The fourth movement: Humans tell me (9): Number one (two-in-one)
"Okay, everyone."
Mr. Wax raised his head, his eyes listless: "Then let me explain the function of this ritual instrument that connects the 'halo wheel' of Yiyuan God."
Everyone looked at the strange white and turbid balance one after another.
Everyone has noticed before that the paper burned in Mr. Wax's hand records various musical scores.
There are even several people who are more knowledgeable about the work, and they have already identified many composers from which they come from.
"Whenever the melted wax drips, the balance tilts left or right, is it the function of this ritual instrument to ask the divine power of this unknown witness, the "halo" master, to get the inspiration of the comparison of the attainments of the two works?"
"But 'type' is the collective subjective in the long river of history. Even if the person is as high as the master of witnesses, he can judge some secret history, and his individual preferences cannot replace the evaluation of the long river of history. Is this 'consultation' result credible?"
Some speculations and doubts flashed through everyone's hearts.
However, the next moment, Mr. Wax's actions and explanation made them realize that they seemed to be guessing the wrong direction:
I saw him pick up the "halo scale" and a raised one appeared on the bottom, which was obviously a symbol made of wax afterwards.
A diagonal segment.
"This strange object can weigh the relationship between the two other groups of concepts and its correlation after specifying a certain concept as the base."
Mr. Wax put the balance back on and smoothed out its slight vibration.
"After some details and doubts are presented, the most important conclusion at present is-"
"The probability of the 'old' wreckage in Fanning is about 8%, and if the statement is more vague, Fanning has some kind of 'channel that can stably call the old power' is about 5%.
A few short conversations emerged from the crowd, which caused a small surprise, because since the results of the last "disaster" divination came out, these senior officials have laid a foundation in their minds.
"How to get the data?" He Meng frowned and asked.
According to the mysterious characteristics of the "halo balance" just now, this is just a comparison of the correlation between the two sets of concepts.
"The measurement results of a large number of works are nested in pairs, sorted recursively, and combined with proof and inference with other secret history research results." Mr. Wax said.
"What will happen if we use the 'old days' as the base, put an ordinary leaf on the left, put an ordinary stone on the right, or burn a set of C major scales and arpeggios on the left and right?" He Meng asked again.
“Good question.”
Mr. Wax smiled lazily at this moment.
"What the 'halo balance' weighs is always relative high and low, not absolute size. If two concepts with extremely low correlations are taken on the balance, due to the slight disturbance of the secret history entanglement law against the blank background, their correlation with the 'old days' will still be different, and the balance will still tilt in a certain direction, and even multiple measurements may even have different results."
"And every weighing consumes a lot of energy to my mind, and I cannot use the exhaustive strategy of 'flat pushing' to weigh all the combinations I think are necessary. Therefore, the above characteristics have become the biggest interference in the deduction work. I must optimize the strategy as much as possible to reduce my deduction energy consumption."
"Back to the issue of the 'old days' wreckage, at the last joint dream meeting, I had been commissioned by the leader to explain to you the power and characteristics of the currently known artifact source god. The two important invisible forces of His wreckage, one is to command the relevant, and the other is to continuously guide the composition inspiration with extremely high attainments and extremely rich types. And in this round of balance correlation weighing, I will talk about some interesting or strange details—"
"Most of Fanning's current works in the catalog are 're closely related to the old days' when weighing the works of masters and masters. Only by comparing them with other works can they be high and low."
"An incomprehensible exception is that the 'giant', the 'resurrection', the two symphonies he ranks the lowest among his works! And when it is included in other famous works, the 'relevance' is still not significant enough."
"This..." Gang felt the fog. She thought about it and asked, "Have you weighed his combination of "Chorus Fantasy in C Minor" and the symphony of "Resurrection"?"
"The former is higher than the latter." Mr. Wax, "I know that his 'Chorus Fantasy' is the first practice of 'Resurrection', so I deliberately repeated it three times, but the fact is so counterintuitive."
"Then, I also weighed Vieren's Prelude, Scheer's "Winter Journey", "Song of Luket" and "Awakening Poems". The "correlation" of these works fell from high to low, and the "Prelude" was even higher than most of Fanning's songs. This shows that Vieren had an extremely direct relationship with "Old Days", but after returning to China, the works quickly returned to the low-related level... Scheer's works fluctuated up and down, which shows that he was also entangled after setting foot in the South. The intensity remains to be seen. This is why I suggest that the leader wait until he completes the entire symphony before making a decision..."
