Chu Yue has always had his own unique interpretation of the role of his father. Obviously, what Gao Fei wants is to convey the characteristics of an era through such a play, a group that collectively loses sense of responsibility for himself and society.

Through this, Chu Yue clearly understood that since he wanted to express a social group, the role he played must have the characteristics of consistency and unity. Simply put, the role he played must be a typical example applicable to anyone in this group, without being too prominent!

In this way, he had to change his way of walking, and even his way of expressing joy, anger, sorrow and happiness. Through the coordination of details and the overall situation, he completed the image reversal - he didn't want others to see a murderous or romantic guy in this drama!

It is inevitable that the play matches the image. In order to perform a good show, he did not use his own image designer in the play like other stars, but instead made the styling completely according to the stylist of the crew, and what he did was the styling in the play.

This drama is difficult to play, much more difficult than "Dielianhua". In "Dielianhua", what he wants to do is a character that can be very stylized, and then have a love scene in the drama. However, in this drama, he plays a father, something he has never experienced or tried - but in a sense, he can indeed be regarded as one of the groups that is irresponsible to society.

What is difficult to catch is not the transformation process of the characters in the play, but how to underestimate and restrain one's own sharpness. An underestimated performance is easy, but if it is done, it will be extremely difficult.

The worst thing is that Gao Fei has great requirements for actors' performances, and this drama also has great requirements. It is no exaggeration to say that the dramatic tension of this drama itself lies mostly in the actors, and the actors' performances condense the way of drama. Once the actors' performances are broken, the drama will be broken.

How to describe it? It's like now, Gao Fei is cursing on the set - he dare not swear to Chu Yue, but it's okay to teach people a lesson loudly: "KEVIN, what plane do you do? I want to be anxious, where is your anxiety manifestation? Do you use expressions to convey it? Don't you know what I'm asking for is body language and eye contact? Please concentrate your spirit, do you want so many people in the crew to continue doing it, and have another one!"

Chu Yue raised his eyebrows slightly and smiled bitterly. At that time, Gao Fei didn't dare to teach him a lesson in person on the set, and he would talk about anything in private. But when Chu Yue saw that the crew was not convinced by the new director. Thinking about the authority the director should have obtained on the set, he told him that as long as he didn't swear to him, as long as he did something wrong on the set, he would just teach him a lesson! Now, he really feels like asking for trouble!

In this scene, he was accompanying the baby, and the baby cried so hard that he wanted to show his irritability, crying at the child, and being irritable about things! Chu Yue thought about it, and suddenly felt aroused in his heart. Perhaps he could perform a new performance against the reflection.

When Gao Fei started screaming, the baby cried loudly, Chu Yue fell down on his back and slept on the sofa, yawned a lot, and then he actually fell asleep like this! This kind of communication is not unique, but wonderful, and it is easy to convey the mentality and attitude of the characters in the play at this moment!

Gao Fei admired it for a while and finally shouted CUT. He thought about it carefully and felt that Chu Yue's performance seemed to be a little stronger. So he made a decision like this: "Prepare for the next game..."

In fact, directors usually do not interfere with the actors' specific performance methods on the set. Although they often give instructions on those performances that are not very good or some supporting roles, they mostly rely on the protagonist's own understanding to perform. Gao Fei was obviously very satisfied with Chu Yue's performance at this time, otherwise he would never mind even if he had another one.

After enjoying this part, Gao Fei finally made a decision in his heart, let the play end in tragedy! In his mind, the two initially decided plans finally weighed the pros and cons at this moment - he felt that Chu Yue's performance should be able to deal with the tragedy vividly!

Since it was confirmed that it was a tragedy, the future thinking was determined. He quickly discussed with the crew's planning and coordination and made certain changes to the shooting progress. Gao Fei also understood that he should make a little change in the plot next, and the next plot was that Chu Yue took the child to do a paternity test.

From this day on, Gao Fei realized that Chu Yue's performance became more and more relaxed - it was not that Chu Yue played the role more and more lively and relaxed, but that Chu Yue's ease in acting, and that he could easily enter the role and achieve the effect he wanted.

Even Chu Yue obviously found his progress, so he didn't think it was a good thing. If his performance was difficult to make any progress, it would mean that he had reached a height and a bottleneck. The current progress only means that his acting skills are still a certain distance from the bottleneck to be filled, which requires his continuous tempering and understanding.

Speaking of performance, Chu Yue really puts a lot of effort into it, and he may not be inferior to Stephen Chow. What he practices now is not just the films he wants to act, such as Hua Zai's "The Moonlight Night" and other various scenes. He has tried to practice in the mirror room. Only now did he realize how powerful the performance of Fa Ge in "God of Gambling" was written into a textbook. The character of Gambling and the fool was shown at that moment, and he could not do it, and he felt that he was missing the other.

What made him complacent was that he could adapt to some of Fa Ge’s hero films. However, he did not have the opportunity to win the awards at present, and it was difficult to achieve perfection even in the mirror room. On the contrary, he could not do such a neurotic performance like Wu Zhenyu, but what he made was a very crazy and slutty style, which was a unique taste!

Long-term training in the mirror room undoubtedly made his performance grow greatly. On this day, he honed his acting skills alone in the mirror room! In fact, he can't do much in body language now, and he has done everything he can. The only thing he lacks is overall progress, and then he can improve the strength of body language.

