The triple-tone motivation of funeral pace is repeating.

The solo introduction of the trumpet is desolate and lonely, like a widowed residence curled up in the dusk, and a sigh of relief in the rain and fog.

It was also like a self-pitying person who smiled silently towards his homeland in the sky.

“#do-#do-#do-/mi——”

“#do-#do-#do-/mi——”

“#do-mi-#sol-/#do——————”

Fanning kept pushing the trumpet beat until the strong music of the entire band exploded from the last two F and A tones of the introduction.

"boom!!!"

The triple-tone pace of the funeral was replaced by the band background, and the strength was weakened to a large level, and the bass string instrument pulled out a long line of black tragic theme.

Although there is no title highlighted, the mortal material of this sad song still comes from one of the folk poetry collection "The Young Man's Demon" - "The Drummer's Pawn".

The poem and tune depicts an executed soldier without metaphor, which is a blatant, literal voice of death.

It seems to have an autobiographical color.

In development, it is also processed by Fanning into two opposite groups, one with the overall line facing up and the other facing down. If the former is a desolate singing, the theme in the second half is more inclined to inner fear and loneliness.

And the initial trumpet also began its real and painful struggle in it.

It seems that in the thick layers of curtains, I try my best to push it away, so as to get even a chance to breathe.

The unspeakable eternal lament constitutes the essence and tone of human sorrow. The audience keeps hearing it, and it continues when all appearances are silent.

“#do-#do-#do-/#do——”

“#do-#do-#do-/#do——”

The preface of the loneliness song begins again.

But this time, the whole world suddenly fell at the end of the tone, plunging into a more violent and chaotic twist!

Especially from the 155th bar, the trumpet here has turned into a hoarse wailing on the extremely high sound zone!

"Boom!!!——"

A flash of lightning suddenly burst out from the night sky, and Fanning's baton split the heavy suppressed fog curtain and threw a drop of raindrops into the sky.

During this progression, the violin part experienced a rush from eighth notes to triple notes to higher eighth notes, reaching its peak with the strength of ffff on the treble D of 220 bars!

"The energy of title music has exploded unreservedly in "Tristan and Isolde". There is no longer any material here, so we can only choose another untitled road. This should be the choice he had planned long ago! Even his most proud chorus writing was covered with dust. He resolutely used untitled pure instrumental music as the last blow, trying to seek a certain identity, or even transcendence to the "torcher" of the genitalist era. He was extremely arrogant, extremely dangerous, and without room for room for ambition!"

Heartbreaking despair of unreasonable despair is irreversible.

In the silence, the cello was playing solo in mourn, behind which was the faint accompaniment of the timpani drum.

Here is the expansion section, and the entry of the sub-topic to the flat e-minus is a sign - although in a strict sense, everything is in a dark and dark way, and there is no clear boundary.

Klagend's instructions appeared again, seemingly despairing.

Fanning's "Liandell" dance motive, which is familiar to the audience, flashes here in a dismemberment state, and the continuous sound of the bass and the big tube surges like underground magma. Everything is moving away from the aesthetic paradigm of classical sonata. All emotional conflicts are presented in a darker and more terrifying form. The traditional mode and the order of counterpoint have been repeatedly pushed to the brink of near collapse!

"The instructions of 'As fierce as a storm'? Is the storm?"

In the same front seat, Neman and Master Schillings, who had finished the afternoon performance, stared at the figure on the podium and muttered to themselves.

"The storm here is not a metaphor of nature, but an acoustic annotation of spiritual implosion! The Gilless heroic struggle has become history. Here, only the screams and screams of the people in the industrial society after being thrown into the gap between reason and nothingness!"

Before the reproduction part appeared, and at the end, a material similar to the hymn appeared, which was suddenly interrupted twice.

The first time in the 316th bar, not many people paid attention to the listening, but the second interruption in the 464th bar finally attracted the attention of many people.

Some people with vicious eyes were even touched by the memories that left an intuitive impression at first. In the first movement, the first movement "Funeral March", there seemed to be such a hymn material. Five or six bars rose from the gloomy c-scaling key of the first movement, giving a bright and D-scaling key tone!

Will such a painful and depressing start and development be a foreshadowing or a clue to the final tone of the metaphor?
Chapter completed!