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Chapter 754 Chai porcelain? Chai porcelain!

Good stuff! Absolutely good stuff!

Even though two sets of Yuan blue and white characters were found in front of them, four sets of Chenghua Doucai chicken jar cups and a complete set of five-color twelve flower god cups, the appearance of the cinnabar red glaze of the halberd still excited Yang Jing.

This thing can also be used as a treasure for the museum!

This is the best product of Song Wu Kiln!

I thought I would be lucky to get such a halberd master, but I didn't expect that there were more top-notch products in this big box that made him continue to move.

Because the second piece of porcelain is also a piece of Jun kiln porcelain, this is a purple glaze plate of Jun kiln grapes with a diameter of about 23 cm.

Two pieces of Jun kiln porcelain, one red and the other purple, benefiting from each other!

As for the third piece, the surprise brought to Yang Jing was no less than the two Jun kiln porcelains in the front, because the third piece of porcelain was a Ru kiln porcelain!

The Ru Kiln, the first of the five famous kilns in the Song Dynasty, is not a casual talk. When the Chai Kiln porcelain is gone, the Ru Kiln is the first of the five kilns in the Song Dynasty!

This Ru kiln porcelain is a Ru kiln sky blue glaze round wash, and its shape is similar to the Ru kiln sky blue glaze round wash collected by the Palace Museum. The exquisite sky blue color can make people intoxicated by just looking at it...

In the winter of the previous year, Yang Jing used the restricted-level time and space shuttle for the first time to Panjiayuan in 1994. The pile of Ru kiln pieces of porcelain collected from a street stall. According to the identification of the Holy Ring, the pile of Ru kiln pieces were fragments of Ru kiln sky blue glaze hand-pulled Kung Fu tea shadow moon cup. Later, after the Holy Ring recognized the master, Yang Jing mastered the "repair" skill, so he had already repaired the pile of porcelain pieces.

In other words, Yang Jing also has two Ru kiln porcelains in his hand now!

The fourth, fifth and sixth porcelain in the box are actually the finest products among the five famous kilns in the Song Dynasty. However, these three porcelains are all white porcelains, and these three white porcelains are all Ding kiln porcelains, two bowls and one plate.

The discovery of Jun kiln porcelain, Ru kiln porcelain and Ding kiln porcelain made Yang Jing very suspicious. Could this iron box be filled with porcelain from Song Wu kiln?

Sure enough, when the following porcelains were revealed one by one, Yang Jing even became hard, let alone the chicken moved!

Seventh, the eighth piece of porcelain is the most rare Ge kiln porcelain among the Song Wu Kilns!

One of these two porcelains is a flower pot and the other is a fish ear stove. The most important thing is that Yang Jing used the holy ring to identify that these two Ge kiln porcelains are all genuine Ge kiln porcelains, either Longquan kiln or the Longquan Ge kiln of the Di kiln, or the so-called Ge kilns passed down from later generations, but porcelain made from the Ge kilns of the authentic Ge kilns!

When Yang Jing traveled through time and space in 1994 the winter of the previous year, he not only collected a bunch of Ru porcelain fragments, but also spent 16,000 to buy a Longquan Kiln imitation black-tied Ge Kiln flower mouth plate. However, that plate was just a Longquan Ge Kiln produced by Di Kiln, not a real Ge Kiln porcelain.

Now, the real Ge kiln porcelain is almost the same as the legendary Chai kiln porcelain, and it is only heard of its name and disappeared!

Unexpectedly, two pieces of Ge kiln porcelain were found in this large iron box buried deep underground for more than 70 years.

Moreover, Yang Jing also took out the Longquan kiln imitation black-tied Ge kiln flower mouth plate he bought before and compared it with these two real Ge kiln porcelains. The result was that there was no comparison and there was no harm.

Originally, Yang Jing thought that the Longquan Kiln imitation black-tied Ge Kiln flower mouth plate he bought was excellent, but compared with the real Ge Kiln porcelain, it was really high and low!

Although this Longquan Kiln imitation black-fat Ge Kiln flower mouth plate was also made by a man named Zhang Liren, and Zhang Shengyi, the two brothers who created Ge Kiln and Di Kiln, both of which had the same surname. Even Zhang Liren is most likely to be a direct descendant of the brothers Zhang Shengyi or Zhang Shengyi, but Zhang Liren's craftsmanship obviously has not reached the level of being superior to being superior to being superior to being superior to being superior to being.

The firing time of this Longquan Kiln imitation black-body Ge Kiln flower mouth plate was 1227 AD, which was more than 90 years later than these two Ge Kiln porcelains. Although this Longquan Kiln imitation black-body Ge Kiln flower mouth plate is also a fine product, in front of the real Ge Kiln porcelain, Zhang Liren, the younger generation, is still unable to compare with his ancestors...

