"1. Overture to "Bat": Let's start with the warm and jubilant unison of the whole orchestra! Then comes the energetic theme played by the oboe in the soft music, and then you will hear the four fragments with different personalities in the middle——

The first section is a gorgeous and smooth Allegro. Under the pizzicato of strings (a bunch of violins), the violin melody is melodious and beautiful. Its vibrato is accompanied by the horn modulation, and finally connected with the piccolo vibrato;

The second section is the elegant "bang tsa tsa" three-beat waltz, which is still performed by strings, and later the flute also joins the dance steps;

The third section is a slower triple time Andante, where the strings are the accompaniment, and the oboe's main melody is a little sad and sad, but soon it becomes light and ready to modulate;

The fourth section is a very fast "boom boom boom boom" polka in two-four beats. The violin and flute lead the band to spread the joyful mood to the whole orchestra;

Next you will hear their repetition, but what is worth noting is that the second and third paragraphs all become bright and cheerful major keys. This is very interesting and very passionate. After the final intro part reappears, the music will heat up.

It ends in a climax."

"2. "Symphony No. 15 in G minor": a small symphony from the early to mid-term period by the originalist master Tarakani. It has a beautiful melody, neat structure, distinctive image, and is full of classical beauty.

In the first movement, Allegro Allegro, pay attention to the restless minor-key sound of the woodwind section, and then we hear the beautiful and sentimental theme of the cello. After the orchestra passes with the intensified bow trembling, we have a warm dialogue between the subtitled horn and the oboe...

(Note, there is no need to applaud in the middle of the movement)

Second movement, slower Andante...

(Note, there is no need to applaud in the middle of the movement)..."

"Second Half:"

"3. "Lightning and Thunder Polka"... 4. "Quick Chat Polka"... 5. "Swan Lake"... 6. "Flight of the Bumblebee"... 7. "Peasant Polka"... 8. "Skating Waltz"

"..."

Today’s 8 tracks each come with a prompt that Mr. Fan Ning calls a “guided tour”, just like the Impressionism Art Exhibition!

Many people still haven’t noticed one detail:

The program list of this concert could be obtained in advance at the ticket purchase site. This was different from the past. Many workers entered the concert with the program list they had received in advance.

This has led to a phenomenon: most of the people who are curious and reading with relish are not workers, but gentlemen, ladies and professionals who have just received it on site.

Because many workers were familiar with it before, they just glanced at it again now.

Moreover, gentlemen and ladies discovered that in addition to detailed guidance for each piece, there is also a "symphony orchestra seating distribution diagram" carefully attached to the back of the program list!

Not only is the relative position framed above, and each instrument name is thrown into the corresponding area, there is also a thumbnail outline of the instrument below the name, and the positions of the principal and conductor are also marked.

"It is indeed quite clear, but does such a common sense question need to be marked so clearly?"

There are many music critics or music student listeners who are confused.

“Crash, lala, lala—”

The applause that rang out around them made more and more people look up from the reading list and join the applause queue.

They saw musicians wearing suits and formal dresses starting to enter the venue.

These musicians are all young, and their movements and expressions are a little nervous at the moment.

But their complexion is very good, and their eyes are very bright and energetic.

A state that can only be found in an environment where spiritual life is extremely fulfilling.

Then Miss Lausanne, who was wearing a black dress, came on stage to even warmer applause.

Seeing the young girls saluting the audience under the leadership of the conductor, there were quite a few reporters and music critics present, and they suddenly showed long and thoughtful expressions.

"I've realized another issue that I didn't pay much attention to before." A reporter recalled the public opinion during this period, and then whispered to his friends around him.

"What?" the gentleman next to him asked subconsciously.
Chapter completed!