friend?

This sentence made Kameyama Ryumi a little unbelievable.

If it was just a simple friendship, Hasegawa Riko would not convince Mizuko Kako for Higashinoji...

However, Reimi Kameyama didn't go into it in depth, and it was just a cooperative relationship after all.

The three of them drove downstairs of Higashino Studio. There was a very ordinary building work building, and nothing could be seen from the outside.

According to the studio address that Higashinoji took, they quickly went upstairs and led them to the reception room under the leadership of Ryuichi Yano.

To be honest, she was quite surprised when she saw some scenes along the way.

Although Higashinoji's studio is not as good as those professional animation production companies, the sparrow is small and has all the internal organs.

At least she followed her around and felt that the overall atmosphere of Dongye Studio was pretty good.

What made Kameyama Ryumi the most unexpected was that in Higashino Studio, the size of the painter group responsible for the original painting and the supervision group responsible for the specific details was already comparable to that of some small animation production companies outside...

This is obviously not right.

You should know that Higashino Studio starts from scratch, and it is understandable that the facilities and equipment can be solved by spending money, but where did so many skilled original artists find it?

She didn't know that Hosokawa Koharu had put in a lot of effort.

Kako Mizuko, who was sitting next to Reimi Kameyama, obviously didn't expect it.

At first she thought it was unreliable to come here this time. "The Winner Is Justice" is likely to be bad... At most, she would accompany Riko Hasegawa to flow into muddy water... As a result, it seemed that there was still a lot of fun here?

Kako Mizuko vaguely felt that the outside world probably miscalculated Higashinoji's current situation again.

As for Riko Hasegawa?

She didn't speak.

As a die-hard fan of Higashinoji, she has always been very confident in Higashinoji. Similarly, she thinks that even if Higashinoji builds Gundam with bare hands, it is not a strange thing.

The three of them sat and waited for a while, and Higashiji appeared at the door of the reception room and greeted him: "Miss Kameyama, Miss Mizuguchi, Miss Hasegawa, Hello."

"Hello, Teacher Higashino." The three of them stood up and greeted Higashinoji. Even Reimi Kameyama, who was in her thirties, was no exception.

Perhaps she has been working in this industry for a long time than Higashinoji, but in terms of influence and seniority, she always bows her head to Higashinoji and speaks honorifics.

Higashinoji waved his hand without much care, and then made a "please" gesture, signaling them to sit down and talk.

To be honest, what they talked about was nothing big, it was about the salary and benefits of Hasegawa Riko and Mizuko Kako.

The treatment of them was very generous, and it was considered the top level in the industry.

This is just a small amount of money for Higashinoji, and the main purpose is to make them work hard.

Riko Hasegawa, who was on the side, stood up and planned to not have a salary, but was blocked by Higashinoji halfway through the words and asked her to take the money away.

Wait until this matter is resolved.

Kameyama Ryumichi curiously asked her most concerned question: "I wonder how the production process of Teacher Higashino's "The Victor is Justice"?"

Yes...

This is what she is most curious about.
Chapter completed!