, and I don't know what to say! Xizhi paused his head."

This stele with extremely beautiful running cursives is actually Wang Xizhi's "Sang Luan Tie"!

The answer given by the Holy Ring also confirms Yang Jing's guess.

"The inscription of "Sang Luan Tie" was engraved by Wang Xizhi, Hu Meng, 356 years."

Of course, there is no need to say more about the inscription. The author is Wang Xizhi, let alone the Hu Meng, it is probably a stone carving worker. In 356 AD, it happened to be the 12th year of Yonghe in the Eastern Jin Dynasty.

When Wang Xizhi wrote "Sang Luan Tie", it was because Wang Xizhi's ancestral tomb was destroyed again and again, but he could not run to renovate the ancestral tomb, so he wrote a letter to express his helplessness and grief. Not only in the Han Dynasty, but even in the Eastern Jin Dynasty, which was "double cultivation of Li Xuan", this was extremely painful and untolerable.

Based on this situation, historians judged that Wang Xizhi should have created "Sang Luan Tie" in August of the 12th year of Yonghe in the Eastern Jin Dynasty, that is, 356 AD.

The earliest existing "Sangluan Tie" in the world is a copy version from the Tang Dynasty, but it is collected in the hands of Xiaoyu. It should have been brought back to Japan from the Tang Dynasty when Xiaoyu sent a Tang envoy.

As a result, even the copy of the Tang Dynasty has become a rare treasure now.

Now that I have discovered the inscription of "Sang Luan Tie", it is obviously one hundred times higher than the Tang copy. As long as this inscription is released, China will no longer have to feel distressed about the Tang copy.

What's so great about you, young Japanese? What you collect is just a Tang copy. Let's see what we are here? This is the original inscription of "Sang Luan Tie" written by the authentic Wang Xizhi!

These inscriptions, especially the last inscription "Sang Luan Tie", are really a surprise gain.

Yang Jing estimated that these steles should have been given to Yuechengzi by Li Congke, or some were collected by Yuechengzi himself. After all, judging from the two stone tablets before, Yuechengzi still likes steles very much, and even explains his funerals through steles.

Taoist who likes stele so much will inevitably collect some stele carvings when he is deeply trusted by the last emperor of the Later Tang Dynasty Li Congke.

In history, almost no stele carvings from the Wei, Jin, Sui and Tang dynasties can be preserved intact, and even residual steles are extremely rare. However, because Yue Chengzi left these precious steles in this tomb, they were preserved intact for more than a thousand years!

As the saying goes, "The will of heaven is in the dark", "A every grass and tree are determined by heaven, and every drink is free from the front." If Yue Chengzi had not liked steles so much, if he had not kept all the collected steles by his side and buried them, these steles would have disappeared in the long river of history, and the inheritance of the ancestors of China would have been missing a very wonderful part.

Yang Jing suddenly felt that Yuechengzi was really the noble person he was destined to have not only obtained the legendary imperial seal, but also gained so many precious inscriptions. Could it be that Yuechengzi owed a lot of money in his previous life when he was alive? That's why he used this method to repay himself a thousand years later?
Chapter completed!