Japanese animation production basically needs to be prepared at the beginning, and there is no such thing as one episode a week, and it is played while playing. When it is officially released, it basically only has the mid-to-late finishing work such as sound effects, special effects, background, and color. There are few production companies that have not yet been solved by the original painting, OP, and ED when it is released. After all, who can make a whole episode of animation in a week? How eye-catching is the thing produced?

At this time, seeing Higashinoji's original painting speed, Yano Ryuichi finally believed that the other party really wanted to start the production of "The Winner is Justice".

Since Higashinoji has no intention of joking...

Yano Ryuu lowered his head and thought, and after a while, he nodded and said, "I understand, Teacher Higashino... No, now I am President Higashino, I will notify them of this matter later."

"Don't call me President Hitono." Hitono Shi waved his hand with a smile: "If you don't get used to it, just call me 'Tungno' or 'Tungno Teacher'."

After all, with the word "president", Higashinoji always feels like a very vicious capitalist, which is really unacceptable.

"Okay, Teacher Higashino." Yano Ryuichi quickly got into work and began to introduce the remaining staff of the PW animation production company to Higashinoji.

There are three supervisors who have experience in supervising one or more animations. Yano Ryuu counts one of them, and two special effects masters are responsible for post-production sound effects and animation special effects.

He was responsible for the entire animation process inspection and proofreading. There was one animation producer who used to be a proofreader, but now he is lying in the hospital with a burn, and one of the three animation supervisors can be called out to serve.

There are five experienced original artists, three original artists being trained, and no script writer (Da Guan Yongren, now dead). There is one financial affairs in charge of water and electricity management and two supervisory assistants. As an assistant, he is very capable, but it is difficult to serve as a painting supervisor or storyboard supervisor.

Even if the three original artists who are being trained are added, there are only 16 people...

This production lineup can make Higashinoji understand why Yano Ryuki said that he was short of people.

There is indeed a shortage of people... It's easy to say about the original painting, after all, Higashinoji came in.

However, there are few people in the special effects engineers and few people in the supervision. There is no one in the animation production responsibility of the hardest and most workplace.

No wonder Yano Ryuichi said it was difficult to make "The Winner is Justice".

The number of people is indeed a bit small.

The arson case of PW animation production company not only burned "The Winner Is Justice", but also the weak foundation of PW production company also burned a lot.

Higashinoji pondered: "One of the three supervisors was selected to join the animation production team, and a supervisory assistant was also selected to assist the animation production team."

"The two supervisors are responsible for color and painting respectively. The two special effects masters in the later stage are enough. Originally, "The Winner is Justice" did not have any fighting scenes such as lightning or burning. I will be responsible for the original painting supervisor. This way, the reproduction of "The Winner is Justice" can be carried out."

Higashinoji made drastic moves and decisively divided the production lineup and handed the list to Ryuichi Yano: "That's it, there should be no problem, right?"

"No...no problem." Yano Ryuki next to him was surprised to see Higashinoji so simple and clear, so he divided the list of production staff.

It should be the first time that Higashinoji has taken over the animation production work. How can he do so well?

Seeing Yano Ryuichi's surprised gaze, Higashinoji also replied with a smile: "I used to learn a lot of common sense about this with Supervisor Honhashi Kouhiro when I was in the production team of "Midnight Bell".

Yes, when "Midnight Bell" assisted in the production of the original painting, Higashinoji followed the gold supervisors of Honhashi and Toda Shikami, who learned a lot of common sense about manpower distribution, so he knew the number of people needed for each position.

"Okay, I understand." Yano Ryu nodded, and felt inexplicably confident.

Higashinoji's backbone now seems to be very stable and belongs to the type that can be held, which makes him feel relieved. Although he hasn't said that, he is actually a little worried that Higashinoji knows nothing about animation production and requires them to forcefully complete some tasks that are impossible to complete.

Now it seems that the production of "The Winner Is Justice" may really have a chance to end before it is released in October?

He became confident and began to discuss with Higashinoji about the disposal of the remaining items in the former site of the PW animation production company... Although a lot of them were burned at the beginning, there were still many hardware facilities that could be used.

Ryuichi Yano said here, while Higashiji on the other side waved his hand and smiled and handed over the full handling of the matter to Ryuichi Yano.

