I wore a nice kimono and didn't commit suicide, alas.

Some people may find it very exaggerated, but it can be seen from many Japanese film and television dramas - the protagonist thinks of parting when he sees the rails, lying on the rails, and thinks of childhood memories when he sees the stars...

‘Summer is over’, the summer among them is a manifestation of ‘things’.

Whether it is the fireworks that have soared into the sky in summer, the love letters that have not been sent out, the cicadas that have not been caught in summer, or the beautiful memories that have been flushed by the torrent of time before they have been remembered...

This sentence makes people feel inexplicably sad, and it is even more so for young people.

At least Naoko Mano agrees with this sentence and feels an indescribable literary charm in this sentence.

It’s no wonder, you should know that this was a golden sentence in Japanese culture in previous lives, a sentence that could be on par with the “moonlight is so beautiful”.

and...

"This painting was painted by Mr. Higashino, the author of Kumamoto, right?" Mano Zeko looked around the painting for a few times before asking calmly.

"Yes."

The judges present didn't know why Higashinoji's name suddenly mentioned, but they still answered decisively.

"...It's really outstanding." Mano Noko didn't answer their questions, but just looked at the painting and nodded with a smile.

Looking at Manono's smile, the judges here didn't speak anymore.

Because as soon as Mano Yeko spoke, they knew that Higashinoji's golden reward was basically stable this time.

After all, the Japanese Minister of Science and Technology favored his paintings.

This golden reward must not be able to escape.

But it's okay, Higashinoji's work is indeed of the quality of the Golden Purchase.

At least they have read twenty or thirty pictures, and they can't find any works that can be compared with Higashinoji's "Summer is over".

Whether it is painting techniques, color use, composition, trivial details... the treatment of these places is so so sophisticated that it doesn't look like a high school student at all.

Especially in this aspect of conception.

This painting of Higashinoji takes into account the theme of "growth" and "regret about the passing of beautiful things" - this behavior is very adventurous, but Higashinoji perfectly reproduces it on the canvas.

Some people couldn't help but sigh.

It's really rare.

It feels like he has been painting oil painting for 10 or 20 years.

But this is just a feeling.

You should know that Higashinoji was only seventeen or eighteen years old this year, so where did he spend so much time practicing oil painting for him?

As for Professor Toshiyama and Mr. Yoshida, who were discussing Kim Sang-milk at the beginning, they both looked confused when they learned that Kim Sang-milk had been selected.

After all, they had a heated discussion around a work from a college student in Aichi Prefecture, and their faces and necks were so quarrel that they were red.

As a result, after the discussion, you told me that the golden reward had been selected?

Um???

They were confused.

The two hurriedly looked at Higashinoji's works, and then shook hands and made peace--well, indeed, that Jinzhao Nakai could not beat this painting.

Many people present began to gradually get to know Higashinoji, who was born in Kitayoshi High School.

As for the other side, the one who feels the deepest is probably the first floor of Yamauchi.

The more he comes into contact with Higashinoji, the more indescribable he feels.

No matter it is the theme of "Tokyo" in the big picture.

It is still a small pattern of "resent regrets about beautiful things" and "growth" that Higashinoji grasps it well.

"Has Mr. Kono been so outstanding before?" Yamauchi's first floor couldn't help but think of Ryoko Kono who was in charge of studio management at Kitayo High School.

How did she teach such an outstanding student?

If you have the chance, Yamauchi First Floor really wants to learn from her and gain some experience from her.

But no matter what, it is a good thing that Shi Higashinoji can successfully get the gold reward. Considering that he is still under review, he suppressed the urge to call Shi Higashinoji to report the good news and turned to look at other works.

But he just stood up and before he could even read other works, he was already stopped by Mano Nako.

"Hello, Yamanuchi Teacher." Mano Noko smiled and called Yamanuchi First Floor.

The first floor of Yamauchi did not expect that the Minister of Science and Technology of the Ministry of Culture and Culture would come forward to talk, and asked at the same time with a strange heart: "Ah, Ms. Masano, is there anything wrong?"

"There is a question about this year's Minister of Science Award from the Ministry of Culture and Culture... Teacher Yamauchi should know Mr. Higashino, right?"

Noko Mano smiled affectionately and said something that made Yamauchi First Floor confused.

What?

Minister of Science Award of the Ministry of Culture and Culture?

Looking for Higashinoji?

Could it be that Higashinoji will replicate the last Tokyo Youth Painting Appreciation this time? Let’s take another double view?
Chapter completed!