Ah ~!

As Ishii Miren's knife penetrated the "that man", many viewers couldn't help but exclaimed.

This is indeed rude, but it is really unexpected.

Just when everyone thought that the overall situation was settled and the two women could not turn the tables.

The situation is reversed directly!

Did that man die like this?

Is this a bit too fast?

He has just appeared, and it takes more than three minutes?

No!

This has nothing to do with playing time!

When Miya saw this scene, he could not even shout out the "Enemy of Life".

He deeply understood that he and Takeshi Iwada had a gap in the dimension level.

Once again, by the way, it's again.

Takeshi Iwada raised the role he played to an extremely high level. This character may not have fully displayed the whole picture, but has created extremely powerful traits.

But now, he destroyed it with his own hands!

And, it's so simple and simple!

It is very similar to "The Sea of ​​Quietness That Summer".

However, in that movie, he created beauty, and in this movie, he created horror.

Sparasi!

...

The questions that Nagisa Oshima is thinking about are even more ‘simple’.

Although "Kill This Man", this movie is also very violent and bloody.

However, this movie is somewhat different from Takeshi Iwada's previous works.

In "The Fierce Man", Take Iwada is so simple and direct.

If you say you kill someone, you will kill someone, just shoot him, without any ease.

In "The Unknown", he was even motionless, his eyes were not blinking, and he stood and shot at each other with his opponent.

Take Iwada's style is simple and direct!

Now this movie is different.

You have to make moves before killing people. Of course, this is something that must be done in both kung fu films or sword halberd films.

But after all, in Take Iwada's style, this is considered a "trouble".

Therefore, even if his character has made a lot of preparations, he has created the appearance of a super devil.

Kill if you need to kill!

This is the style of Takeshi Iwada!

Sparasi!

...

In fact, Shixiang Temple is still immersed in the previous killing formation.

Blood squirted wildly, killing moments.

Too comfortable.

And about this guy Iwada Takeshi was killed as soon as he appeared... it was still very comfortable!

Well, the key to this comfort is that it fits in a very traditional story structure.

A story basically has these four stages.

Beginning, development, climax, ending.

The first two are easy to understand, while the last two are connected in many cases.

Many classic movies give an ending immediately when they are climaxed.

Or simply, the climax is the ending, it's over.

The remaining aftertaste is left to the audience.

This movie "Kill That Man" was a battle with Shura Xue Ji in the future.

Then to face the strongest enemy...that man.

That's what it should be.

Listen to everyone's exclamation.

Sparasi!

...

In fact, for Takeshi Iwada personally, this movie "Kill That Man" is really not that simple.

Quentin originally used two movies, although it should be one movie.

But Takeshi Iwada first has to solve the problem of combining the two movies into one, and then, it is to solve the problem of the plot connection in the two movies.

"It's the daughter."

The bride's eyes changed, but the knife could no longer be held back.

puff!

The heads rolled down, and blood squirted wildly!

The snowflakes are still falling, but the original color is no longer visible on the snow...

When the scars were covered in casual clothes, the bride appeared again in the seclusion place of the village.

A little girl, with big eyes, looked at her foolishly.

The bride hugged her tightly, and tears gushed like a spring.

The video ends here, and at the end, there is no line, and music starts from the beginning when the bride slashes it with a knife.

"Flowers, if they are beautiful, they will be praised..."

This is Kajime Meiko's "The Legend of Resentment". In the translation of Shindaya, it can be called "Song of Resentment" or "Song of Resentment".

It was used in "Shura Yukihime", and this song was originally sung by Meiko Kaji in "Female Prisoner 701" in 1972.

One of the lyrics is impressive.

"Silly, stupid, stupid woman, song of resentment..."

At this moment, this song seemed to shatter the big screen and penetrated into everyone's hearts.

Smack sex~

"Siguo first!"

"Sbalasi!"

"It's so good! It's so good!"

The whole theater was in full bloom, and everyone's applause and praise were intertwined.

Fans, especially Aika Pie, are simply crazy.

Akana's performance in this movie is so outstanding.

The point is, this movie is so cool!

Who is that man allusion? Isn’t that simple?

That's what it should be!

And, is this movie the real breakup declaration?

Regardless of whether it is, we fans just decided!

The reporters couldn't help it.

Originally, there were many events at the premiere, so they simply took the interview ahead of time.

"Akina, can you tell me about the original intention of taking this movie?"

"Did you have made a decision at that time?"

"This movie is tailor-made for Akane, right?"

Akina is naturally the most focused one, and Anita Mui is also surrounded at this moment.
To be continued...