This moved Yano Ryuichi... He actually gained Higashiji's trust in this way, so he nodded vigorously, saying that he would definitely handle these things well.

Looking at Yano Ryuichi's promise, Higashinoji also sighed secretly... This tool is really easy to use...

Then came the working policy of the 16-person small studio of Higashinoji.

In this regard, Higashinoji simply stated that this studio is his personal property and only needs to take over the production of his works internally. Except for him, no one can undertake any external animation production in the name of the studio.

Of course, if the employees in the studio want to earn extra money, they go to the outside world to assist other animation production... Higashinoshi will not stop this.

But earning extra money is earning extra money. When Higashinoji has a job, studio employees cannot use the animation production of external companies as an excuse to slow down the animation production process of Higashinoji Studio, which is considered a breach of contract.

This is indeed a very free clause.

Yano Ryuichi looked at the documents handed over by Higashinoji, and couldn't help but look up, and looked at Higashinoji from time to time.

But Yano Ryuki has been in society for seven or eight years. He is an old fry. He was shocked enough today. He has been able to stabilize his mentality and has vaguely begun to feel... The thinking of the teacher Higashino in front of him is indeed a bit ahead of other studios or companies in the industry.

Higashinoji did not answer his doubts one by one. This contract was drawn up by his previous life by Hayao Miyazaki Studio.

This operation method is quite good. It is a "clear and inaction". All the troubles and difficult things are left to the tool guy Yano Ryuichi... Partner, Higashinoji only needs to go over and help draw original paintings from time to time, and he doesn't have to worry about anything.

"There is no problem with these. I will take the contract back and print it later and let all my colleagues sign and stamp it." Yano Ryu put the contract in his briefcase and reached out to shake Higashiji: "I'll ask Higashiji to take care of you in the future."

"Mr. Yano is so disgusting, please take a look at each other." Higashiji smiled and reached out to hold Yano Ryuichi.

As for the photo related to each other... Yano Ryuichi will naturally not take it as real

After signing and stamping, he was even a thug under Hitonoji. Hitonoji is his boss, how could he still need him to take care of Hitonoji?

It’s better to hold Higashinoji, the evergreen tree of Urashima Publishing House, and the pillar is the safest! As for making some small moves... Yano Ryuichi had no idea about this.

Higashinoji just doesn't care much on the surface, but is actually very smart. There are many solutions for passive slack work in the loose treaty just now - Ryuichi Yano doesn't think Higashinoji is like a high school student.

So Yano Ryuichi just wanted to do his job seriously and then follow the army to get along.

As for Higashinoji assigned him a lot of tasks at the beginning... this is also in an understanding range.

After all, Higashinoji just took over PW animation production company as a studio, and no one can be used by him, so he can only rely on him.

In the future, if the studio becomes bigger, the tasks assigned to you will definitely be slowed down and you will be able to be a slut.

Thinking of this, Yano Ryuichi smiled with peace of mind.

On the other side, Higashinoji was also happy to find a good tool. Seeing that the other party was still smiling politely to him, Higashinoji also smiled.

The two of them later discussed the start time of "The Winner is Justice" and thought that the earlier the construction, the better it would be. Don't delay it to the back, as it would be unsightly.

However, even if you want to start construction earlier, there are still many things that need to be solved. After all, when all the staff in the studio settle down, it will be a matter of two days.

In other words, even if you want to re-production of "The Winner Is Justice", it will take two days to wait.

Watching Yano Ryuki leave, Higashinoji breathed a little relieved and began to think about whether there was any missing what he said just now.

After all, this kind of studio operation is actually the first time that a big girl has taken the sedan chair. It is similar to when he first started painting the "Midnight Bell" comic and failed many times. There are still many unknown areas ahead that he needs to explore.

This is a new beginning.

Standing at a new starting point again, Higashinoji naturally had more or less thoughts, but in the end it was just one sentence.

If you don’t do it, don’t do it. If you want to do it, you must do your best.

Of course, the comic serialization must not be put aside. After the serialization of "Unnatural Death" ends, the original painting of "Hanzawa Naoki" that has been returned ten times must be put on the agenda.

