Hosokawa Koharu looked at Higashinoji slightly, holding a recording pen in his hand.

Then I heard Higashinoji speak.

"It's two hundred points. This comic is the most perfect comic in my current details. It's far beyond my own expectations. I didn't even know that I could draw so well. So give it two hundred points."

Cough cough cough cough cough!

Hosokawa Koharu coughed violently.

The editors who were still secretly watching the fun couldn't help but grin when they heard Higashinoji's answer, but they didn't react for a long time.

Two hundred points?

Or give it to yourself?

Should I say Higashinoji is confident or is he extremely confident?

It's really a bit of nothing to say.

On the other side, Koharu Hosokawa held it for a long time, and even her face turned red:

"Teacher Higashino, do you really want me to write like this?"

"certainly."

Higashinoji nodded indifferently.

If you draw well, you will draw well. "Hanzawa Naoki" does exceed his expectations, so it is not too much to come up with this answer.

As for the eyes of other comic authors, Higashinoshi didn't care much.

After all, the look of eyes cannot kill people.

Next, Hosokawa Koharu raised several formulaic questions one after another.

Basically, they all ask Higashinoji's painting skills and comics level.

And these questions were basically summarized by Higashinoji's words, "I think I can do it, I think I can."

Higashinoji's deep self-confidence, even Hosokawa Koharu, who is the recorder, can feel it through the paper.

only

These are all bonus questions!

Higashinoji actually answered the question as a gift!

What the hell is this?

Hosokawa Koharu was speechless and recorded it one by one.

In this process of going back and forth.

That is the last formulaic problem.

"Master Higashino thinks that in the Japanese comics industry, which works are comparable to the current "Hanzawa Naoki"?"

This is also a bonus question.

"No, for me, there should be no comic book on the market that compares to the current "Hansawa Naoki."

As expected, this is still the case with answers

Hosokawa Koharu couldn't help but whisper: "Teacher Higashino, although everything you said is true, modesty is a virtue. I'd better be a little polite here."

"It's useless to be a little polite. Good is good, bad is bad, it's impossible because of my humility, the current status of "Hanzawa Naoki" in Japanese comic magazines"

Higashinoji replied calmly.

"But there are also the opinions of teachers from other comic works."

Hosokawa Koharu tried to argue.

yes.

It is said that fellow travelers are enemies. How would other comic writers think of Higashinoji like this life-threatening answer?

However, before Hosokawa Koharu finished speaking, she was interrupted happily by Higashinoji.

He smiled and asked back, "Why should I care about their opinion?"

Well

Hosokawa Koharu couldn't speak this time.

Because it is indeed the case.

Higashinoji doesn't look like the kind of person who cares about other people's opinions, let alone he doesn't have to care.

As the popular pillar author of Toshima Publishing House, he really doesn't have to pay too much attention to the opinions of other comic authors.

"Are there any other questions? Editor Hosokawa?"

When Koharu Hosokawa was thinking, Higashinoji took the initiative to ask.

He came over to answer these questions deliberately, and now it's almost time to go back and continue to work on his own affairs.

"Ah, there is indeed one problem."

Hosokawa Koharu turned to the last question card.

The problems on this card are much more free, not much like formulaic problems.

The question was 'Master Higashino, do you have any common principles that need to be followed in the creation of comics?'

To be honest, from the perspective of the editors of Hosokawa Koharu, this question can be regarded as saying something unknown.

Comic creation is originally free, so why do you have any common principles that need to be followed?

For example, Higashinoji likes to draw comics with G strokes, but some comic authors like to use D strokes, and some comic authors like to draw shadows by hand, while others like to cut the dots directly as shadows. This is very free.

So this question is not very good.

But Hosokawa Koharu doesn't care.

According to Higashiji's personality, he probably would smile and say, "There is no principle in comic creation. I just paint casually and become like this."

She thought about this, and at the same time repeated the content of the question to Higashinoji, waiting for the other party's answer.

Then

"Hmm? What's wrong? Teacher Higashino?"

Hosokawa Koharu waited for more than ten seconds, but still couldn't hear Higashinoji's confident and calm voice, so he couldn't help but look up and ask.

When she spoke, Higashinoji on the other side looked up as if he had thought it clearly.

"Well, comic creation is indeed a principle that needs to be followed together."

"Why?"

This answer was beyond Hosokawa Koharu's expectations.

She was stunned for a moment and couldn't help but look at Higashinoji again.

Then he heard Higashinoji speak:

“There are three principles for comic creation.”

"You cannot joke about the victims of war or disaster. You cannot show contempt for certain professions. You cannot joke about nations, nationals or masses."

Higashinoji finished these words in a gentle and gentle tone, then looked at Hosokawa Koharu and signaled her to continue writing:
Chapter completed!