"Overall, Fanning is the only one who presents high relevance in a centralized manner."
"I have basically figured out the principles and the whole story." He Meng spoke again, "The conclusion is that the 'oldering' is very likely to be mastered by Fanning, and it is an important reason why he can write so many excellent works."
"So, how does this affect our Special Inspection Office's trade-offs on the issue of 'Fanning's value in curbing the spread of abnormal areas'?"
He Meng asked about the doubts in the hearts of many people present.
"Where does inspiration come from" and "higher and lower artistic attainments" are two relatively independent questions.
In other words, using mysticism to obtain inspiration and inspiration is a common method for artists.
Using "old days" is just one of the techniques, which is no essential difference from exploring, searching for strange things, structuring secret objects, or praying to other witnesses.
For most mediocre people, the accumulation of extraordinary resources can at most make them "famous", but they still cannot achieve "greatness".
"So the second question is the pollution characteristics of the 'old days'." Mr. Wax's lazy expression also became a little closed. "Actually, I am still uncertain whether this is a kind of pollution."
"The abnormal zone erodes the world's skin, soaks the texture and penetrates the marrow, like the cancer cells that are out of control and crazy. The reason why artists are highly respected is that their "arrays" can stabilize the boundaries of the uncontrolled, and even the "arrays" of the "little" or higher-level "arrays" can partially regress the abnormal state to the same state as before. The two changing forces are converted and offset, which is reflected in the fact that artists of all levels jointly slow down the spread of the abnormal zone..."
"Can artists who are polluted by the 'old days', such as Fanning, lose their ability to curb the spread of abnormal areas?" He Meng's eyes straightened and guessed.
"That's not. As long as it is an intra-stream 'array', it can curb the abnormal area." Mr. Wax shook his head.
"If the world's epidermis is in the 'first state' when it is normal and becomes an abnormal zone, then the normal 'type' is to partially regress the 'second state' back to the 'first state', but the special thing about the artist who has been polluted by the 'old days' is that--"
"Their 'articles' will cause the abnormal zone to be in another strange state that we know very little at the moment, that is, in the 'third state'."
...In the third state? This strange pollution indication name made all the senior executives of the special inspection hall present take their breath and pay attention.
Owen, who had been listening silently, asked questions with his eyes flashing one after another:
"So when the world's epidermis is in the third state, what is the difference between it and the first state?"
"There is not much difference." Mr. Wax's words made everyone even more confused.
Then why is it called "a strange state that is very little known"?
"The 'third state' is not a forbidden area for ordinary creatures. In fact, they are basically the same as the natural laws of the healthy world's epidermis. In the middle of some abnormal areas, which are suspected to be left in ancient times, our deduction and experiments believe that the growth and reproduction of organisms will not show significant abnormalities."
"However, the 'third state' and 'first state' are incompatible! Once the intersection area between them is large enough, they will be twisted back together and become a deformed 'second state' abnormal zone!"
"In other words, although musical works created by ordinary artists and musical works created under the inspiration of the old days can resist the spread of abnormal areas, the latter has some unknown characteristics that we have not yet figured out, which makes it impossible to form a joint force with the former. On the one hand, it will cause internal losses!!!"
Everyone in the Chaos Heavenly Stadium fell into silence for a moment.
"Esta Ton." At this time, Inspector Gang reported a name, "This reminds me of another clue found in recent investigations. This classical guitar master said that in the last few years of his creative career, his inspirational output encountered unprecedented obstacles."
"And further traceability revealed that the reason was related to his role as a harpist in the premiere of Vieren's Prelude."
"This is exactly what Mr. Wax just weighed, and another work that is strongly related to the existence of 'old days'"
Hearing this, Owen said coldly, "Since the characteristics are clear, then we should completely ban Fanning's works and the chain theater chain of Turner Art Hall. The curb and transformation of the spread of abnormal areas are not only related to the quantity of artists and artistic works, but also to the quality. If the influence of his works continues to ferment in the minds of the people, even the previous anti-aging results of the abnormal areas will be eroded and disintegrated."
"The 'Ning's Teaching Method' and chain theaters are unprecedented. If you don't cross the line, the benefits will be greater than losses." Pogleridge spoke.