However, it is still too far from the serialization of "Unnatural Death". According to the current serialization speed, "Unnatural Death" can be serialized for another half a year.

After the half-year serialization, the animation production of "Unnatural Death" can also be requested by Urashima Publishing Club to Higashino Studio for production. At that time, it was the turn of the animation to change seasons, so it was absolutely fine to hand it over to Higashino Studio for production... It has fulfilled Higashino's dream of self-producing and selling, and there is no need to look at the face of the animation production company, and I am worried that they will produce something that "destroy the original work".

After all, it is not uncommon for Japanese animation production companies to destroy the original work, and Higashinoji has also seen the power of "Fighting Qi to Ma" in the Celestial Empire, so of course you should be careful.

Only by handing it over to your own studio for production can Higashinoji be completely relieved.

Therefore, Higashinoji's plan is roughly as follows: self-produce and sell, try to create a studio similar to that of the previous master Hayao Miyazaki, and establish a cooperative relationship with Urashima Publishing House, focusing on his own comics career and studio as the supplement.

Higashinoji is a very planned person. Since he has made plans, he will continue to follow the planned path.

Make a plan, start implementing, and wait for the results.

"It's probably that." Higashinoji pondered, feeling that the general direction should be correct, so he let go.

He simply packed up his things, then stood up and headed towards his own home.

......

"Is "The Winner Is Justice" really delaying its release? This is so disappointing. I've obviously been looking forward to it for a long time."

Yumi Takahashi said with her head raised, her face full of regret.

"It's useless to say this at Higashino's home." Fujiwara Aoi glanced at Yumi Takahashi who was lying weak on the ground and said.

The two of them are now considered regular customers of the Higashino family. Higashinoji would ask them to come and help them stay with Higashino Chihaki from time to time.

"But..." Yumi Takahashi "But" for a long time, but nothing came out. Finally, she simply thought about nothing and shouted directly: "Ah... It's so regretful!"

This attracted the attention of Chihaya Higashino next to her. She asked, "Good, be obedient" while touching Yumi Takahashi's head.

This made Takahashi Yumi blush and then turned to look at Koume Ryoka on the other side: "Ryoka, can't your teacher Higashino think of a way? Can't you re-create "The Winner is Justice"?"

At this time, Konomi Lianghua was wearing an apron, with a simple cooking book as big as a palm on her chest, and in front of her was a live fish covered with the fish's eyes.

She was about to take the knife, but was interrupted by Yumi Takahashi. The knife in her hand turned and then took it back. At the same time, she said "ah" and her cheeks were red, and she didn't seem to understand what Yumi Takahashi was saying.

She only heard the words "Your Teacher Higashino" in front of Yumi Takahashi, and she didn't hear the content clearly afterwards.

“I mean…”

"Don't worry about her, Lianghua." Fujiwara Aoi interrupted Takahashi Yumi from the side: "This guy really thinks that Teacher Tono is omnipotent. How can you make a new animation so simple? Even if you are a classmate Tono, this is a relatively difficult thing."

"Oh...oh..." Konomi Lianghua seemed to understand it but nodded, and wanted to cut the fish again, trying to slap the fish out.

"Speaking of Lianghua, what are you doing?" Takahashi Yumi saw that she didn't have the chance to continue teasing Koewe Ryohua, so she raised her head and asked.

"Ah? I'm making fish..." It was interrupted by Yumi Takahashi, which made Konowa Ryoka distract. He originally wanted to use the back of the knife to slap the fish's head, but it was not aimed at it. It hit the fish's head without making it faint. Instead, it bounced up directly from the chopping board - it really jumped up.

He also made a lot of pots and pans hanging on the wall next to him fall off.

This made Konoe Ryoka panic. She wanted to put the fish back, but she didn't know where to start. Takahashi Yumi and Fujiwara Aoi next to her were stunned at first, wanting to come up to help, but looking at the panicked Konoe Ryoka's kitchen knife in the hand...they looked at each other, and none of them dared to come forward to help.

Higashinoji happened to go home at this time. Seeing a live fish jumping in the kitchen, Komae Lianghua and Takahashi Yumi, Fujiwara Aoi couldn't help but raise her eyebrows in a panic look.

no.

What are you doing?
Chapter completed!