The emergence of these two pieces of Ge kiln porcelain has also filled many gaps in the country about Ge kiln porcelain, and its archaeological value is also difficult to estimate.

After a casual snatch, eight pieces of Song porcelain were pulled out from this big box, and all of them were the best porcelain from Song Wu Kiln. Can Yang Jing not move?

The appearance of these eight pieces of Song Wu Kiln fine porcelain is obviously not over yet, because although these eight pieces of porcelain are wrapped very thickly, they really do not take up much space. So Yang Jing continued to pull down, and then pulled out a sky-blue bottle...

The shape of this bottle is a daffodil vase, about fifteen centimeters high, not very large, but the sky blue color of this bottle made Yang Jing stunned.

"Is this another piece of Ru porcelain? Well, no, this is not Ru porcelain, Ru porcelain is not that beautiful!"

When Yang Jing looked at this small sky-green daffodil vase, it felt even more wonderful than when he saw the halberd priest just now. Yang Jing is also a well-informed person. He has seen no more than 1,000 national treasure-level porcelain from the Palace Museum. But to be honest, even Yang Jing himself had to admit that after seeing this daffodil vase, the national treasure-level porcelain he saw before was really nothing.

This feeling is really hard to describe in words. Even if the daffodil vase is very average, the size is not large, and there are no gorgeous patterns, it just makes Yang Jing feel like a real Nine Heavenly Mysterious Woman in plain clothes!

The national treasure-level porcelains I have seen before can be said to be princess-level, but even princess-level, they are also mortals. And the simple daffodil vase in front of me is a real fairy!

"The sky is blue and waiting for mist and rain, and I am waiting for you..." Yang Jing's mind somehow suddenly made the lyrics from Jay Chou's song "Blue and White Porcelain". Although Jay Chou's song describes blue and white porcelain, to be honest, the blue and white porcelain of blue and white porcelain is nothing in front of this daffodil vase!

"Is this the legendary Chai Kiln porcelain?" Jidong could no longer express Yang Jing's mood at this time. He only felt that his heart was starting to thrust. Only the legendary Chai Kiln porcelain seemed to have such a pure sky blue color, which made people involuntarily intoxicated...

Yang Jing now has two Ru kiln porcelains in his hand, and the Ru kiln porcelain was specially built by Emperor Huizong of Song Dynasty Zhao Ji to burn porcelains that exceeded the previous dynasty's firewood kilns.

Song Huizong Zhao Ji was a devout Taoist, and a very tasteful Taoist. At that time, the porcelain in the Northern Song Dynasty was white porcelain from Ding Kiln, but white porcelain was not the best color for Taoism, so Zhao Ji issued an order to create Ru Kiln in order to make better celadons.

Later, Ru kiln was indeed fired and became the leader of the Five Kilns of Song Dynasty in one fell swoop, but this did not mean that Ru kiln could surpass Chai kiln. Even if both Ru kiln and Chai kiln belong to celadon, and even Ru kiln really surpassed Chai kiln in some aspects, Chai kiln porcelain is still irreplaceable.

For example, Chai Kiln emphasizes "blue as the sky, bright as a mirror, thin as paper, sound like a chime, moist and delicate with fine lines." Although Ru Kiln is almost the same as Chai Kiln in color, there is still some gap between Chai Kiln porcelain in other aspects.

Xu Zhiheng of the Qing Dynasty said in "Yinliuzhai Shuo Porcelain": "My Chinese porcelain can be divided into three major periods: Song, Ming, and Qing. The most famous ones in Song are five, the so-called Chai, Ru, Guan, and Ge, and Ding. There is also Jun kiln, which is also valuable."

From this we can see that the head of the real Five Kilns of Song Dynasty was not Ru Kiln, but Chai Kiln. However, since the Chai Kiln has not found the kiln site and there are no real objects, Jun Kiln is usually included, and together with Ru, Guan, Ge, and Ding, they are called the five famous kilns of the Song Dynasty.

At present, fragments of wood-ceramics can be seen occasionally in China, but even the fragments can be shocking. As for the whole Chai porcelain, a sky-blue lily vase was once exhibited in Japan, which is suspected to be Chai porcelain, but no one can be sure of it.

It is not a nonsense to say that the wood kilns are known as the "crown of all kilns" in China, but the wood porcelain made from the crown of all kilns has been gone. But now, a piece of suspected wood porcelain suddenly appears here. Could this be the series of natural disasters that God was compensating for the past few days?
Chapter completed!
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