Higashinoji came in so anxiously...what do you want to draw?

Higashinoji walked in anxiously just now, without saying hello to anyone, and seemed to have only a drawing board, so he rushed over directly.

This scared Konowa Lianghua, and the paint in her hand almost hit her own face.

This was the first time Konomiya saw Hitomiji's serious appearance... She was of course a little curious about what Hitomiji painted.

In fact, it was not just her, but even the other girls in the studio looked here curiously.

They were students selected by Ryoko Kono to participate in the Art Creation Awards.

Although Ryoko Kawano thinks that it is basically impossible for them to win awards, there is a chance if they participate. You should know that this is a grand event for young students in Japan... No matter how busy they are, they have to get together, so it's better to have some experience.

So in this way, many girls in the studio put down their brushes, stood secretly behind Higashinoji, and then stretched their heads.

Higashinoji did not hesitate like them. It took one or two days to make a draft, and it took several weeks to make a last color, and it took several weeks to modify it.

He just rolled his brush and started painting.

Of course, this is only when there is inspiration that Higashinoji would do this.

Because when you have inspiration, your hands are not controlled by others, as if something is pulling you away. Instead of thinking out the brain first, your hands are already drawn.

It is different from the previous "Tokyo Sunset·Impression" and "Tokyo".

This is probably a summer room.

Some worn metal window frames are shown, and the sunlight outside is reflected on it, bringing some shiny colors.

There were messy bedding scattered on the bed against the metal window. Next to the bedding were curtains that were originally dark blue, but looked gray due to their age.

Among them, the electric fan, which has been damaged and exposed with red and blue wires, is squeaking and rotating on the bedside table...

Higashinoji's techniques are superb...the whole picture looks very realistic.

Everyone just feels like they are in this room... It is a hot summer day outside, accompanied by happy memories of summer.

The main color Higashinoji set this time is zinc white and yellow.

This makes the whole picture full of beating and restlessness.

The fresh colors are like a cool breeze blowing into the lungs in summer, making the whole person feel much more comfortable.

But...

"The main color is so free... and you still have to use classical painting methods like this...?"

There was a little girl next to her and couldn't help but whisper.

The so-called classical painting method is actually a realistic painting method.

Logically speaking, the main color is so free, and it is better to use some of the painting methods in the impression.

Although this little girl, as a member of the Kitayoshi Studio, certainly understands Higashinoji's strength...but this is too messy, right? If the connection is not handled well, the main color and realistic picture will be broken.

This is what some painting textbooks teach her...and it makes sense.

But after she said this, she didn't say anything, and continued to watch quietly - maybe Higashinoji has a way to solve this sense of fault separation?

In their eyes, Higashinoji painted a volume of brushes.

Zinc white forms a soft sunlight, and the yellow in the middle adds to the tone, making the overall color look less prone, and instead presents a hazy feeling of summer when people are about to wake up.

But...

"It's still a sense of separation..."

Another little girl spoke.

Indeed, there is always an indescribable sense of separation in Higashinoji's paintings this time, which makes people feel very uncomfortable.

Realism and jumping cannot be combined.

This is not right... If I continue to draw this way, this painting will probably be ruined.

Everyone subconsciously looked at Konoha Lianghua.

They were embarrassed to stop Higashinoji, after all, Konomiya Lianghua, the main palace here.

She wanted to persuade her boyfriend to come with him by herself.

This made Konomiya Ryoka very embarrassed, but she said nothing and silently watched Higashinoji's next move.

Higashinoji also left a part of the bed next to this summer room...

It’s like drawing human body sketches requires eyes to be considered a complete painting.

She felt that the blank space should be the most important thing for Higashinoji to overcome the sense of separation in the entire picture - the so-called finishing touch.

Under her gaze, Higashinoji's brush finally lifted up.
Chapter completed!