"Ah! Is our temple of fragrant flowers? His doctrines include "The Discourse on Floral Flowers" and "The Six Notes on the Six Notes of the Speak of Fans", you, etc."

"Well, it's not limited to classics, related documents or folk articles are available."

The sunlight in the wilderness was already extremely hot. Luna pulled up the curtains one after another, avoided the place closer, then squatted on the ground and searched, then took advantage of the caravan to take a break, lifted up a small black parachute and jumped out of the caravan, and went to other cars to collect.

In a country of religious polity, doctrine classics are books that can be found casually, and related documents are not difficult to find.

After a while, Fanning put two thick and small old booklets on his knees, and a large stack of magazines and books were formed next to it.

"I didn't expect Mr. Scheller was actually reading? Oh my God, I'm a little ashamed, I haven't read it carefully myself."

Luna was surprised to find that he did not "understand" casually as he said, but read it page by page.

"But, his reading speed is really fast. The content on it is obviously not very interesting. Is this the potential that you should have to be a big musician?" The little girl looked at the side, and from time to time looked at the strange purple D string on the rough guitar, wanting to touch it, but she has no courage.

Half an hour later, Fanning closed the "Shuohua Lectures" and two hours later. He only began to read other documents and books.

"The Discourse on Fanghui" is theoretical in nature, mainly explaining the basic doctrines and prayers of the "The Poet of Fanghui" and the ritual arrangement methods of common tribute links. "The Six Notes on Jiwen" describes the representative miracles of the "Poet of Fanghui" in history in the tone of the apostle and saints of the church, and the image of the minstrel appears the most frequently.

For a person with a deep understanding of the reading skills of mystics, these classics for the people are as simple as popular reading materials. Fanning combined his own reserve of hidden knowledge by combining the information obtained from reading, and soon conjectures and summarizes some key points of mysticism.

The "Fanghui Poet" is in charge of "pool" and "candle". Here "pool" is the dominant and "candle" is the dominant. Therefore, his understandable image also includes a gift of affection, a scent of panic, a rich wine and a illusion of warmth and anxiety. As long as the creatures who are willing to pursue these things are all believers of "Fanghui Poet".

The more eternal theme of "Fanghui Poet" is "love". He believes that "love" is the mystery of the higher category, but "love is a question". He promises never to teach and describe "love", that is, "ask questions without answering, and opposition without solving", which is completely contrary to the idea that the Great Court School of the Third History directly created the term "Turongalia".

Therefore, Fanning realized that the explanations of Marsenegu's views were not his thorough and unique insights, but that as a knowledgeable person in the South, he was more or less influenced by the doctrine of the "Fragrance Poet".

"Love may be expressed as the opposition between violence and idyllic."

"The sensory stimulation caused by hallucinations is stronger, sometimes enough to erode the laws of the real world."

These words can all be found in the original text in the doctrine.

"The 'Fanghui Poet' should be the fourth witness of the 'candle' I came into contact with after 'no end fugue', 'no fall fire' and 'burning furnace'..."

"Because the 'candle' is always closer to glow and is related to inspiration and art, as a musician who adheres to the concept of learning from many strengths, it is necessary for me to study some of the mysteries of the 'Fragrance Poet'... Since He also took charge of the 'pool', from the perspective of cultural sources, materials and concepts, its musical mystery is somewhat different from the "classical" of the Janus in the Western Continent..."

According to Fanning's general statement in his previous life, the Western Continent is similar to "Sun God Art", while the Southern Continent is similar to "Dixin God Art". The Sun God impulse is an obsession with the beauty of order, and the Baccarat spirit is an indulgence of sensory emotions.

A common musical form of tribute to the "Fanghui Poet" is to express the awakened world and dreams, or simply imply that the present is a dream, so as to escape from reality in an illusory blur in order to obtain comfort for the pain of the soul.

"It seems that although Schubert's "Winter Journey" which I sing in the South this time, although it comes from German and Austrian orthodox, it also has a considerable shadow of Baccarat art. This is not surprising that Beethoven also set up a similar tribute vocabulary in the Seventh Symphony."

As the saying goes, rationality, order, and logic can create music, intoxication, frenzy, and whims. Some music makes people feel pure and beautiful, and they are comfortable in body and mind, or bad, while others make people indulge in sorrow or joy and can't extricate themselves.

This is of course also "serious music".

This word can refer to all music organized with mature and rigorous composition techniques, with humanistic background and ideological depth.

"From the teachings of the poet Fanghui and combined with my existing creative experience, I can probably infer what kind of music is more likely to achieve the 'Awakening Song', that is, to raise a set of questions or oppositions related to love, but not answered or resolved, such as the opposition between violence and pastoral poetry..."

Fanning took out the brand new musical notation and pen prepared by the Cretien family from his bag.

Can the minstrel of Mr. Scheller's level automatically convert the doctrine into notes? Luna next to him looked at his movements curiously. This was the first time she had witnessed how the "big musician" conceived a work, although it was a long distance.