The public immediately ended the formal or informal discussion.
Unless there is information that must be reminded or supplemented, or someone asks questions and answers, generally speaking, leaders do not have the habit of actively explaining and proofing when drawing conclusions.
These senior executives who were deemed as smart people by the leaders, and after making some thoughts and inferences, they gradually figured out the joints, and Irving became silent.
In fact, most of Fanning's current value to the discussion group is still positive.
If the chain theater chain can really build the music industry from bottom to top, improve the artistic cultivation of the people, make the level of human music education leap, give more opportunities for interpretation and appreciation of the works of masters and masters, and let more future masters and masters give birth to other higher-level "texts" from these beneficiaries, which is enough to offset the rejection of Fanning's own "texts".
Even if he is still alive, he can upgrade to a "new moon" in two years, and it will also become an important "pillar".
But the problem is that later the emergence of the "Ning Teaching Method" and the premiere of "Resurrection", this person's talent in composition and teaching was completely beyond expectations. If he cultivated too many and too important people influenced by the "old days" when developing his artistic career, or if he became a "torcher" one day later, things would suddenly become counterproductive.
Two years later, the Harvest Art Festival is valuable in emergency response and is a hidden danger in the long run;
Becoming a "new moon" is a good thing, but becoming a "torch holder" will cause trouble;
There is no problem with your own improvement. Teaching too many others to improve may lead to problems;
The career that is left behind is a big resource, and if you cross the red line, it may become a source of pollution;
If you really die, you don’t have to think so much, but the review work in the abnormal area has cut off clues, and the "old days" are still in his hands and need to be collected;
It's too difficult to grasp the scale.
Fanning's problem can make people lose their minds.
They finally understood why the leader, who had always made decisive decisions, observed and considered it for a year after facing his subordinates' requests for Fanning's related issues, gave a preliminary opinion on handling the investigation information.
The leader still told him not to hurt his life during the arrest and search operations, and later he also made a statement of financial support when the "Capran Art Fund" was established.
Still prefer "control", "investigation" and "scribing".
The so-called "not crossing the line" mentioned by the leader mainly depends on whether the operator behind it knows the rules of honestly performing music charity for the discussion group, rather than starting from the grassroots level under certain guises and unilaterally forming their own artistic forces.
If any substantial signs are found, Irving's eyes narrowed slightly.
The next moment, Bogleridge, who had given all the instructions on the topic, began to fade away from the sky.
Time flies on August 28, and the final of the famous singers will kick off at night on this day.
It was still afternoon, with the sun shining fiercely and the air flowing hotly. The streets of Tiya City were lined with colorful parasols, and the brick and stone flowerbeds outside the shade were rippling and twisting in the eyes of citizens.
An actor preparation suite at the Eleanor National Opera.
The decoration here is luxurious, relatively cool, and well-ventilated. The thick roller blinds block several windows that shine directly on the sun, but the strong sunlight still overflows through the fabric, making the wooden furniture in the whole room appear brightly dark red.
“Is this one good-looking?”
An suddenly flashed to the door, lifted up the dark blue skirt and turned it around, covered the collar and made a gesture of salutation to the audience.
"Not bad, sister." Luna's voice was a little depressed. She used her fingers to block her pink eyes again, and changed her legs on the rattan chair and curled up her legs and lay on her side-
"But you should mainly ask the teacher."
"Maybe the color is a little darker?" Fanning sat on the desk on the other side of the writing station, as if thinking about something, then turned his head and glanced at the door.
"Oh." Miss Nightingale flashed into the inner room, and after two minutes, the tall figure popped out again.
"What about this?" She changed into a goose yellow dress.
"Will your chest be too low?" Luna yawned with her little hands.
"A little better." Fanning looked up carelessly again.
"Oh." Miss Nightingale flashed in again.
After several times, from dark blue to goose yellow, from lilac to light green, she finally changed to pure white dresses, belts, scarves, sleeves, hairbands, shawls and socks. She also changed them several times to match them.
"It seems that the beginning was better." Fanning said at the end.
"…I can't remember the first time I matched it with other locations." An sneered.
The sound of piano flowing everywhere in the room came to an abrupt end.
"Miss Nightingale, you want me to remind you at four o'clock to come in and practice "The Beautiful Mill Girl" again." Walter unscrewed another door with a piano.
Chapter completed!