"I don't know very well, it depends on the situation." Higashinoji told the truth.

It is definitely a hurry to draw an oil painting in six days.

But even so, Higashinoji didn't want to put the things he hadn't drawn on the exhibition.

If you really can't help, just drag it back for two more days...

At least that's what he thought.

But beside Konoe Ryoka and Higashinoji, Yuki Miyashita who accidentally heard this conversation was a little shocked.

He looked at Higashinoshi like he was looking at an alien.

As a senior oil painting enthusiast, Yuki Miyashita knows the Four Seasons Art Exhibition held by the New Century Art Association on February 9th.

The Four Seasons Art Exhibition is an exhibition attended by many professional painters.

She has always been looking forward to the works at the exhibition.

However...

Will Higashinoji's works be exhibited at the Four Seasons Exhibition?

Yuki Miyashita swallowed.

That kind of place is not like their Beiyi School studio, it is a true professional painter-level exhibition.

Higashinoji is obviously two years older than her.

Can you already have a wrestle with a group of professional painters?

What is this not an alien?

It seems to have the same feeling as Yuki Miyashita.

Koma Lianghua also blinked her big watery eyes enviously: "I really envy AS. I can actually participate in the four-season exhibition..."

"What's there to envy about this?" Higashinoji rolled up the paint with his brush while happily answering: "Don't worry, you can do it too, it's not difficult."

"..." Yuki Miyashita.

That's still...it's quite difficult.

Just becoming a member of the New Century Art Association has to go through a lot of tests, right?

And you must also make your level of participation...

When will it be until?

Anyway, Yuki Miyashita cannot understand the idea of ​​a comic genius and an oil painting genius like Higashinoji.

She's just an ordinary little girl...

But she understood.

This painting of Higashinoji is going to be exhibited.

Since it is an oil painting participating in the exhibition, of course, you can't just draw a picture like you did the previous two days.

Of course, it still takes a lot of time to carve.

She probably understood and took a good care of her.

I want to wait and see what the finished painting looks like after Higashinoji has taken out all his strength.

This is an exhibition work!

And at the same time, on the other hand, Uesugi Art Association.

As the president of the Uesugi Art Association, Asakura Kihiro can clearly feel the difference in the atmosphere in the association.

Many painters who have originally transferred to the Uesugi Art Association have already finished their works.

Their exhibition theme is seasonal changes, and to put it bluntly, it is also four seasons.

This is a point-to-head match for the New Century Art Association next door.

No one wants to let anyone go.

But to be honest, Asakura Kihiro actually has more confidence in his family.

Previously, many registered members of the New Century Art Association transferred to the Uesugi Art Association.

In addition, the Uesugi Art Association has developed well, which has led to the overall strength of the New Century Art Association being much weaker than theirs.

This four-season exhibition is just the beginning.

In the future, Asakura Kihiro will continue to hold the other party's time and hold an exhibition on the same date as the New Century Art Association.

Not only the exhibition, but also the publication of exhibition collections and the publication of members' paintings in the association... These must be head-on and actively fought against each other.

Some people may think that this behavior is a bit harmful to others and not beneficial to oneself.

After all, the two major art associations are mixed together to fight, which is of no benefit to each other.

But in fact, Asakura Kihiro wanted this effect.

In this way, he wants to squeeze out the position of the two major art associations in Tokyo.

Through these aspects, the accumulation bit by bit has gradually weakened the influence of the New Century Art Association in the traditional painting world.

That's what he thought.

Don't think this is impossible.

After all, the Uesugi Art Association is now standing behind the giant publisher Iwatsuki Publishing House.

On the surface, they seemed to have fought for no reason.

But in fact, this is also the struggle between the Iwazu Publishing House on their side and the Tomoji Publishing House standing behind the New Century Association.

Thinking of this, Asakura Kihiro couldn't help but turn his head and ask: "How is it? Have you found Higashinoji's recent oil paintings from the New Century Association? Do you understand his current level?"

As the honorary vice president of the New Century Art Association, Higashinoji certainly cannot ignore it, so he specially asked someone to help check his level.

The man who lives in the same room as Asakura Kihiro is named Takahiro Kashiki, who is the vice president of the Uesugi Art Association.

At the request of Asakura Kihiro, he carefully searched for Higashinoji's oil paintings.

but...

"I have no clue here, President Asakura."

Kashimu Takahira couldn't help but shake his head, but in fact he felt a little confused.

Because in his opinion, it was just a matter of finding Higashinoji's recent oil paintings... This kind of thing should not be difficult to accomplish.

After all, Higashinoji is also a famous celebrity.

The oil paintings he painted...even works that practice writing should be found on the Internet or in newspapers.

But the actual situation is that in addition to the two Tokyo-themed oil paintings that were presented by the Tokyo National Youth Award two years ago, as well as the oil paintings of "Summer is End" at the Art Creation Awards jointly organized by the five major art academies in Tokyo...

Higashinoji's works are like a stone sinking into the sea, and there is no trace at all.

Even if he had read through the old newspapers before, he would ask others to inquire about Higashiji at that time... but he also knew nothing about the other party.

but...

"Even if you can't find it, it shouldn't matter much, President Asakura."

Takahei Kashiki expressed his thoughts: "Isn't Higashinoji a cartoonist? His comic works are really good. I admit that oil paintings and comics are two different concepts."

He was not wrong with this.

Oil paintings and comics cannot be said to have nothing to do with each other, but in terms of techniques, oil paintings obviously have higher requirements.

So Takahei Kashiki is really not worried about Higashinoji's works.

His two "Tokyo" paintings are indeed very good. I heard that some collectors bought them at a high price afterwards...

But that's it.

After all, this happened two years ago.

Higashinoji has been specializing in comics, and no one can tell whether his level has improved or declined.

So Takahiro Kashiki really doesn't care much about Higashi's level.

He said this, but Asakura Kihiro on the other side shook his head.

Indeed, if Takahei Kashiki said this, Higashinoji is indeed not worthy of attention.

But Asakura Kihiro has always been a person who pays attention to details.

If you can use tenth of your strength to kill the opponent, you will exert twelve points of force - there is no idea that a villain underestimates the enemy at all.

And uncertain factors like Higashinoji happen to be what he cares about the most.

"It's impossible that it's like in some TV series. Two years later, the genius suddenly took out another extremely excellent oil painting...?"
Chapter completed!