Although many predecessors did not agree with the Mirror's acting skills, Chu Yue did gain great training in it. Playing his own role and playing other people's roles are all tremendous progress and understanding. He has now reached an unprecedented level in his body language, image and expression, and even his eyes.

But he always felt that he was still missing something very important, and he believed that it should be his own understanding and understanding of the performance. Every actor has his own understanding and understanding, and then let the understanding become the center of his performance, so that everything can be turned around this. It is no exaggeration to say that the actor's understanding is the core of the performance. A successful and outstanding actor must have his own core of the performance.

The core of Liang Jiahui's performance is obviously a means, and it is condensed through various means. Wu Zhenyu's core is neuroticism, and all details and even body language are presented for this core. Huang Qiusheng is absolutely evil, while Fa Ge's core is momentum. As long as he has momentum, he is Fa Ge, which is also a momentum that others can never imitate.

These extremely excellent actors have their own core of performance, which is always irreplaceable. At best, from the initial sharpness to the restraint, which is even more fascinating.

Chu Yue has been thinking about what the core of his performance is, what should it be, and what is most likely to be? In fact, there are many cores, some are moderate, and some are odd-looking. However, once the performance reaches a certain level, it will be different from others.

He tried it and tried his own performance repeatedly. He could be as passionate as Chow in "The True Color of Heroes", as fierce as Liu Qingyun in "The Fierce Stormtrooper", as evil as Huang Qiusheng in "The Eight Immortals Hotel", as nervous as Wu Zhenyu in "The Slag of FIT Man in "Mong Kok".

This is the huge weakness hidden after strong plasticity. He is likely to be able to play all kinds of roles and be convincing in image. However, it is precisely because of this that it is difficult for him to determine the most belonging to him - as mentioned in the previous article, no one can do the theory of fullness, which is just a wonderful ideal of the highest level of actors. No one has achieved it before, and no one will do it in the future.

"What exactly is it?" Chu Yue stared at the several selves reflected in the mirror, and the people inside were staring at him. He moved for a moment, and several selves in the mirror also moved at the same time. He seemed to have grabbed something and thought tightly: "It seems that there is something..."

After trying to move for a while, he looked at the self still moving, and he was in a panic and laughed in surprise: "Hahaha, I understand, I understand! What I need is this, I understand, this time I really understand!"

He really understood. Looking at himself in the mirror moving with himself almost at the same time, he thought of speed, and then from speed to the most important thing is - rhythm!

Looking back on his performances in his previous dramas, even though the performances in "First Service" and "The Strongest One" are very vulgar in his opinion today. However, he also thought of what his performances in the dramas always maintain, which is the rhythm. His performances always have the same core, which is the rhythm!

From "Sha Po Wolf" to Gao Fei, whether it is the lines, body language, or details, he has invisibly pursued a wonderful rhythm. It is a very wonderful coordination that can coordinate his overall performance and even coordinate the film. It is this rhythm that produces the coordination that makes his performance appear more and more integrated!

In fact, every actor's performance has its own rhythm, and Chu Yue certainly understands it. However, his performance seems to be more rhythmic. Although it does not show off the mountains or waters, the essence is indeed what it is. Perhaps, this is because he is playing music himself, and the rhythm and coordination of the music itself are extremely important.

He rushed out of the room with a crazy smile, rushed into the living room, and suddenly saw Ling Ling enjoying the movie in the living room! Chu Yue ran forward and hugged her, unable to contain the passion in his heart, and kissed her soft and warm red lips. Ling Ling was shocked and saw that it was Chu Yue and relaxed her tense body!

"Well... I'm carrying someone to the bedroom." Ling Ling's eyes were as charming as silk, and she gave Chu Yue a glamorous look. This idiot has been together for several months, and now she remembers to eat her.

Chu Yue was about to take action, and a gentle cough woke him up like thunder. When he turned around, Lin Ling was staring at the two of them with a smile. Their current posture was very awesome. Ling Ling split her thighs and hooked her on Chu Yue's waist, revealing her fair and firm breasts slightly, which was really charming!

Ling Ling's face turned red, then glanced at Lin Ling with some annoyance and slid down. Chu Yue smiled embarrassedly and waved to Lin Ling: "Hey, why did you come back so early today?"

"How can you enjoy such a wonderful scene if you don't come earlier?" Lin Ling smiled lightly, and something strange in her eyes seemed to be flashing: "Don't do it anymore, come and talk about the main things! You and Ling Ling are here."

The awkward atmosphere quickly dissipated. Although everyone still thinks it is a bit strange when they think of it, they can already talk normally. Lin Ling pondered for a moment: "A Yue, the Asian box office of "Butterfly Love Flower" should be able to exceed 100 million. It is difficult to judge that Gao Fei's drama, but there will definitely be no miracle like "Love Unfinished" and "Lost". The box office of 100 million is not in line with your identity, so you must have a real blockbuster film this year!"

Ling Ling was talking nonsense. Who are these people? If any movie in Taiwan could sell for 100 million yuan, I am afraid that the film company bosses would be so happy that they would be so happy that the actors who performed that movie could definitely jump into a top-notch star. In the eyes of Chu Yue and Lin Ling, 100 million yuan was not considered a big hit, which would be too much of a blow to people.

Chu Yue nodded, and he agreed very much. Although he didn't understand why Lin Ling chose most of the dramas for him before were artistic films: "But this doesn't seem as easy as imagined. A box office of hundreds of millions cannot be done just by wanting to do it!"
Chapter completed!