Hiroshima Kishima next to him didn't say much, but he directly found a book called "A Collection of Tokyo Youth Paintings Appreciation Works from the briefcase beside him."

This records the works of many award-winning winners of all generations.

Higashinoji's "Tokyo Sunset Impression" and "Tokyo" are on it and are also used as the cover.

This treatment is indeed very good.

Yingshan Fumito couldn't help but look at it.

Whether it is "Tokyo Sunset Impression" or "Tokyo", from his eyes, they are indeed at the level of professional painters.

And it's the kind of painting that has its own style.

This surprised Kageyama Fumita a little.

Some genius figures can indeed shine in high school and have never lacked such 'child prodigy' in the art field.

But there are only a handful of people who have already formed a strong personal style in high school.

The paintings of Higashinoji these two years ago should be strictly a work drawn when he was in his first year of high school.

Thinking of this, Fumita Kyoyama couldn't help but cough twice, exclaiming: "It's really amazing."

He is not a person who wants to save face, Higashinoji is indeed enough to praise this.

Similarly, Kageyama Fumita also understands what Kishima Nakaki means.

This can actually be considered a future investment.

You should know that Higashinoji is only in his third year of high school and has not even attended college.

Even if the investment of Kojima Nakahiro failed, he only took some effort to invite a few drinks and traveled a few times.

If the investment is successful, Higashinoji will have influence in both oil painting and comics in the future, then he can be said to have made a fortune.

Anyway, if you make a profit or not, you might as well invest.

Really personal!

While thinking, Fumita Kageyama looked at Hiroshi Kishima who had included the "Collection of Tokyo Youth Paintings Appreciation Works in His Era" in his arms.

And just as Kageyama Fumita and the others discussed it.

On the other hand, Higashinoji also found out the background of Hiroki Kishima from Koharu Hosokawa.

"Does President Mujima have any connections in the Ministry of Culture and Culture?"

Although I had long thought that Hiroshima, as the president of the New Century Art Association, probably had a lot of relationships with Higashinoji, but Higashinoji did not expect that the other party had connections in the Ministry of Culture and Culture, and could handle the situation.

You should know that the Ministry of Culture and Culture is the center of Japanese education and culture.

Having something there means that as long as Hiroshima Kishima does not commit suicide, he will never have any major problems with the New Century Association.

Even if there are big problems, and if there are relationships between the Ministry of Culture and the Ministry of Culture and Culture, big problems can become small problems.

Seeing Higashinoji look surprised, Hosokawa Koharu also showed an unexpected look: "Don't Teacher Higashino? When I heard you just asked to help you find out about the relationship between Musashino University of Fine Arts for Lianghua, I thought you had known about his situation for a long time."

"I just saw Professor Yamanuchi from Musashino who spoke to Kyoyama Fumita, so I think the New Century Association and Musashino University of Fine Arts are probably intimate."

Higashinoji explained to Hosokawa Koharu, and then he showed a sudden look: "It seems that he will have the opportunity to cooperate with this President Mujima again in the future."

There are a lot of people here who want to graduate and go to college.

Chihaki Higashino, Aoi Fujiwara, Yumi Takahashi

If there is help from Hiroki Kimimaki

Maybe it doesn’t have to work so hard?

As he thought about it, Higashinoji couldn't help but nod. The idea of ​​trying to make several girls graduate safely was born.

But before that, you must first show your value.

What Hiroki Mujima values ​​is his ability to paint, and what he values ​​is his relationship with the Ministry of Culture and Culture

If you want to use the other party to achieve your goal, you must let the other party see your value.

After all, the other party is not a philanthropist or a fool.

I really help him so much for free.

"Then you have to work hard on this oil painting."

As Higashinoji spoke, he spread out the brochure produced by the New Century Art Association in his hand.

There are some specific details about this exhibition, including some interpretations of the theme of this painting.

Spring, summer, autumn and winter, the solar terms of the four seasons

Higashinoji couldn't help but ponder and fell into thinking.

Should I follow the crowd and follow others to draw the scenery of the season, or do I find another way to think of an interesting idea?

To be honest, Higashinoji is actually more inclined to the former.

Drawing scenery in spring, summer, autumn and winter is the basic skill of specializing in painting.

After all, scenery generally does not have much difficulty in painting, it just depends on your painting skills and painting skills.

And Higashinoji is very confident in this regard.

He felt that relying solely on his painting skills and painting skills, he could win the well-deserved first place at this exhibition.

You can say Higashinoji is blindly confident

But as a painter, he has no confidence at all. How can he surpass others in painting skills and painting skills in the future?

Professional painters still need to have such a little bit of aura.

Even if it is not possible, it should be considered as ok.

But if you just follow the script and draw the scenery with the crowd.

Higashinoji felt that it didn't fit his style.

Although you will not make mistakes with the public, this is too much like everyone else.

So what should I do?

Higashinoji was obviously thinking about it.

Koharu Hosokawa, not far behind him, was stunned.

Wait a minute.

Teacher Higashino.

Don't you have to send you home?!
Chapter completed!