In fact, she didn't know that the initial form of musical inspiration was sometimes far from the notes. Especially for orchestral works, Fanning's creative habit was to first establish the idea, find the tone, determine the structure, and then collect or call the materials in his mind.

The pen tip rubbed against the paper rustling, and he recorded the preliminary understanding brought by his dismantling of hidden knowledge:

"Violence, in different mystical contexts, has different dimensions of meaning. For example, the violence of 'Jin' is a struggle for conquest, rebellion or simply showing off skills, while the violence of 'Col' comes from the essence of sensory stimulation and primitive lust..."

"Pastoral poetry subconsciously reminds people of life, rhythm, morning light and nature. I have had some experience in discussing it in "The First Symphony", but nowadays, it looks superficial - Pastoral poetry seems to praise harmony, but in fact implies conflict. Many of those who are obsessed with mountains and rivers have experienced frustrations in fame, fortune or love. They use art to redefine various voices in nature, which is actually a kind of sustenance and exile, to metaphor the inability to realize personal value in real society..."

"So 'love is a question', but 'Fanghui Poet' does not answer it, and only gives a lot of idyllic gifts, which is undoubtedly extremely easy to mislead the world... shallow people often understand it as 'the beauty of nature', but it is not, but actually it metaphors about a kind of love that needs to rise, rough and primitive state..."

"In this way, the work must have the form of 'depicting nature', but musicians who simply explore this level are doomed to fail. Nature is just a representation, and the proposition and conflict of 'love is a question' must be metaphorized..."

"This does not include answers. I naturally have no idea about the questions that even the "Fanghui Poet" does not answer, but it doesn't matter. As long as you can realize the "question" and "opposition" in the process of creation, it is enough to successfully perform the "Awakening Song" ceremony. My personal preference may be to write a large symphony poem, "Awakening Poetry".

Two lifetimes of music cultivation, the creation accumulation of "giants" and "resurrection", and the reserve of hidden knowledge at the extreme high level... All of this has made Fanning's artistic understanding and deduction reach a level of despair.

Just based on some customs information about "flower rituals" and a few classic church documents, he knew what to do about this "Awakening Poem" after closing the book that recorded the inspiration.

The rest is nothing more than a subdivision of inspiration, the concept of theme motivation, the organization and processing of materials, and some orchestration style ideas to try.

Regardless of whether it is really put into creation or not, the process of deduction alone is already very beneficial to inspiration. He feels that his spiritual injuries are further recovering and he may be able to realize the dream of Qiming Church in less than a day or two.

Moreover, "Love in a primitive state that needs to rise, rough and original state", Fanning sensed that this revelation had the potential to become the "base" of the key of "The Third Symphony" - Sui Xiaoyichong seemed to be a strong man in the extraordinary world, but in fact he was only at the bottom of the ascending path, which was undoubtedly "brutally original state". If he found the answer method of "recently rising", he would naturally successfully metaphorize the structure of Huita.

"So what kind of song did Vienne perform at that time? Was it really created by himself? This is really puzzling."

Fanning did not question his level of teaching, but Vieren was an organist. His expertise was in the Western Continental church polyphonic music and was not a full-time composer.

Artists are limited by the times and styles. If they compare according to the standards they just speculated, the span is a bit unbelievable. He is uncontrollably curious about what the score of the "Prelude" looks like.

The red banana is very short, has a strong aroma and is full of sugar. Fanning's eyes are very surprised.

"When will I help you make money?"

Marseillegu also pulled a red banana from him: "To be honest, I am a 'true passerby' with the status of 'external agent'. I came from a famous family, had a reliable reputation, and many people bought me. These factors helped me a lot. You know, the review pass rate of that 'discussion group' can be very low, but the reward for the commission of the investigation is very high."

The discussion group, external agent, review rate, Fanning was calm on the surface, but these words attracted his great attention.

He had previously confirmed to Luna that the "Guider" was not a clergyman, but a clergyman was a "Hua Toucher". At that time, he was a little confused: "Guider" like Marseille, who has a lot of connections in the upper class, is not very similar to a member of the Evil God Organization, so what does his identity as an intellectual belong to?

Seeing Fanning's expression falling into thought, Marseille Negu decided to explain from scratch, and he asked a question:

"Friend, do you know the Special Inspection Hall?"

“…”

Fanning's cheeks, eating bananas, suddenly stopped and moved again after two seconds: "I know, the strongest official force in the Northern Continent."

"It is undoubtedly the strongest in the world." Marseillegu laughed relaxedly, "That's right, I'll report the information about you, a 'half-great' level minstrel, to the Special Inspection Hall. Oh, don't worry, collect the gold pound first, I will explain it to you slowly..."

Crack, Crack...

Several sharp stones in the soil were vaguely showing signs of rising and rising from the ground.

Fanning stared into his eyes and peeled another banana in his hand:
Chapter completed!